The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles ...
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Enduringly traumatized by the disappearance of her 3-year-old daughter 15 years ago, Julia Sandburg has cut herself off from anyone once near and dear to her, including her husband Doug and... See full summary »
Miserable real estate agent Frank, whose business is failing and his relationship with his family is at an all-time low, meets by chance Sarah, a nice woman who reminds him of his mother. Their friendship starts healing him emotionally.
Leo is released from prison after serving time for car theft. His plan to go straight falls apart when he meets his corrupt uncle for a job and later an old friend working there. It culminates at the (railroad) yards.
The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles to clear the noises in his head while all around him deal with the after burn of the crime.Written by
The train carriage in which the massacre occurs is halfway down the train. One of the victims is a man in an electric wheelchair. Because there is a gap between train and platform on Melbourne's train system people in electric wheelchairs must board the train in the front carriage, where the driver can assist by placing a ramp between the train and platform. See more »
Constable Graham McGahan:
I got this theory about that. You know, what I read was, heaven or hell, is whatever you're thinking that second between your body dying and your brain dying. Your regrets, who you loved, who loved you. What you remember of your life, that's the eternity everyone's talking about. So, if you are a fuckwit, then... when you die, in that ten seconds between your brain and your body dying, your brain remembers all the time you were a fuckwit - over and over again... until it feels like this ...
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Oh man, what a great film. I enjoyed this so much. You'd be much better not knowing too much about it - but since you're here, you already know a fair bit (and I promise not to tell you any more). This is a 'grower,' one of those quiet, strong movies that not everyone will 'get' or appreciate. To me, it worked in the same way as Trampoline, Sideways, Little Miss Sunshine (and indeed Sunshine) and You, Me and Everyone We Know (I think that was its name) work... quirk, waywardness, risk. For it to succeed in working for some of us, almost by definition it's bound to alienate lots of others, too. I'm not surprised that some will say "Huh? Is that it?" But the ways it plays with the notion of noise and not-hearing and hearing something but not the right thing are just tremendous. So three cheers for writer and director Matt Saville. Ditto too for the acting - not a wrong note or bad performance among 'em.
I'm still thinking about this movie a couple of days on... Do yourself a favour, try not to learn any more about this, try not to let my raving set too high an expectation, and get along and see it for yourself. I hope you're one of those who DO get it.
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