6.7/10
18,479
82 user 132 critic

Easy Virtue (2008)

PG-13 | | Comedy, Romance | 19 June 2009 (USA)
Trailer
2:02 | Trailer

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ON DISC
A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched British stuffiness out the window.

Director:

Stephan Elliott
2 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jessica Biel ... Larita Whittaker
Ben Barnes ... John Whittaker
Kristin Scott Thomas ... Veronica Whittaker
Colin Firth ... Mr. Whittaker
Kimberley Nixon ... Hilda Whittaker
Katherine Parkinson ... Marion Whittaker
Kris Marshall ... Furber
Christian Brassington ... Phillip Hurst
Charlotte Riley ... Sarah Hurst
Jim McManus Jim McManus ... Jackson
Pip Torrens ... Lord Hurst
Jeremy Hooton Jeremy Hooton ... Davis
Joanna Bacon ... Cook / Doris / Beatrice
Maggie Hickey Maggie Hickey ... Millie the Maid
Georgie Glen ... Mrs. Landrigin
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Storyline

Between world wars, the Whittaker's estate is sinking; only the iron will of Mrs. Whittaker staves off bankruptcy while she awaits her son John's return from the continent. To her dismay, he brings a bride: an American widow who races cars. The bride, Larita, thinks she and John will visit and then go to London, where he'll work and she'll race. But John is to the manor born, and mother is nothing if not a master at plans and manipulation. Soon it's all-out war between mother and bride, with John's father, a burnt out veteran of the Great War, in the bride's corner ineffectually. Mother has a plan to join with the neighboring estate; only Larita is in her way. Can't we all get along? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

In a family that prides itself as proper, vice becomes a virtue. See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, brief partial nudity, and smoking throughout | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

UK | Canada

Language:

English | French

Release Date:

19 June 2009 (USA) See more »

Also Known As:

Buenas costumbres See more »

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Box Office

Opening Weekend:

£341,099 (United Kingdom), 9 November 2008, Limited Release

Opening Weekend USA:

$143,038, 24 May 2009, Limited Release

Gross USA:

$2,656,324, 4 October 2009
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This is the second film in which Colin Firth plays a Word War I veteran traumatized by his experiences during the war. The first one was A Month in the Country (1987). See more »

Goofs

When John and Larita drive to the ruined castle and get out of the car, they leave the car doors open. After a head-shot of the two talking to each other, they walk past the car towards the castle, and the driver's door is now closed. See more »

Quotes

Larita Whittaker: The pleasure is all mine.
Mrs. Whittaker: Oh, you're American.
See more »

Crazy Credits

The band playing the closing music calls out its members' names. See more »

Connections

Referenced in Late Night with Jimmy Fallon: Episode #1.59 (2009) See more »

Soundtracks

Prelude in E Minor Op. 28 No 4
Written by Frédéric Chopin
Arranged by Marius De Vries
Published by Copyright Control (PRS)
Performed by Marius De Vries and David Coulter
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Frequently Asked Questions

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User Reviews

 
That sound and authentic British humour!
4 April 2009 | by simona gianottiSee all my reviews

Brilliant, sparkling, joyful and sad, passionate and exciting, sweet and sour, elegant, refined and superbly ungraceful at the same time: contrasting adjectives are very fit for this captivating movie, which really hits the mark in a superb way. No flaw is to be found: the construction is solid and yet dynamic, highly-range acting is offered by the whole cast (but let me define Kristin Scott Thomas as sublime). The director creates a really enjoyable product, capable as it is of gaining the favour of the audience and to satisfy the viewer, both from an aesthetic and emotional point of view. The sound and authentic British humour stirring from the beginning to the end, makes one laugh but also think about the necessity to overcome a stuffy traditionalist attitude which make look back to a fossilized but no longer valid past,in order to let the new enter the scene, with all its dramatic potential of change. All certainties are questioned and prove to be dramatically frail. The conflict between the traditional English sobriety and self-control and the non-conformist American way of life gives rise to funny but also thoughtful moments of tension, subtly underlined by witty dialogues and emotionally engaging musical and dancing exchanges. A movie to be seen, heard, and enjoyed in every single part.


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