Apne

The film has a very warm tone of a father and his two sons. Told in the background of a-still-not-commercial-sport-in-India-boxing, Apne is a heart rending emotive display of Dharmendra to erase the blot on his sportive character.An equally good performance by Sunny and Bobby, this film is a must-watcher for family-film-people. A film for the fans of Dharmendra, surely. Lovely locations and excellent photography have helped a sensitive director Anil Sharma to direct this Deol attempt at presenting the family together for the first time. Himesh provides his usual score with the title track as unusually good-old world melody. Production values are good and the producer has spared no effort. A cut in the length of the film may help to woo another set of audience. The film will grow in terms of time to come and the producer must stand this test.

Film: Apne Director: Anil Sharma Cast: Dharmendra, Kiron Kher, Sunny Deol, Shilpa Shetty, Bobby Deol, Katrina Kaif, Victor Banerjee, Aryan Vaid, Divya Dutt Rating: ***

Anil Sharma's earlier films Gadar – Ek Prem Katha (Love story) and Hero-love story of a spy had extra dose of Sunny Deol's screams. But contrary to them, this film has been able to keep him quiet and let Dharmendra's acting shine. His earlier films had very subtle tag lines but they were actually filled with action. He kept this film without a tagline and filled it with heavy weights and boxing!!

Baldev Chowdhary played by Dharmendra is an ex boxer, Olympic silver medallist. When in the US fighting for the World Heavy weight Championship, the betting mafia conspired against him and made doping charges against him. This brought him a fifteen years ban on his boxing career. He was passionate and loved the sport more than anything. He was devastated by the verdict. So he challenged the federation in US that his son Angad played by Sunny Deol would become a world heavy weight champion and bring him the pride back.

The opening scene of the movie where Dharmedra looks at the snow in his hands and compares it with life, saying life is like snow...we know its going to melt but the period it stays in our hands, is most extraordinary and wonderful.

The gloomy cold atmosphere brings in the grief in the ex boxer's life. The scene has the presence of his friend Ali played by Victor Banerjee and the way they meet and bid goodbye creates a bit of a suspense. I felt that Baldev Chowdhary was going to commit suicide. During the conversation, most of the shots were mid-shots which brought emotion and sensitivity that the scene demanded.

Cut, the next shot brings life into a Television studio. His friend is being interviewed and the suspense remains whether Baldev Chowdhary has committed suicide or he is safe. The interview continues and the story sets back in India.

For 10 years Baldev tries to make Angad a heavy weight champion but it doesn't work out. Angad finally gives up boxing to a career in agriculture. He does quite well but it is completely against his father's wishes. At times it seems that Dharmedra is being selfish in putting so much pressure on his son. But when one looks at the gravity, suffering and pain in Dharmendra's character everything looks justifiable. This shift of balance is well portrayed by the director.

Kiron Kher plays his wife and everybody in the house listens to her. She is strong, loving and instantly bonds with the audience.

Shilpa shetty is the traditional Punjabi wife of Angad. She is full of life and a loving and caring wife, daughter-in-law and sister-in-law.

Karan played by Bobby Deol is Angad's brother and would be Rock Star. I strongly feel that just to add glamour and liveliness in a story, there is no need to bring songs. What was the need to show Bobby Deol's rock star song with his left hand in the pocket, when it was already clear that he had some problems with his left hand from his childhood. I think the editor could have been more liberal and generous in his work.

Baldev feels that he is let down by his own people. He doubts his very existence. But an opportunity comes in the form of a Boxing contest called 'Boxing Giant' organized by a Television channel. Each continent would have their own representative and the winner would fight with the world heavy weight champion Luca Gracia played by Jonnie Brown.

The director did a smart work by bringing a real politician Amar Singh in the beginning of the film. So that the audience may feel that the boxer Luca Gracia is also real. He is fantastic and definitely more opportunities will come his way to play villains in films.

It's the treatment given to the film and the spotlight to the family coming together, respecting and fighting (in literal terms) to bring back the lost pride is the strong point of the film. It's also true that the fight back appeared endless. At one point I felt If Angad also loses to Luca Gracia, Angad's kid would volunteer to fight with him!

If R K Laxman had to make a cartoon strip playing with his famous Malgudi Days, looking at the bad hair days of the Deols, it would be 'Balgudi' Days.

I felt an immensely talented actor like Victor Banerjee is wasted. The music by Himesh Reshamiya is not at all soothing. But the film rises above all…the emotion portrayed by the macho men is worth watching.

No two opinions about it. Anil Sharma's latest movie 'Apne' is rich in emotions. The film, marking the coming together of the three Deols on the silver screen for the first time, is the story of familial bonding and conflicts.

Having seen the film, it is clear why it is the best flick to cast Dharmendra and his two sons (Sunny Deol and Bobby Deol) together. The reason is its story and the three main characters in it. There is no doubt that the three Deols drew a lot from their personal lives into their performances in the film. That is why the emotions and the kinship show on the big screen, too.

Baldev Choudhary (Dharmendra) once won an Olympic silver medal in boxing. He came very close to realizing his dream of winning the World Heavyweight Boxing Championship. But he was falsely implicated in doping charges and banned from boxing.

His dream shattered, a disgraced Baldev retires with humiliation and resentment. Now, he hopes that his elder son Angad (Sunny Deol) will fulfill his dream. But Angad doesn't share his father's passion for boxing.

The relation between Baldev and Angad is strained. Instead of following his father's dream, Angad has his own aspirations from life.

Baldev's second son Karan (Bobby Deol) is physically incapable of taking up boxing and becomes a musician.

Things take a turn with Baldev's growing dejection as a boxing coach. This is when Karan, the younger son, is healed and decides to don the boxing gloves to fulfill his father's dream.

What follows next is the struggle of the two sons to restore their father's lost honour by realizing his dream.

'Apne' is not so much about boxing as it is about the special bonds between family members. Thankfully, the film doesn't delve into stereotypes. The leading character Baldev has some shades of grey to the extent that he wants to force his will upon his sons only to redeem himself. Then there is Sunny Deol's character that doesn't see eye to eye with his father. In fact, sequences featuring Sunny and Dharmendra are among the best in the film.

The movie's story develops gradually and as it does so it sucks you in. The boxing matches in the second half are very convincingly shot. However, Sunny Deol's taking on the heavyweight champion (played by Chris Anderson) is a bit hard to digest.

The film's music by Himesh Reshammiya is strictly okay. The cinematography by Kabir Lal is eye-catching. The film's editor, however, could have been more liberal in his job. The film's duration (a little less than three hours) could ideally be shortened to avoid deeper bumps on the seats of cinema halls.

Dharmendra is the central force of 'Apne'. Without him the movie would lose its soul. It is both surprising and pleasing to see Dharmendra deliver a powerhouse performance after doing utterly forgettable films like 'Kis Kis Ki Kismat' and 'Hum Kaun Hai'.

The septuagenarian actor breathes life and fire into his performance. His character's dream, his dejection, his resentment, his endearing charm and his anger is so very believable. Dharmendra proves yet again that he has not lost command over the craft of acting.

Sunny Deol looks a little aged and worn out for his role in the film. Despite this, he delivers a notable performance. Though for the most part he stays restrained and mellowed, but when his wrath is invoked, the actor gives you goose bumps with his performance.

Bobby Deol's acting is to the mark. He remains understated and doesn't have as many dialogues in the film as the other Deols.

The film's heroines Katrina Kaif and Shilpa Shetty have small roles. Kiron Kher is brilliant yet again in a natural performance.

Director Anil Sharma gets many things right in 'Apne'. Rather than focusing on action, he taps the emotive appeal of the film's story. The result is a film that can leave you with moist eyes.

My personal opinion worth the movie NOT a typical bollywood love story.

8.0 / 10.0 Regards

Apne is the best boxing film Indian cinema has ever seen. However, as boxing films are rare in Indian cinema -I can only think of the Mithun starrer Boxer and Sohail Khan's Aryan: The unbreakable - that probably doesn't mean much to you. So let me say that Apne is one of the best sports film ever made in India. Still a rare genre in Indian cinema, but it's saying something if we consider the likes of Lagaan, Iqbal and Naya Daur.

But I will not kid you: Apne is definitely not the Lagaan of boxing. Anil Sharmas direction is far too unrestrained and sophomoric to compare to Ashutosh Gowarikers more controlled and sophisticated direction. Its screenplay is too sluggish and overextended to match the fluidic pace of Lagaan, which even at 3 hours 45 min, felt like a breeze. Himesh Reshamiya songs are not even worth the dirt in Lagaan. So what makes this a good film, nay, even near great sometimes? Because there are bursts of brilliance, and when they come, their waves take you in their tide and exhilarate you. Then you come crashing back down again, irritated with the blatant emotional manipulation and the repeating title track, ready to murder the person you came with, because you just cannot bear it anymore --- Then comes another tide and you're riding the high-wave again!

So when do the tides start coming in? After a drawn out first half and a very slow start, with almost endless crying/sentimental scenes, where the characters are not even established yet, but we are expected to emphasise with their deep sorrow, and just for good measure loads of dramatic music and repetition of "Apne, Apne hote hain" to drive the point home; ff there was anyone crying at this point, it was probably because they wanted it to stop! As let up, we have some very contrived comedy, from one of the laughter champion zelebs, which is not far removed from the stand-up routine we see on television. But this ceases as we progress to the second half, into the bread and butter of the film --- BOXING! Pure, unadulterated, BOXING MANIA!

The boxing scenes are so good, that they alone are worth the price of the ticket. If you have seen legendary fights, then expect to see some of the greatest fights ever on the screen. This is not predictable sports film sports scenes, it's full of twists, edge of your seat action, drama, powerful performances and story intrigue. The action is so realistic, that if you are faint hearted, you will flinch and cover your face, otherwise, may cheer loudly. They are going to go wild in India with these scenes. Even here in the UK, some people were loudly cheering in the audience and each blow sent shock-waves throughout the audience.

The credit goes to the stunning choreography, the machine-gun editing, the brilliant visual effects, the bombastic sound effects and the atmosphere the crew have created with mass-crowds chanting and the very authentic ring and auditorium. These are MUST-SEE fights.

And what takes it to a level outside of the stratosphere are the brilliant performances by the Deols. Their performances, especially Dharmendra and Sunny Deol make the audience berserk. And then enter Lucia Garcia in the end, and you are in for a launch into orbit. I think this is the first Bollywood film with a black-person in a substantial role, and kudos to the casting agent for choosing such a fine actor and creating a proper character for him, with some absolutely terrific dialogues. It almost feels like they enlisted a huge Hollywood actor to match acting with the Deols.

What really takes your heart is the inherent patriotism in the film. This is definitely a film made to excite the Indian crowds. The Punjabi flavour and the fragrance of the fields of the India only adds to the patriotic feel. This is a Deol film to the core, but leagues ahead of their other films, and this time with patriotism that you can ride from the beginning to the end. It's this patriotic fervour that makes you want to get up and cheer and scream at the top of your voice. I would be shocked if this film is not a raging success in India. For me, despite the flaws, this is the best film of the year

This has to be the first time that I have seen the audience clap and cheer a fight scene in the UK. When Sunny Deol exacts revenge in the climax on Luca (the current Heavyweight Champion) for what he did to his brother, the entire cinema erupted. Excellent stuff.

On the whole Apne isn't a brilliant film, but it has its moments, be it the emotional scenes between Dharamendra and his sons or the scenes in the boxing ring, it does leave its mark on you.

It was great to see Dharamendra back on screen playing a well etched character. His bitterness and failure really came across very well. Bobby Deol was also good in probably the weakest (no pun intended) character of the three. Sunny Deol as always was brilliant. No one plays rage and anger on screen as well as he does. He really gets the audience going.

To sum up Apne will leave you with moist eyes and fists. It makes a change to see a good desi film on screen, rather than the pretentious 'we're almost like Hollywood' type of films which are churned out week after week.