Thor

Another outstanding effort, Marvel does it again! It's hard to believe that a movie with this subject matter can make you think and challenge all your movie viewing skills but it does so and more. It's very artistic and you would expect no less from Kenneth Branagh. He presents the entire film in a way that can be savored. Many aspects are classical drama and yet other aspects are just plain old fun kick-butt action scenes. It's a perfect blend and this movie is far deeper then I would've thought. The pacing was perfect as is the link to the Marvel movie Universe... I can't wait to see what Captain America brings us. Overall, a summer movie that's superior to everything else that I've seen in years.

The director's background in Shakespearian themes comes in to play right from the beginning of the film and run throughout. Thor is a super-strong "god" and can travel through space with supernatural powers yet the story is paradoxical and contrary about those elements instead choosing to focus on the human elements. THAT elevates this film far beyond anything I was expecting but I should have known better considering the source material and the director.

The genuine and relatable qualities of these characters are what make it a great film. Sure, the action and fantasy are incredible but the story works so well. The family dynamics between fathers & sons along with sibling rivalry and the price of vanity and lack of humility all resonate. The choices made and the relationships on display are as wonderful as the brawling and action... which are as good as any summer movie that I've seen in years.

The first blockbuster of 2011 may be the best. They certainly set the bar very high. It's an exciting and certainly an all-around entertaining comic book adaptation. Nothing in this genre since LOTR has been any better. Everyone involved in the production should be proud to know that their movie can stand toe-to-toe with the likes of anything else that summer can throw at them.

They found the perfect combination of spectacle and guts and passion balanced with the human dynamic of the character. It delivers mind-bending visuals but it still very intelligent and thrilling. How many summer films can you say that about that you've seen over the past ten years or so???? The actors REALLY brought the characters to life. It was really amazing to see it develop on the big screen. There's no doubt that Hemsworth is a star in the making and a rather astounding leading man. Thor is a dazzling example of the superhero movie done right. There were some parts in the movie where I was just blown away. This film has a depth that no one could have expected and is very impressive in scale and design.

I love how the movie played out and it exceeded all my expectations. This was by far the adventure movie I've seen in years. Not too many movies continue to have character growth from start to finish but still pack in the action and heart.

I watched this last night at a preview screening in London.

I prayed that Kenneth Branagh would learn from his mistakes with handling a big budget movie, namely his Frankeinstein. Thankfully, I am glad to say he learnt a great deal from those mistakes. Of course, this is no Henry V, this is just pure popcorn entertainment but a thoroughly enjoyable introduction to Thor for the big screen. Chris Hemsworth played the part with a lot of energy, charisma and I have to admit from a bloke's point of view, annoying good looks. Anthony Hopkins added much needed heavyweight presence as Odin but its a role he has quite frankly played a gazillion times but I never tire of it, so I'm not complaining. In a year long span of brilliantly playing vastly different roles from psychotic to swashbuckling heroine, Natalie Portman this time plays the sweet determined scientist girl who falls for the strangely mannered good looking guy. Nothing too taxing for any of them but they do give a re-assuring aura about them.

The visuals were quite spectacular, mainly, the sweeping canvas of Asgard. The action scenes were also good though I thought could have been executed better with lesser use of the fast cut edit style that is too often the norm in action film these days.

There is plenty of humour when Thor is on Earth but not in a put-off way as there is a suitable contrast of a serious tone with everything set in Asgard. Even though the storyline was somewhat predictable, it was still a riveting one.

For those like me, who were concerned about how Thor fits into the established Marvel connected universe set by the Iron Man films need not worry. That is just another thing that Branagh and crew pulls off very well. We can now fully embrace the forthcoming Avengers where a God, a man who transforms into a giant green beast, and a man who flies in a hi tech amour suit can share the same screen. So its all coming together nicely.

And make sure you stay for the end credit scenes. In case you did not know of this before, I urge you to go back to the previous films (Iron Man 1 & 2, Incredible Hulk) and watch the end of credit sequences if you haven't already. They tell a separate story strand that will culminate to a certain upcoming Marvel movie. The end credit sequence of Thor is the most fascinating yet as it actually takes a major plot development in the story strand ;) And it was the longest bloody end of credit sequence I've ever seen in any movie! One last thing, the film I saw was in 3d and once again, it practically nearly ruined all the action scenes for me. In the non action scenes, it was pretty useless and just simply made the film much darker.

Thor is a film that takes risks - and they pay off wonderfully. The movie grounds itself in reality while keeping a mythological and fantasy-esqe tone, and it never loses sight of the humanity within the characters, with elevates this above standard superhero fare.

In the pantheon of Marvel Superheroes, from my vantage point, Thor is a second-tier player. Even amongst non-obsessive comic aficionados, such as myself, Thor doesn't quite have the readership draw or the common familiarity in the public that heroes such as Spider-Man, Batman, Superman, etc., have. However, that doesn't mean that Marvel Studios, the filmmaking wing of the company, feel inclined to give the filmic adaptation of Thor short shrift. The cinematic entry for this character, titled simply Thor, is among the better of the Marvel adaptations of recent years, mixing a good sense of fun, strong acting, and some Shakespearian level drama that makes for an especially entertaining time at the movies.

Liberally adapting portions of Thor comic book lore to fit in a more modern comic book film reality, Thor introduces us to a centuries old war between the Asgardians, beings that live for long periods of time and can travel through space from their home realm of Asgard to various other worlds, such as Earth, via the Bi-Frost bridge, and the conflict centric Frost Giants, whom the Asgardians conquered some time back. Odin (Anthony Hopkins), ruler of the Asgardians, is preparing to abdicate his throne to his son, Thor (Chris Hemsworth), but on the eve of Thor's inauguration, agents of the Frost Giants infiltrate Asgard and attempt to steal back a device that is the key to their power, which had been taken by Odin at the end of their long struggle. When Thor disagrees with his father's desire to not to retaliate in order to not disturb the peace that currently exists between the Asgardians and the Frost Giants, he takes matters into his own hands, traveling to the Frost Giant's realm with his brother Loki (Tom Hiddleston), and compatriots Sif (Jaimie Alexander), Volstagg (Ray Stevenson), Hogun (Tadanobu Asano) and Fandral (Josh Dallas) in tow. When the encounter with the Frost Giants ends with tensions re-ignited between the two factions, Odin decides that his son is not prepared to lead his people, and exiles Thor, sans his powers, to Earth.

When he arrives on Earth, he is discovered by astrophysicist Jane Foster (Natalie Portman) and her associates Professor Selvig (Stellan Skarsgaard) and Darcy Lewis (Kat Dennings), who are convinced that he isn't a random homeless vagabond that they found in the middle of the desert. Thor must attempt to locate his power hammer, Mjolnir, from the government agents that have captured it, and attempt to reclaim his place in Asgard. However, he finds that, without his super-human abilities, and surrounded by humans, perhaps some of his previous attitudes were incorrect, especially when he connects romantically with Jane. Meanwhile, Loki, who turns out to have some ulterior motives, seizes control of Asgard following the collapse of Odin from strain, and begins to hatch a grand scheme involving the Frost Giants.

Thor, much like Iron Man before it, proves that, in the right hands, a comic tale that appears silly on the surface can have hidden depths when properly plumbed. Sure, Thor has elements that, on the face of it, may lead a bit to some audience snickers (Thor's ability to pick himself up and fly and defeat attackers with little effort are a bit cheesy at times), but the creatives behind Thor, including director Kenneth Branagh, manage to develop a story for Thor that deals with elements of tragedy, pathos, selflessness and, perhaps even more surprisingly, involving character development. Thor is more about the lead characters at its core, again akin to Iron Man, than some other comic book films and this draws the audience into its tale.

When it was first announced that Kenneth Branagh would be taking the reins of Thor as a director, it seemed something of an unusual fit for someone best known for his cinematic adaptations of the works of Shakespeare, but the final results of Thor bare out that Branagh was just the right man for the job. Considering the larger-than-life origins of the Thor comic, involving beings with the power and appearance of Gods and the various machinations of their story, the material fits fairly well with Branagh's body of work to a great extent. Especially strong is the development of Loki, who proves to be less of a traditional mustache twirling villain, and more of a misguided soul, trapped between revelations he makes about himself and his past and his respect in his father, making him more of a tragic figure than a black and white comic book antagonist.

Thor benefits from strong acting from its leads, Hemsworth and Hiddleston. Hemsworth embodies Thor, first as the brash, acting-before- thinking hero, and later as a man faced with the reality that some of his choices and attitudes were not becoming of a king. Hemsworth really makes you empathize with Thor, and gives you a reason to root for the character throughout the film. Hiddleston, working with the somewhat subdued (at first) Loki eventually transforms him from a seeming weak, malleable person into one who's penchant for vengeance and control is revealed in layers, peeling back one by one through the development of the narrative.

Thor isn't without its weak points, however. The romance between Thor and Jane Foster is practically and afterthought, rushed into the narrative at light speed and then not given any room to breathe or develop, it plays more as a requirement of adapting the comic story than something that works organically in the film. Portman is fine in the role, but the screenplay doesn't give enough to this relationship for it to be more than a bump in the road of the film's story.

Once again, Marvel has managed to take one of their lesser known heroes and make them the subject of an entertaining film version, with energy and depth that is a bit unexpected. May they keep on making comic book films of this caliber.