A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
An ancient urn is found in a cemetery outside Rome. Once opened, it triggers a series of violent incidents: robberies, rapes and murders increase dramatically, while several mysterious, evil-looking young women coming from all over the world are gathering in the city. All these events are caused by the return of Mater Lacrimarum, the last of three powerful witches who have been spreading terror and death for centuries. Alone against an army of psychos and demons, Sarah Mandy, an art student who seems to have supernatural abilities of her own, is the only person left to prevent the Mother of Tears from destroying Rome.Written by
Dario Argento reportedly offered the title role to Ania Pieroni, who had briefly played the same character in Inferno (1980). The actress declined the offer, on account of her age and having been retired since 1985. See more »
When Giselle and Sarah open the urn. The overhead shots shows Giselle handing each item to Sarah. In the side shots Giselle is taking them from Sarah and setting them aside. See more »
Music by Claudio Simonetti
Lyrics by Dani Filth
Performed by Daemonia (Claudio Simonetti: keyboards, Bruno Previtali: guitar, Federico Amorosi: bass, Titta Tani: drums)
Vocal featuring Dani Filth by courtesy of Roadrunner Records
Published by Simonetti Productions S.a.s./Cradle of Filth Music Ltd/Market s.r.l. See more »
When The Mother of Tears and Poorly Chosen Titles, the last of three powerful witch sisters(who don't need such things as motivation, because they're Evil), is brought back and(through her minions, including, purely for increasing the silliness value(well, that's all it does do, anyway), a small monkey) begins to spread chaos, anarchy and, worst of all, Ke$ha clones, Sarah Mandy may be the only person who can stop her. Set in Rome, this is the final part of a trilogy that I realize is (in)famous, but that I have not watched the first two installments of. Thus, while I can tell that a lot(perhaps a majority) of fans find this a massive disappointment, I can't really tell. This is one of my first Dario's films, and I continue to not be that big into his style. I won't call it "bad", it may simply not really be for me. With that said, I would like to kindly request he stop giving his daughter roles. Asia isn't even necessarily a bad actress, she just seems to suck in her dad's stuff. The performances in this don't tend to be great(other than Udo Kier, who instantly heightens the fun of anything he's in... particularly something as cheesy as this). With that said, not many of them are painful to watch(unfortunately, our lead does belong in that category). Characters are reasonably likable, if they're not all terribly distinct(I got several of them mixed up, especially near the end). As with other movies with magic, one can wonder what the limitations are, and why this or that doesn't happen by virtue of someone controlling supernatural forces. It also expects you to accept religion as something inherently positive, well, the faith represented, anyway(heathens, not so much). Well, the director is from a deeply Catholic country - where the men are(supposedly; shhh...) true or celibate, and the choir boys are nervous. This can be quite creepy, and sometimes builds atmosphere. There is tension, and it is definitely unpleasant, with gruesome, brutal, graphic gore, violence and bloodshed(without becoming torture porn... we care when people are hurt, it has an impact, and it isn't lingered on, or at least not enough that I would define it as an entry into that subgenre), as well as a little nudity, sexuality and perversity. Most of this is arguably gratuitous; however, it is often effective. The FX are pretty good, and the deaths are creative and memorable. This has a nice visual style, something I understand is to be expected from Argento. The editing and cinematography raise this above other exploitative horror flicks. Not much, mind you. The plot, credibility and logic are decent(again, better than some other pictures like it). The DVD comes with a trailer for each of the following: The Boston Strangler: The Untold Story, B.T.K. and The Vanguard. I recommend this to fans of this type of thing. 6/10
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