Cast overview, first billed only: | |||
Trond Fausa | ... | Andreas (as Trond Fausa Aurvåg) | |
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Petronella Barker | ... | Anne-Britt |
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Per Schaanning | ... | Hugo |
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Birgitte Larsen | ... | Ingeborg |
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Johannes Joner | ... | Håvard |
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Ellen Horn | ... | Trulsen |
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Anders T. Andersen | ... | Harald |
Sigve Bøe | ... | Liten mann | |
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Hanne Lindbæk | ... | Vigdis |
Ivar Lykke | ... | Kollega 1 | |
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Aldun G. Magnaes | ... | Gutt som kliner (as Audun G. Magnæs) |
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Mette K. Haugen | ... | Jente som kliner (as Mette Karin Haugen) |
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Hanne Dieserud | ... | Azur-kvinnen |
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Gard Petersen | ... | Forvalter 1 (as Gard Pedersen) |
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Benny Glaerum | ... | Forvalter 2 (as Benny Glærum) |
Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched. Written by Tordenfilm AS
What we have here is a film perfect for anyone that participates in the world of post-industrialism: those who sit in their privatized home, earning money by buying and selling sensual-less commodities and perpetuating a system that values little other than the preservation of self.
The beautiful filming (I always appreciate fix 35s and soft boxes) makes it an even stranger place to travel through, both enjoyable to look at but frightening to comprehend (perhaps that's overly dramatic, but its true).
Andreas' journey through his hell is overwhelmingly tragic. His quest is honorable, laudable, and precious. The conclusion is necessary and we are left not sure if he's better off, which is the perfect conclusion.
Breve! Highly recommended to all people who view their world with a critical eye and especially to those who don't (perhaps it will encourage a reflection or two).