1882, New Mexico Territory. Virgil Cole (Ed Harris) and Everett Hitch (Viggo Mortensen) are itinerant lawmen, hired by desperate towns as Marshal and Deputy, respectively. The city fathers of Appaloosa hire them after Randall Bragg (Jeremy Irons), a newly-arrived rancher with money and a gang of thugs, disrupts commerce and kills three local lawmen. Cole and Hitch contrive to arrest Bragg and bring him to trial, but hanging him proves to be difficult. Meanwhile, a widow has arrived in town, Allison French (Renée Zellweger), pretty, refined, and good-natured. Virgil falls hard, and it seems mutual, but there may be more to Allison than meets the eye. Can friendship and skill with a gun overcome a pernicious villain and green-eyed jealousy?Written by
Ed Harris originally intended his character to have hair. He selected a wig and screentested it before eventually deciding to play the part bald. See more »
The sign outside the Marshal's office is incorrectly spelled "Marshall." Although homophones, the family surname Marshall is normally spelled with two L's, while the public office Marshal is only ever spelled with one L. See more »
While being credited, items relating to positions and roles are displayed. Examples: Producers are listed as money is shown, an antique ink dryer is shown for the editor, production designer shows an antique tin cup and costume designer shows the top of a hat. See more »
One reviewer remarked how "Ed Harris understands (the) Western (genre)" I couldn't agree more. This film is a delight. The writing is solid, the dialog sparked with humor, the heroes are more than caricatures and cardboard cut-outs, the villains are worthy anti-heroes and the back-up is wonderful. The performances of Ed Harris, Viggo Mortensen and Jeremy Irons as the main protag-/antagonists are sterling. Harris is the lonely paladin, uncompromising in his ethic, drawn in by the warmth and softness of a needful woman, artfully and convincingly played by Renee Zellweger; Mortensen is the slightly jaded sidekick who both respects and doesn't completely understand his hero. A parallel villain is offered by Lance Henrikson, a kind of poor man's Clint Eastwood, giving an interesting twist to the story. Some comic relief is offered by veteran character actor, James Gammon and fine British actor Timothy Spall without reducing the tension in the story line or reverting to a burlesque. The mythic theme of the knight-errant works well in this presentation brought to light by the competent direction of Ed Harris. My only fear is that it being devoid of ballet-type ritual killings, CGI and only a mild spattering of violence, it will likely fly under the radar of much of today's theater goers, which is a shame. It's a fine film.
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