Persepolis (2007)

A precocious and outspoken Iranian girl grows up during the Islamic Revolution.

Directors:

Vincent Paronnaud, Marjane Satrapi

Writers:

Marjane Satrapi (comic), Vincent Paronnaud (scenario)

Stars:

Chiara Mastroianni, Catherine Deneuve, Gena Rowlands

Nominated for 1 Oscar. Another 28 wins & 54 nominations.

Cast

Credited cast:
Chiara Mastroianni	...	Marjane (voice)
Danielle Darrieux	...	Grandma (voice)
Catherine Deneuve	...	Mom (voice)
Simon Abkarian	...	Dad (voice)
Gabrielle Lopes Benites	...	Marji (voice)
François Jerosme	...	Anoush (voice)
Tilly Mandelbrot	...	Lali (voice)
Sophie Arthuys	...	Walla (voice)
Arié Elmaleh	...	Walla (voice)
Mathias Mlekuz	...	Walla (voice)
Rest of cast listed alphabetically:
Lexie Kendrick	...	Friend / Gossip / Teacher (2008) (voice)
Sean Penn	...	Mr. Satrapi - Marjane's Father (voice)
Gena Rowlands	...	Marjane's grandmother (voice)

Storyline

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own. With Marji dangerously refusing to remain silent at this injustice, her parents send her abroad to Vienna to study for a better life. However, this change proves an equally difficult trial with the young woman finding herself in a different culture loaded with abrasive characters and profound disappointments that deeply trouble her. Even when she returns home, Marji finds that both she and homeland have changed too much and the young woman and her loving family must decide where she truly belongs.

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Plot Keywords:

iran | iranian revolution | 1970s | f rated | based on comic book | 

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Genres:

Animation | Biography | Drama | War

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Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including violent images, sexual references, language and brief drug content

Details

Official Sites:

Official MySpace [France] Official site [Spain]

Country:

France USA

Language:

French English Persian German

Release Date:

22 February 2008 (USA)

Also Known As:

Persépolis

Box Office

Budget:

$7,300,000 (estimated)

Opening Weekend:

€1,402,949 (France), 1 July 2007, Limited Release

Opening Weekend USA:

$37,118, 23 December 2007, Limited Release

Gross USA:

$4,443,403, 18 May 2008

Company Credits

Production Co:

2.4.7. Films, France 3 Cinéma, The Kennedy/Marshall Company

Technical Specs

Runtime:

96 min 89 min (TV)

Sound Mix:

Dolby Digital

Color:

Color Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Iran's government sent a letter to the French embassy in Tehran to protest against the movie and pressured the organizers of the 2007 Bangkok Film Festival to drop it from the lineup.

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Goofs

Young Marjane talks about torturing someone by making them put garbage in his mouth and making him chew it three times. She demonstrates this by grabbing a bunch of garbage out of a garbage can. In the next shot, when Ramine rides by on his bike, the garbage has vanished.

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Quotes

[first lines]
Airport receptionist: Ticket and passport, please.

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Connections

References Oshin (1983)

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Soundtracks

Eye of the Tiger
Written by Jim Peterik (as James Peterik), Frankie Sullivan (as Franck Sullivan III)
(c) Three Wise Boys Music / Ensign Music Corp c/o BMG Music Publishing France
(c) WB Music Corp / Easy Action Music
By permission from Warner Chappell Music France and BMG Music Vision
Performed by Chiara Mastroianni
Arranged by Olivier Bernet

User Reviews

A life in cartoons.

It's quite unusual for a writer to adapt its own book to the screen, especially when it's a comic-book (well, Frank Miller's done it, but that's another story), and especially when it's an autobiographical comic book. That's the originality of this movie, which is the adaptation of a autobiographical graphic novel by its very author. "Persepolis" deals with the life, and especially the youth of Marjane Satrapi, in Iran, during the reign of the Shah and the Islamic revolution. But if the memories could be easily told alone in front of a blank paper, isn't it harder to be true and sincere when you are surrounded by a all animation crew ?

That's the great achievement of the movie : to be true to the comics and therefor, to the life of Marjane. The best parts of it are all about her personal relations, with her grandmother or her uncle. You really have the feeling that she relates all this events to praise their memories and who they were. On the other side, the political scenes and historical point of view that supposedly are the goal of the movie seem to me a little less good than the family or personal souvenirs. It may be true but it seems a little bit simple and even cliché sometimes (see for instance the history of the Shah for all audiences). The personal view on the repercussion of the Islamic repression is way better than this kind of big exposes. The death of a young man trying to escape the police after a party or the attitude of a man insulting her mother in a parking tells us more about the regime in Iran than the speech the movie sometimes (but not so often) gives us.

So, paradoxically, the more personal the movie gets, the truer it is. The all rapport the difficulties to left your country and to adapt to another world seems for instance very honest and touching. The childhood period, told in a comic strip style is both funny and melancholic. In the end, this movie is far from being a movie about Iran, but only tells an individual life, crying for freedom in a country were a woman can't reach it, but transfigured by personal memories and a strong animated point of view, that uses all the techniques and styles a comic-book adaptation could offer.