As seniors in high school, Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the Wildcats, they stage a spring musical to address their experiences, hopes and fears about their future.
At a music camp for gifted teens, a popular teen idol overhears a girl singing and sets out to find who the talented voice belongs to. What he doesn't know is that the girl is actually a camp kitchen worker with a fear of being heard.
Mitchie can't wait to return to camp rock so that she and love-interest Shane can spend the summer making music and having fun with their friends and band mates. But when a rival camp, Camp... See full summary »
A 16-year-old girl prepares a list of 16 wishes for eight years, hoping they will come true on her 16th birthday. A fairy comes to give her 16 candles that make the 16 wishes come true. Her... See full summary »
Anna Mae Wills
As Hannah Montana's popularity begins to take over her life, Miley Stewart, on the urging from her father takes a trip to her hometown of Crowley Corners, Tennessee to get some perspective on what matters in life the most.
A guy who danced with what could be the girl of his dreams at a valentine mascarade ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her ... See full summary »
Troy is offered a job at Ryan & Sharpay's country club and ends up landing jobs for Gabriella, Chad, Taylor, Kelsi, Jason, Martha and Zeke. He is then introduced to Sharpay's parents and realizes that Sharpay can land him many opportunities and even a basketball scholarship. Meanwhile, while Troy starts hanging out with the rich folk, Chad is worried that Troy will forget his friends. Gabriella feels as though she is losing Troy to Sharpay. In the end, Troy will have to learn how to think about his scholarship without losing his friends.Written by
Charles Klapow: The main choreographer can be seen in almost every dance sequence with a long, dark mohawk. In "What Time Is It," he is in the basketball dance, doing a handshake with Troy, and is wearing a red short-sleeved shirt over a white long-sleeved shirt. In "Work This Out," the choreographer is in a green Lava Springs shirt and work pants, in the middle of the three men with pepper grinders. During "Everyday," he is wearing a silver vest over a pink shirt who dances across the line crossing paths with Martha. Finally, in "All For One," he is wearing a blue tee with red trim, seen during the choreography dancing with a girl in yellow, and with Miley Cyrus. See more »
When Troy is talking to his dad; his dad walks in with the ribs and sets them on the bed. When his dad reaches for the picture the ribs aren't there. See more »
You must remember, young thespians, learning is never seasonal, so do allow the shimmering lights of Summer to refresh and illuminate your fertile young minds.
What is she talking about?
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What Time Is It? Time To Cash In! (and why HSM does exactly that)
I've finally found out the reason why the High School Musical phenomenon is such a success. Why the first movie's soundtrack was the top-selling CD of last year. Why there are ice shows, stage productions (amateur and pro), karaoke CDs, and karaoke DVDs to boot. It all traces back to the 90s.
You see, the 1990s gave birth to NSync, Backstreet Boys, the Spice Girls, Britney, Christina, Jessica, what have you. But their time wasn't meant for the 90s. They had come too early. Music honestly wasn't ready to cycle back to the confectionery, syrupy, Velveeta meets cotton candy of the late 50s/ early 60s. But now is the time.
The reason that High School Musical, and now Part 2, are such a success is because 1990'S POP MUSIC IS BACK WITH A VENGEANCE!!! High School Musical was the Reset Button, if you will, setting kidz-bop-pop back in its rightful place. Adults have their music, their innuendos, their profane-angry-paranoid-hurtfully honest songs. Why not give the kids a break? A place to be a kid?
The sequel does a great job of avoiding the urge to fix what's unbroken, but instead to polish it. This film isn't darker, but it is spunkier. More attitude, and even more confidence (if that's hard to imagine). This film is strictly for A) kids, and B) people who not only remember but enjoyed being kids. High School Musical 2 is a burst of joyful exuberance. Winks towards adult audiences have their place, but so do productions where a kid isn't talked down to or expected to grow up too fast.
The straight-up theater pop of the first has been replaced with more of a Hip-Hop/ Arena Pop edge. Less Broadway, more Billboard. Plus, the mythological task of defeating high school cliques has been replaced with simply earning a check for the summer. The movie wants to feel bigger than the last, but it's actually more intimate. That's an unintended plus.
The cast goes through some drama this time around, and some changes are made, character-wise. This was the biggest surprise. Disney Channel could have simply done a rehash of the first film, but everyone involved truly did a great job. I forgot that, as corny as the premise - the whole franchise - is, these guys can really act. And sing. And dance. No wonder Disney gonna's make a fortune.
And no wonder musical theater is so rough. Every single participant has to be a Triple Threat. But that's part of the fantasy of the first film: making the audition, giving it your all, and gaining the applause and support of your peers. What's great about this second movie is, really it's about the reverse of that. LOSING the support of your peers. Losing yourself in search of something you don't really need, not yet anyway. It's a good message: The future will come soon enough. Enjoy being a kid and being with the ones who love you while you still can.
Still, if this second movie doesn't match up to the first, it's because of moving it away from the dream of Triple Talent Status. No longer a musical about a musical, it instead becomes a musical about a country club. Instead of risking social status to be yourself, to find yourself, it is now about the dangers of losing yourself, by giving into social status. More dramatic, sure. A stroke of genius, I would say, except for the fact that it's still a freakin' High School Musical movie, not a Country Club Musical movie.
By moving into more complex territory, it grows up. But by default, it is less fun, just a smidgen less, than the original. To its credit, it isn't stale (the new setting keeps it fresh), but Disney Channel, Ortega, and all company involved will be hard pressed to create a three-quel that's just as fun, lively and CHOCK FULL OF 90'S POP as the original. A return to the theater would be welcome.
As for the songs themselves, let's just say I've been fair enough to comment that I enjoyed the MOVIE for what it was. Disney's been great at soundtracks but they'll have to do a lot better for part 3. Aside from the opener and a baseball game/swing number, there's not much to enjoy this time around, once again due in part to the removal of the high school locale.
The kids will LOVE IT, the parents will Tolerate it, Disney Channel will collect money hand over fist, and everyone else will have no idea what is going on because they've failed to realize (A) what it meant to be a kid, (B) that 90's Pop Music is back with a vengeance, and (C) everybody wants to sing and dance, even if they don't want to admit it.
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