Easy Virtue (2008)
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- PG-13
- 1h 37min
- Comedy, Romance
- 19 Jun 2009 (USA)
- Movie
- 2 wins & 6 nominations.
- See more »
Photos and Videos
Cast verified as complete
Jessica Biel | ... |
Larita Whittaker
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Ben Barnes | ... |
John Whittaker
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Kristin Scott Thomas | ... |
Veronica Whittaker
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Colin Firth | ... |
Mr. Whittaker
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Kimberley Nixon | ... |
Hilda Whittaker
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Katherine Parkinson | ... |
Marion Whittaker
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Kris Marshall | ... |
Furber
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Christian Brassington | ... |
Phillip Hurst
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Charlotte Riley | ... |
Sarah Hurst
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Jim McManus | ... |
Jackson
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Pip Torrens | ... |
Lord Hurst
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Jeremy Hooton | ... |
Davis
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Joanna Bacon | ... |
Cook / Doris / Beatrice
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Maggie Hickey | ... |
Millie the Maid
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Georgie Glen | ... |
Mrs. Landrigin
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David Longstaff | ... |
Reverend Burton
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Mike Archer | ... |
Warwick Holborough
(as Michael Archer)
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Rebel Penfold-Russell | ... |
Mrs. Winston
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Stewart Clarke | ... |
Young Man #1
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Oliver Reid | ... |
Young Man #2
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Joe Reid | ... |
Young Man #3
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Stephan Elliott | ... |
Grumpy Party Guest
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Sheridan Jobbins | ... |
Grumpy Party Guest
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Fizz | ... |
Poppy
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Rest of cast listed alphabetically: | |||
Laurence Richardson | ... |
Marcus (uncredited)
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Directed by
Stephan Elliott |
Written by
Stephan Elliott | ... | (written by) & |
Sheridan Jobbins | ... | (written by) |
Noël Coward | ... | (play) (as Noel Coward) |
Produced by
Joseph Abrams | ... | producer |
Paul Brett | ... | executive producer |
Alexandra Derbyshire | ... | co-producer (as Alexandra Ferguson) |
Louise Goodsill | ... | executive producer |
Douglas Hansen | ... | executive producer |
Ralph Kamp | ... | executive producer |
George McGhee | ... | executive producer |
Sophie Meyer | ... | associate producer |
Peter Nichols | ... | executive producer |
Tim Smith | ... | executive producer |
James Spring | ... | executive producer |
James D. Stern | ... | producer |
Barnaby Thompson | ... | producer |
Cindy Wilkinson Kirven | ... | executive producer |
Music by
Marius De Vries |
Cinematography by
Martin Kenzie |
Editing by
Sue Blainey |
Editorial Department
Phil Ashton | ... | digital colourist |
Wilmann Bevolley | ... | second assistant editor |
Paul Ensby | ... | digital color timer |
Robin Langer | ... | colour grader: rushes |
Dominic Thomson | ... | digital editor |
Jane Winkles | ... | first assistant editor |
Maria Chamberlain | ... | colorist: dailies additional (uncredited) |
Casting By
Celestia Fox |
Production Design by
John Beard |
Art Direction by
Mark Scruton |
Set Decoration by
Niamh Coulter |
Costume Design by
Charlotte Walter |
Makeup Department
Tamsin Dorling Barbosa | ... | hair stylist (as Tamsin Dorling) / makeup artist (as Tamsin Dorling) |
Paul Gooch | ... | hair stylist / makeup artist |
Flora Moody | ... | makeup trainee: dailies |
Paul Mooney | ... | hair stylist |
Paula Price | ... | hair stylist / makeup artist |
Barbara Taylor | ... | crowd hair stylist / crowd makeup artist |
Jeremy Woodhead | ... | hair designer / makeup designer |
Production Management
Polly Duval | ... | post-production supervisor |
Charlie Simpson | ... | unit manager |
Tim Wellspring | ... | unit production manager |
Second Unit Director or Assistant Director
James Chasey | ... | second second assistant director (as Jamie Chasey) |
Richard Goodwin | ... | key second assistant director |
Sheridan Jobbins | ... | second unit director |
Andrew Mannion | ... | additional third assistant director |
Christopher Newman | ... | first assistant director (as Chris Newman) |
Carly Taverner | ... | third assistant director |
Art Department
Louise Begbie | ... | assistant art director |
Sarah Bicknell | ... | stand-by art director (as Sarah Stuart) |
Tristan Carlisle-Kitz | ... | dressing props |
Chris Cull | ... | property master |
Nigel Kirk | ... | hod painter |
Dougie Lankston | ... | dressing prop daily |
Jono Moles | ... | construction manager |
Lucy Moles | ... | construction buyer |
John Moolenschot | ... | on-set carpenter |
Barnaby Papworth | ... | construction coordinator |
Alan Payne | ... | graphic artist |
Simon Riley | ... | props storeman |
Rosie Rose | ... | set decorating assistant |
Lloyd Vincent | ... | chargehand stand-by props |
Lee Wiseman | ... | props |
Gary Dempsey | ... | stand-by painter (uncredited) |
Rohan Harris | ... | paintings (uncredited) |
Mark Jones | ... | dressing props: dailies (uncredited) |
Scott Keery | ... | props (uncredited) |
Eddie Murphy | ... | carpenter (uncredited) |
Tom Roberts | ... | standby prop (uncredited) |
Sound Department
Howard Bargroff | ... | re-recording mixer |
Simon Gershon | ... | sound / supervising sound editor |
Charlotte Gray | ... | sound assistant |
Dan Green | ... | dialogue editor |
Mike Grimes | ... | sound effects editor |
Steve Hancock | ... | boom operator |
Dan Johnson | ... | adr recordist |
John Midgley | ... | production sound mixer |
Bernard O'Reilly | ... | location foley recordist |
Martin Seeley | ... | playback |
Matthew Skelding | ... | sound / supervising sound editor (as Matt Skelding) |
Barnaby Smyth | ... | foley supervisor |
Andrew Stirk | ... | foley recordist |
Chris Sturmer | ... | sound consultant: dolby |
Jason Stevens | ... | sound negative (uncredited) |
Special Effects by
Hugh Goodbody | ... | special effects technician |
Mark Holt | ... | special effects supervisor |
Jan Staines | ... | special effects technician |
Visual Effects by
Kris Anderson | ... | digital compositor |
Steven Bray | ... | digital compositor / title animation |
Simon Carr | ... | scene supervisor / visual effects supervisor |
Simon Frame | ... | visual effects supervisor |
Thomas M. Horton | ... | visual effects executive producer |
Julian Johnson | ... | 3d artist |
Sarah Juniper | ... | junior compositor |
Stephanie C. Kelly | ... | digital compositor (as Stephanie Kelly) |
Rick Leech | ... | 2d artist |
Joe Pavlo | ... | lead digital artist |
Natalie Stopford | ... | visual effects producer |
Ben Turner | ... | digital compositor |
Audrius Urbonavicius | ... | digital matte artist |
David Vivian | ... | visual effects coordinator |
Alex Creasey | ... | visual effects editor (uncredited) |
Simon Wilkinson | ... | visual effects (uncredited) |
Stunts
Camilla Naprous | ... | assistant horse master |
Camera and Electrical Department
Joe Alexander | ... | second assistant camera |
Stuart Bunting | ... | grip |
Andy Clarke | ... | electrician |
Chris Clarke | ... | second assistant camera |
Ian Coffey | ... | first assistant camera |
Daniel-Konrad Cooper | ... | video assist operator: dailies |
Peter Davies | ... | electrician |
Eddie Dias | ... | lighting coordinator Panalux |
Brian Greenway | ... | second assistant camera: "a" camera |
Eugene Grobler | ... | lighting balloon operator |
Giles Keyte | ... | unit still photographer |
Steve Kitchen | ... | rigging gaffer |
Oliver Loncraine | ... | first assistant camera |
Steve Manningham | ... | assistant grip |
David Morgan | ... | camera operator: "b" camera / director of photography: second unit |
Miles Proudfoot | ... | first assistant camera: second unit |
Sean Savage | ... | camera operator |
Pat Sweeney | ... | gaffer |
Chloë Thomson | ... | camera trainee (as Chloe Thompson) |
Jack Warender | ... | video assist |
Jack Warrender | ... | video operator (uncredited) |
Casting Department
Deborah Aquila | ... | casting: US |
Abigail Barbier | ... | adr voice casting |
Louis Elman | ... | adr voice casting |
Tricia Wood | ... | casting: US |
Beth Cleveley-Hutchinson | ... | extras casting (uncredited) |
Costume and Wardrobe Department
Richard Cooke | ... | assistant costume designer |
Carmen Cristea | ... | set costumer |
Dougie Hawkes | ... | design assistant |
Doina Raducut | ... | set costumer |
Hannah Walter | ... | costume supervisor |
Location Management
Giles Edleston | ... | location manager |
Chris Moore | ... | assistant location manager |
Nick Oliver | ... | location scout |
Music Department
Jason Boshoff | ... | music editor / music mix engineer |
Andy Bradfield | ... | mix engineer |
John Brough | ... | engineer |
Myles Clarke | ... | music programmer |
Felicity De Vries | ... | music coordinator |
Marius De Vries | ... | mix engineer / music arranger / musical director / orchestrator |
Michelle De Vries | ... | music supervisor |
Stephan Elliott | ... | music producer: songs |
Sam Frank | ... | music programmer |
Isobel Griffiths | ... | music contractor: strings |
Oren Marshall | ... | musician: tuba |
Charlotte Matthews | ... | assistant music contractor: strings |
Adam Miller | ... | music studio assistant |
Tris Penna | ... | music supervisor |
Gerard Presencer | ... | conductor: on-screen band |
Lee Slater | ... | music studio assistant |
Michael Smith | ... | music arranger (as Mike Smith) / orchestrator (as Mike Smith) / second musical director (as Mike Smith) |
Script and Continuity Department
Rowena Ladbury | ... | script supervisor |
Transportation Department
John Oxborough | ... | unit driver |
Mark Crowley | ... | driver: Jessica Biel (uncredited) |
Ergun Halil | ... | unit driver (uncredited) |
Additional Crew
Johnathan Abbott | ... | studio coordinator: Ealing Studios |
Danielle Bennett | ... | key floor runner |
Litza Bixler | ... | choreographer |
Libby Blainey | ... | title designer |
Julie Burnham | ... | unit nurse |
Jo Cameron Brown | ... | dialogue coach |
Hannah Collett | ... | production coordinator |
Matt Curtis | ... | title designer: end roller credits |
Dennis Davidson | ... | International publicity |
Juan Pablo Di Pace | ... | tango instructor |
Simon George | ... | head of finance: Ealing Studios |
Simon Gillis | ... | legal and business affairs: BBC Films |
Gwen Griffiths | ... | animal wrangler |
Jess Jaworski | ... | assistant: cindy wilkinson kirven |
Tabitha Jenkins | ... | production executive: Ealing Studios |
Jules T-Smith | ... | director wrangler (as Jules Smith) |
Nichola Martin | ... | development executive: Ealing Studios |
Olivia McCallum | ... | additional set production assistant (as Mousy McCallum) |
Simon Mills | ... | production runner |
Gerard Naprous | ... | horse master |
Susie Tullett | ... | unit publicist |
Jo Vaughan | ... | animal wrangler |
Jo Wallett | ... | assistant production coordinator |
Pascal Degove | ... | Representative: Odyssey Entertainment (uncredited) |
James Greenslade | ... | legal services: production financing (uncredited) |
Evan Leighton-Davis | ... | development coordinator: Ealing Studios (uncredited) |
Clem Leneghan | ... | safety advisor (uncredited) |
Thanks
Peter Barnes | ... | in memory of |
Production Companies
- Ealing Studios
- Fragile Films
- Endgame Entertainment (in association with)
- BBC Film (in association with)
- Hindsight Media
- Joe Abrams Productions (in association with)
- Odyssey Entertainment (in association with)
- Prescience Production Partnerships (in association with)
Distributors
- A-Film Distribution (2009) (Netherlands) (theatrical)
- Sony Pictures Classics (2009) (United States) (theatrical)
- Sony Pictures Filmverleih (2010) (Austria) (theatrical)
- Sony Pictures Releasing (2010) (Argentina) (theatrical)
- Sony Pictures Releasing (2010) (Germany) (theatrical)
- Svensk Filmindustri (SF) (2009) (Sweden) (theatrical)
- 20th Century Fox Home Entertainment (2009) (United Kingdom) (DVD)
- A-Film Distribution (2009) (Benelux)
- A-Film Home Entertainment (Netherlands) (DVD)
- Alliance (2009) (Canada)
- Audio Visual Enterprises (2009) (Greece)
- British Broadcasting Corporation (BBC) (2009) (United Kingdom) (tv) (BBC2)
- DeAPlaneta (2009) (Spain)
- Eagle Pictures (2009) (Italy)
- FS Film (2009) (Finland)
- Hopscotch Productions (2009) (Australia)
- Noori Pictures (2008) (South Korea)
- Pyramide Distribution (2009) (France)
- R Film (2008) (Turkey)
- Rai 3 (2016) (Italy) (tv)
- Rai Movie (2016) (Italy) (tv)
- Sony Pictures Classics (2009) (Brazil)
- Sony Pictures Classics (2009) (Chile)
- Sony Pictures Classics (2009) (Colombia)
- Sony Pictures Classics (2009) (Mexico)
- Sony Pictures Classics (2009) (South Africa)
- Sony Pictures Home Entertainment (2009) (United States) (DVD)
- Sony Pictures Home Entertainment (2009) (United States) (Blu-ray) (DVD)
- Sony Pictures Home Entertainment (2010) (Argentina) (DVD)
- Sony Pictures Home Entertainment (2010) (Germany) (DVD)
Special Effects
Other Companies
- AGM Productions (french voice rec edit and mix)
- ARRI Media (camera and grip equipment provided by)
- Alex Rose Wig Company (wigs)
- Alpha Grip (cranes)
- Angels the Costumiers (costumes)
- Birds & Animals UK (animals)
- Blitz Hire (rigging equipment)
- Casting Collective (extras casting)
- Cosprop (costumes)
- DDA (international publicity)
- Decca Records (soundtrack)
- Ealing Studios International (internation sales)
- Fatts (post-production script services)
- Film Finances (completion guarantor)
- Fintage CAM (collection account management)
- Funn (hosiery supplier)
- ITN Source (archive footage courtesy of)
- ITN Source/British Pathe (archive footage courtesy of)
- Isobel Griffiths Limited (orchestra contractor)
- Kodak (motion picture film supplied by)
- Panalux (film lighting)
- Panalux (lighting equipment)
- Pinewood Stills (stills processing)
- Ray Marston Wig Studio (wigs)
- Scallywag Travel (travel agent)
- Sonoblok (dubbing facilities provided by)
- Strongroom Recording Studios (score recorded at)
- Technicolor (digital intermediate)
- Technicolor (release printing)
- The Clearing House (clearances)
- The Clearing House (negative check)
- The Devil's Horsemen (I) (horses)
- Videosonics Cinema Sound (re-recorded at)
- West Trend Apartments (accommodation agent)
Storyline
Plot Summary |
Between world wars, the Whittaker's estate is sinking. Only the iron will of Mrs. Veronica Whittaker (Dame Kristin Scott Thomas) staves off bankruptcy while she awaits her son John's (Ben Barnes') return from the continent. To her dismay, he brings a bride: an American widow who races cars. The bride, Larita (Jessica Biel), thinks she and John will visit and then go to London, where he'll work and she'll race. But John is to the manor born, and mother is nothing if not a master at plans and manipulation. Soon it's all-out war between mother and bride, with John's father, Mr. Whittaker (Colin Firth), a burnt out veteran of the Great War, in the bride's corner ineffectually. Mother has a plan to join with the neighboring estate; only Larita is in her way. Can't we all get along?
Written by |
Plot Keywords | |
Taglines | Let's Misbehave! See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Official Sites | |
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Box Office
Opening Weekend United Kingdom | GBP225,772, 14 Nov 2008 |
Did You Know?
Trivia | In the vintage Monte Carlo scene which opens the movie, when Larita first sees John, both her and John's movements are slowed down while the rest of the cast play at "normal" (i.e. newsreel) speed. This was accomplished by filming the crowd, Larita, John, the background, and the foreground mechanics separately against greenscreen and compositing them together at different speeds. See more » |
Goofs | (at around 17 mins) Sarah Hurst describes Larita as "our beautiful cougar," meaning a seductress of younger men. The first known use of "cougar" in this context appeared in Canada in 1989, and the term did not become widely known until the 2000s. See more » |
Movie Connections | Featured in Terminator: Salvation/Night at the Museum: Battle of the Smithsonian/Easy Virtue/Summer Hours/Not Forgotten (2009). See more » |
Soundtracks | Mad About the Boy See more » |
Crazy Credits | The band playing the closing music calls out its members' names. See more » |
Quotes |
Mrs. Whittaker:
Smile, Marion. Marion Whittaker: I don't feel like smiling. Mr. Whittaker: You're English dear, fake it. See more » |