Dystopian sci-fi about an over-populated world in which the solution has been to program people to operate solely in either day or night, meaning that the population are only conscious half the day and can never interact with each other.
A postal worker has some lunch in a chinese restaurant and falls in love with the waitress, who happens to be chinese. They start dating and quickly fall in and out of love, the waitress ... See full summary »
Róbert I. Douglas
The crew on board the fishing vessel Undercurrent RE 29 has become uncomfortably numb with its never ending routine of week long tours at sea. Then, during one dark and dreary night this ... See full summary »
Ingvar Eggert Sigurðsson,
Nína Dögg Filippusdóttir,
Björn Hlynur Haraldsson
Lu Jie is having coffee with her desperate friend Sang Qi, who believes her husband is cheating on her. At the same time at a hotel across the road from the coffee shop, Lu Jie sees her ... See full summary »
Two men in their late twenties, Jim and Frank, old friends from childhood, both emaciated and very grunge guys, meet again after many years. Jim, trying hard to get his life back on track, ... See full summary »
I recently saw this at the 2007 Palm Springs International Film Festival. Árni Ásgeirsson makes an impressive directorial debut with his first feature length film. Ásgeirsson is Icelandic born but he is a graduate of the Polish National Film School where several notable filmmakers came out of including director Roman Polanski. He also co-wrote the screenplay along with Denijal Hasanovic and Jón Atli Jónasson. The story is set in Reykjavik as successful optometrist Pétur (Hilmir Jonsson) and his wife Asta (Margrét Vilhjálmsótter) are expecting their second child. Their 10 year old son Örn (Aaron Brink) has a fainting spell during a soccer game and is taken to a hospital where routine blood test are done leading to the discovery that Pétur is not his biological father. Pétur walks out on the family and checks into a hotel room to contemplate his once solid marriage that is now crumbling. He takes to heavy drinking and initiates an affair with his secretary Anna (Laufey Elíasdóttir) who is almost 20 years his junior. His brother-in-law sympathizes with him but his sister his disgusted with his new found life. A strong cast and story with some comic relief to offset the brooding drama. Skillful cinematography from Tuomo Hutri. I liked this story and will look forward to see more from director Ásgiersson. I would give this an 8.0 out of 10.
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