When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters--an aged song-and-dance team from the days of Fred Astaire--to rescue him.
Since his beloved violin was broken, Nasser Ali Khan, one of the most renowned musicians of his day, has lost all taste for life. Finding no instrument worthy of replacing it, he decides to confine himself to bed to await death.
Maria de Medeiros
In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own. With Marji dangerously refusing to remain silent at this injustice, her parents send her abroad to Vienna to study for a better life. However, this change proves an equally difficult trial with the young woman finding herself in a different culture loaded with abrasive characters and profound disappointments that deeply trouble her. Even when she returns home, Marji finds that both she and homeland have changed too much and the young woman and her loving family must decide where she truly belongs.Written by
Kenneth Chisholm (email@example.com)
Intellectual and funny autobiographical animation. One of a kind
Marjane Satrapi's venture to present the chronicle of the Iranian Islamic revolution filtered through the eyes of a lively and cheeky, French-educated young girl is bold and ambitious. To do so by the help of strong-silhouetted, axe-carved, triangle-nosed cartoon figures is even more peculiar. Her powerful heroine Marjane, named by no coincidence after the creator however, spectacularly succeeds in replacing and emulating any possible real flesh characters. She is intellectual, witty, utterly impudent and very funny; the essential Euro-kid of the wild and untamed 1970s and early 1980s.
This brilliant movie serves as a study proving that animation is more powerful and potent than ever before no matter how unsophisticated and basic the visual elements are. And although the technique used in Persepolis has long been present it can be said that perfection has just been achieved.
Satrapi's work is so very French: wantonly intellectual, acrimoniously witty, utterly sarcastic and outrageously funny. However, even this masterpiece could not escape common places and is not without disturbing occurrences of generalization of characters and situations. Still, you will have a wide and genuine smile on your face coming out of the theater. Persepolis is per se unique and compelling with the ability to make you smile at the right moments - when tension has built up too much.
11 of 12 people found this review helpful.
Was this review helpful to you?
| Report this