Eleven love stories set in one of the most loved and hated cities of the world, New York City.Eleven love stories set in one of the most loved and hated cities of the world, New York City.Eleven love stories set in one of the most loved and hated cities of the world, New York City.
- Awards
- 1 nomination total
- Anna (segment "Yvan Attal")
- (as Robin Wright Penn)
Featured reviews
"New York, I Love You" is a collection of short films directed by twelve people, fused together without introduction or gaps. As a result, stories jump from one place to another incoherently. Some shorts are interesting and entertaining, like the one about a thief in the café. Some shorts are technically well made, like the one in the bright hotel room (but the contents of which is incomprehensible). Some of the shorts are quite boring and even pointless, such as the one involving the works of the Russian literary giant.
I say "New York, I Love You" is misleadingly titled because most shorts are not about love, the only one that is really about love is the one with the elderly couple. Most other shorts are about brief flirtatious encounters or carnal attraction. In addition, all the shorts are not location specific. They could have been set in any city in the world without affecting the storyline. I do not see any scene that strikes me as "This is so New York" or "This can only happen in New York".
In summary, "New York, I Love You" lacks coherence and engaging themes. Despite the great ensemble cast, the result is disappointing.
My interest in this film was mild, it boasted a large cast and several directors, but I was more interested in Paris, je t'aime. New York, I Love You comes off as a poor attempt at trying to show talent and style. The film is good, but not as good as it should, or wants to be. I found it to be very uneven with each short and I truly liked only one of them.
Instead of going into each short, beat by beat, I'll highlight the ones I care enough to talk about, for better or worse. We start off with Bradley Cooper and Justin Bartha, each getting into a cab and having a small argument over which street to take. This is our introduction to this film, it's interesting and mildly funny, but offers us no insight into either character or their situation. We go on through other shorts, involving a bald Natalie Portman and lazy boy Orlando Bloom. I found that a lot of the shorts had characters that I just didn't have interest in. For a short, one of the main objectives is to grab the viewer's attention with either a character or situation, many of these shorts fail to do this.
The one short that I absolutely loved, is also the most basic one. Two people who are in love walk down the street together. Cloris Leachman and Eli Wallach are perfect and in their old age outshine everyone else in this piece. Their short is soft and heartfelt. The only true love story in this whole piece. While other pieces were interesting and entertaining (Maggie Q and Ethan Hawke) none had the presence of Leachman and Wallach.
As mentioned before, some shorts are uneven and try to pull small twists here and there. Most of them are obvious (Ratner's piece & Cooper/Wright Penn) but I give them credit for trying. Everyone does a decent job in their roles, as I mentioned, this is a pretty big cast. Shia LaBeouf stars in the oddest segment of them all, along with the beautiful Julie Christie. It'll have some people scratching their heads, as it seems to be the odd one out of the group.
One big problem is that the film doesn't showcase New York enough, it should almost be a third character, but instead it's simply the backdrop. The film suffers from the lack of ethnicity that should be present. This is New York after all, but instead we get the beautiful cast, it doesn't feel real.
The film is pretty much hit or miss and nothing jumps out at you as a wow moment. Each segment is directed well, but nothing memorable. I read each segment was given a short amount of time to film everything, that has its pros and cons. Why not take more time to craft everything?
7/10
Most of these New York City stories manage to wrap up with a twist. This O. Henry-style surprise element is the structural key that gives several segments their sense of closure, especially in Yvan Attal's two-part entry about encounters between smokers outside a restaurant. In one encounter, Ethan Hawke as a fast-talking young writer brazenly tries to pick up a woman (Maggie Q) with unexpected results; in the other, Chris Cooper and Robin Wright Penn share some tantalizing conversation with an equally unexpected resolution.
Almost as good are a strange prom date between an awkward boy (Anton Yelchin) and the wheelchair-bound daughter (Olivia Thirlby) of an eccentric, pushy pharmacist (James Caan) and a slick bit wherein Hayden Christensen as a smart alecky pickpocket goes up against Andy Garcia as a college professor who turns the tables on him in the manner of Miriam Hopkins and Herbert Marshall in the 1932 classic TROUBLE IN PARADISE.
Standing apart from all other segments is the lovely character study of a married couple (Eli Wallach and Cloris Leachman) bickering gently as they walk to the seashore to commemorate their 63rd wedding anniversary – beautiful acting by two old masters.
In Allen Hughes's segment there is some excellent internal monologue writing by Alexandra Cassavetes and Stephen Winter about two insecure people on their way to their second date with each other, wonderfully enacted by Drea De Matteo and Bradley Cooper.
Other segments - including Mira Nair's with Natalie Portman as a Hassidic Jew momentarily smitten with a Jain diamond merchant (Irrfan Khan) on the eve of her wedding, and Shekhar Kapur's with Julie Christie as an aging singer who checks into an ethereal hotel staffed by a crippled Shia LeBouef and a haggard John Hurt – have their moments, but peter off into nowhere. Too bad the reunion of Christie and Hurt almost exactly 40 years after their only other co-starring film, IN SEARCH OF GREGORY, couldn't at least have shown them together clearly, from the front, in the same frame, just once.
Other than one episode in Brighton Beach and one in Chinatown, the action takes place in well-heeled sections of Manhattan. The black and Puerto-Rican population is barely represented, though the age range of subjects covers about 7 through about 90. The boroughs of the Bronx, Queens and Staten Island are ignored completely. Few of the stories concern themselves with themes or situations unique to New York. Most of them could just as easily take place in London or Berlin or Buenos Aires or Tokyo. But the rapidly shifting focus, the large and interesting cast and occasional sharp writing, keep one reasonably entertained despite the occasional misfires.
So if nothing happens, what's it all about? Well, here we have 10 slice-of-life vignettes of people living in New York City focusing on interpersonal relationships, character drama, and in almost every story some sort of quirky ironic twist.
In a few cases the ironic twist is enough to make you say to yourself, "Aha! Good one." Segments in this category include a segment starring Robin Wright & Chris Cooper about a woman & man who meet on the street flirting with the idea of anonymous sex, or in the segment starring Olivia Thirlby, James Caan & Anton Yelchin about a boy who goes to the prom with a girl in a wheelchair, or the opening segment starring Hayden Christensen & Andy Garcia about a petty thief who meets his match. Or an impressive directing debut from Natalie Portman about a man who takes a young girl to the park for a day. Each of these may seem light on story, but there's a nice twist to each.
Other segments are a little less twisty in plot, but they make up for it with charming characters or quirky conversations, like the segment with Ethan Hawke using every line in the book to pick up a mysterious woman, or the segment starring the screen legends Eli Wallach ("The Good, the Bad and the Ugly") & Cloris Leechman ("Frau Blucher!" in Young Frankenstein) about an elderly couple who go to Coney Island for the day.
And then there's the segment starring Julie Christie as a lonely, retired opera singer who checks into an ancient hotel for a night. That segment stands out for its haunting style and quiet desperation.
"New York, I Love You" is the American version of "Paris je t'aime" released two years earlier, each film featuring a series of shorts highlighting the human love affair with an iconic city. Oddly enough, "New York" features all but 2 directors who were born outside America (including Natalie Portman--did you know she was born in Israel?), so there is a very culturally diverse vibe. This ain't no "Friends" centered around young professional caucasians. It often digs deep into the ethnic perspective with characters who are Jewish (Hacidic), Hindu (Jain...although he points out that Jains are not Hindu because Hinduism is too materialistic haha), Chinese, Iranian, British, and a few I couldn't figure out.
My only real gripe with this film is that it seemed uneven at times, with the directing styles and stories often shifting gears so abruptly, and without any signals to let you know the prior story had ended and we're on to the next, that you can easily get disoriented. Transitions with characters' paths criss-crossing were inserted to make it more of a cohesive whole, but I think the opposite effect happened. I might've liked it better if the stories were kept very separate, like in the excellent "Tokyo!" featuring 3 very different stories from very different directors. But as far as short film compilations go, "New York, I Love You" is a good solid package that should tickle your nostalgia bone whether or not you hail from the Big Apple.
I can't end without mentioning my favorite film in this genre, "Coffee & Cigarettes" by Jim Jarmusch, featuring 11 short films set in Coffee Shops around the world. If you like this sort of thing, definitely check that one out.
Storyline
Did you know
- TriviaThe various filmmakers were asked to adhere to three guidelines: They had only twenty-four hours to shoot, a week to edit, and needed to give the sense of a particular neighborhood.
- GoofsWhen the painter was drawing the Chinese woman using soy sauce, he dripped a few drops on her face, but in the next scene, in his studio, the soy sauce drips are gone.
- Quotes
Camille: Hey, David, it's Camille. You know, when Dostoevsky was writing The Gambler, he signed a contract with his publisher saying that he would finish it in twenty-six days, and he did it, but he had the help of this young stenographer. This girl, she... she stayed with him and she helped him. And... afterwards they actually got married. Ha, isn't that cool? That's how he met his wife. Anyway I found this story in the preface for Crime and Punishment so I was thinking that... and, this would have to be between you and me, but... I was thinking that I could read the books and tell you what's going on and that way you could just focus on your music. But only if you're comfortable with this, and if you're not then you can just forget it, and you can quit, but if you are... then open this door.
David: Open... this door?
[crawls to his front door and opens it]
Camille: Okay, a deal's a deal.
David: Does this mean we're getting married?
Camille: I have a lot of reading to do...
Camille: Hi, I'm Camille.
David: Hi, I'm David.
- Crazy creditsThe last segment segues into scenes from the film, viewed as if projected on parts of buildings. After, the end credits begin, accompanied by stills, both of the characters and behind the scenes.
- Alternate versionsWhen the title was shown at Toronto Film Festival it included two additional segments These Vagabond Shoes (2009) and Apocrypha (2009), these were removed for the wide release but are included in the DVD extras.
- ConnectionsEdited into These Vagabond Shoes (2009)
- SoundtracksNo Surprises
(1997)
Performed by Radiohead
Courtesy of Parlophone Records
Under License from EMI Music Group
Written by Jonny Greenwood (as Greenwood), Colin Greenwood (as Greenwood), Ed O'Brien (as O'Brien),
Phil Selway (as Selway), Thom Yorke (as Yorke)
Published by WB Music Corp. (ASCAP)
- How long is New York, I Love You?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Nueva York, te amo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,700,000 (estimated)
- Gross US & Canada
- $1,588,015
- Opening weekend US & Canada
- $380,605
- Oct 18, 2009
- Gross worldwide
- $9,961,023
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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