A documentary on the making of the three Godfather films, with interviews and recollections from the film makers and cast. This feature also includes the original screen tests of some of ... See full summary »
Francis Ford Coppola,
THE GODFATHER LEGACY goes deep inside Francis Ford Coppola's epic saga about the Corleone crime family and reveals how the Academy Award-winning film and its sequels became one of the most ... See full summary »
Kris Kelvin joins the space station orbiting the planet Solaris, only to find its two crew members plagued by "phantoms," creations of Solaris. Kelvin is soon confronted with his own phantom, taking the shape of his dead wife Hari.
Sergey Filippov will spend us along film studio corridors where the comedy almanac is removed. There the full mess is created, but it isn't less of it in short stories of the almanac, the ... See full summary »
Chinese TV-series in 20 episodes based in the eponymous book by 'Boris Vasilyev (I)'. Sergeant Vaskov (Sokolov) is stationed at remote artillery post in Russia during WWII. He is in charge ... See full summary »
If you keep in mind that Mario Puzo's The Godfather novel had no literary sequel, I find it astonishing that within the span of less than two years later both he and Francis Coppola were able to produce such a feat!
Nevermind the fact that the idea of cherry picking backstory from Vito Corleone's and forecasting into Michael and the Corleone family future and fates is something to approach with great trepidation for an author and filmmaker. But they pulled it off!
Then they had the audacity and inventiveness to introduce a flashback structure into the film. Coppola told editor Walter Murch if he had only had a little more time editing it before its release that "it might've been great". The resulting 1977 "Novel for Television and its uncensored 1981 Godfather Saga (released only on VHS) is the fulfillment of that wish and evidence of its greatness.
If two great films can be intercut together, reordered (and even have plot lines expanded upon) and still remain seamlessly coherent, that alone is a testament to the genius of both story(s), direction and author(s).
Imagine if you will, a director producing a sequel of the same power a year or two later to any classic work like Stephen King's "Shawshank" or Margaret Mitchell's "Gone with the Wind". Couldn't be done and hasn't. Except in Godfather's case.
(Coppola even managed to direct and write "The Conversation" in between).
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