A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Following the murder of a physicist, Father Silvano Bentivoglio, a symbolist, Robert Langdon, and a scientist, Vittoria Vetra, are on an adventure involving a secret brotherhood, the Illuminati. Clues lead them all around the Vatican, including the four altars of science, Earth, Air, Fire and Water. An assassin, working for the Illuminati, has captured four cardinals, and murders each, painfully. Robert and Vittoria also are searching for a new very destructive weapon that could kill millions.Written by
At the very beginning, where the Columbia Pictures girl is standing, holding aloft the torch, it flickers like the anti-matter. See more »
In the archives, when Langdon looks at the purported Galileo work, which he says may be the only copy in existence, the title page shows the Latin title "Diagramma Veritatis," and Vetra asks Langdon whether he needs help with the Latin. At the end of the film, however, when Cardinal Strauss in gratitude gives Langdon a copy of the book for his research, the title is in Italian, "Diagramma della Verita." See more »
The Ring of the Fisherman, which bears the official papal seal, must be destroyed immediately following the Pope's death. The papal apartment is then sealed for nine days of mourning, a period known as "Sede Vacante", the time of the empty throne.
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At the very beginning, when the Columbia girl is standing holding aloft the torch, it flickers like the anti-matter. See more »
High-flown malarkey...tasteless in its self-seriousness
Adaptation of Dan Brown's bestseller, a follow-up to 2006's "The Da Vinci Code", has so much plot exposition, location trotting, CGI effects and elaborate camera set-ups in the first thirty minutes, one is apt to be blown away or perhaps toppled over by the breathless racing about. Tom Hanks returns as Robert Langdon, author and professor of religious symbols and societies, who is called upon by the Commander of the Vatican in Rome after a precious vial of anti-matter is violently stolen from a top secret lab in Geneva (which we see) and four Cardinals--candidates for the late Pope's empty chair--are kidnapped (which we don't see). Seems an underground sect named the Illuminati is behind the dirty deeds, and they plan on killing one Cardinal every hour until the stroke of twelve when the contents of the vial will destroy Rome. Extremely slick, extremely familiar jigsaw puzzle movie with absolutely no mystery--just Tom Hanks rattling off information before rushing from Point A to Point B. The killings smack of "Se7vn", while the ensuing relationship between Hanks and brilliant scientist Ayelet Zurer is delineated for us in cartoonish terms. Ron Howard also returns as director, and one can almost sense his desire to flood the narrative with jargon (and the screen with slapdash movement) so that the gaps of credibility and logic won't show through. "Angels & Demons" has a highbrow air about it which causes some viewers to think they're seeing something powerful and important, but don't be fooled. It is an expensive picture, burnished and foreboding, however it's about as intrinsically satisfying as junk food--and just as bad for you. NO STARS from ****
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