A brokenhearted English artist travels to Hope, USA, hoping to get on with his life. He starts by drawing faces there. He befriends the cute Mandy. But then his scheming ex shows up and wants him back.
Memoir of the lives of a family growing up on a post World War I British estate headed up by a strong disciplinarian, her daughter, her inventor husband, their ten year old son and his ... See full summary »
A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ... See full summary »
Story of the ways in which insurance investigator Roland Copping interferes in and manipulates the lives of others with outrageous games and gimmicks. Eventually he becomes involved in an ... See full summary »
Biopic of Susan Cabot, a B-movie star known for her roles in Roger Corman movies and dating a king. Her career suffered due to her short stature and her frustration with her son's medical condition - dwarfism - led to tragedy.
Between world wars, the Whittaker's estate is sinking; only the iron will of Mrs. Whittaker staves off bankruptcy while she awaits her son John's return from the continent. To her dismay, he brings a bride: an American widow who races cars. The bride, Larita, thinks she and John will visit and then go to London, where he'll work and she'll race. But John is to the manor born, and mother is nothing if not a master at plans and manipulation. Soon it's all-out war between mother and bride, with John's father, a burnt out veteran of the Great War, in the bride's corner ineffectually. Mother has a plan to join with the neighboring estate; only Larita is in her way. Can't we all get along?Written by
Although it is never stated in the film; the play takes place in 1924 and supposedly film is set in the late 20's. But in the beginning of the movie, you can clearly see that the newspaper Mr. Whittaker's reading is dated as Tuesday, October 10, 1930. Also, 10th of October in the year 1930 was on Friday. See more »
Cook, I can't call you a verb, your name?
All right, all right, it's Doris. Sorry madam. Always wanted to be called Beatrice.
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There's a Director Wrangler listed in the credits. See more »
When was the last time a Noel Coward play was made into a movie, anyway?
........................................................from Pasto,Colombia...Via: L.A. CA., CALI, Colombia and ORLANDO, FL
EASY VIRTUE is a clear example of the fact that making an outstanding film just isn't all that EASY! When was the last time a Noel Coward play was made into a movie, anyway? I could've looked it up, but I'll leave it to you, if you really think it's all that important! I'll wager the Producers, Director & Screenwriter didn't see most of the screen adaptations of his plays done in the 30's/40's on TV when they were kids, as I did. Seemed they were a bit out of their element...at times.
The end result: It's EASY to see the film was being pulled in several different directions, which was most apparent early on. In fact, EASY can be divided into 3 segments of roughly 30 minutes each.
Segment one really didn't seem to know where it was going. It suffered from poor pacing and a pervasive tension on the set that permeated several of the scenes. What had me close to quitting on EASY were the very awkwardly inserted bits of slapstick, obviously an attempt at comic relief, but which seemed utterly contrived and out of sync with most every other aspect of the film.
Segment two was a definite improvement. Toned down considerably were the scenes involving slapstick. Only a few brief moments, which were much better integrated into the work. The culture-clash, the true razon d'être of EASY, between Jessica Biel's(Cellular) character, Larita, an independent and free- spirited American race-car driver of sorts, and the lady of the manor, Mrs. Whittaker (Kristin Scott Thomas/The English Patient), who turns out to be one lady with an extremely controlling and manipulative manner, is handled much more smoothly in the second segment, and, as a consequence, these scenes are much more amusing, even occasionally funny!
The closing segment really had me in its grip. The ensemble cast really shone. Finally, we see evidence of why so many of Noel Coward's plays were made into movies. All the outstanding elements; costumes, sets and music among others, really contributed to a very fulfilling final ½ hour! Colin Firth deserves a mention, perhaps EASY's best performance. Had the entire film been at segment three's level, 8*--EASY! However, I feel 6* is a fair overall rating
Any comments, questions or observations, in English or Español, are most welcome!
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