Six people find themselves trapped in the woods of West Virginia, hunted down by "cannibalistic mountain men grossly disfigured through generations of in-breeding."
Director:
Rob Schmidt
Stars:
Eliza Dushku,
Jeremy Sisto,
Emmanuelle Chriqui
A group of reality show contestants find themselves fighting for their survival against a family of hideously deformed inbred cannibals who plan to ruthlessly butcher them all.
Director:
Joe Lynch
Stars:
Erica Leerhsen,
Henry Rollins,
Texas Battle
When their transfer bus crashes in a West Virginia forest, a group of convicts and a corrections officer meet a rafter who is on the run from cannibalistic hillbillies who have murdered her friends.
Director:
Declan O'Brien
Stars:
Tom Frederic,
Janet Montgomery,
Gil Kolirin
After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a deformed chainsaw-wielding loon and his family of equally psychopathic killers.
Director:
Marcus Nispel
Stars:
Jessica Biel,
Jonathan Tucker,
Andrew Bryniarski
Before being sent to serve in Vietnam, two brothers and their girlfriends take one last road trip, but when they get into an accident, a terrifying experience will take them to a secluded house of horrors, with a chainsaw-wielding killer.
A group of college students gets lost in a storm during their snowmobiling trip and takes shelter in an abandoned sanitarium which, unbeknown to them, is home to three deformed cannibals.
Director:
Declan O'Brien
Stars:
Jennifer Pudavick,
Tenika Davis,
Kaitlyn Leeb
A team of trainees of the National Guard brings supply to the New Mexico Desert for a group of soldiers and scientists that are installing a monitoring system in Sector 16. They do not find anybody in the camp, and they receive a blurred distress signal from the hills. Their sergeant gathers a rescue team, and they are attacked and trapped by deformed cannibals, having to fight to survive.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Wes Craven, the writer and director of the original 1977 version, wrote the screenplay for the sequel to the 2006 remake of The Hills Have Eyes (2006) along with his son, filmmaker Jonathan Craven. See more »
Goofs
(at around 7 mins) In the training scenario where we first meet the National Guardsmen, a force-on-force exercise is conducted using what appears to be live ammunition, live hand grenades, and live ordnance. For reasons which should be so blatantly obvious as to not require explanation, this is not done in practice. Furthermore, a woman emerges from a building in which two live hand grenades had just been detonated - again, not done in practice. As Hollywood-type special effects of the sort used to simulate bullet strikes are not used in training scenarios by the military, due to cost and lack of usefulness, the use of live ammo is the only conclusion which can be made here. Were they using blank ammunition, blank adapters (yellow for the M4 carbine) would have been affixed to the end of the rifle barrels. See more »
Quotes
Delmar:
[last words]
Crank! Don't freak out. Don't freak out. Don't freak out.
See more »
Alternate Versions
The unrated version is almost one minute longer than the theatrical version with mainly extended scenes of graphic violence and gore added. See more »
I had actually liked the remake of Wes Craven's Hills Have Eyes, which was shown here last year. Directed by Alxandre Aja, it was top notch violence and gore which actually sent a chill, because the victims were an innocent family out for a holiday, and to see them getting systematically deeper into trouble, somehow makes it rather horrific to sit through.
While its predecessor was shown here with cuts, The Hills Have Eyes II is shown here in its full gory glory. However you wonder, just where did all the blood and gore had gone. Written by father and son team Wes and Jonathan Craven, the follow up movie (also a remake of the sequel to the original) seemed to be lacking in flavour and spirit. Sure the mutants are back, but there's very little space given to set them up, or enough time for you to identify and distinguish one from the other.
Did director Martin Weisz opt to play it safe? There's tension built, but nothing too riveting. The narrative is simple and straightforward, without much thought into trying to capture the X-factor why the original had worked somehow. Attempting to shock just for shock's sake, the movie opens with the birth of a child, in the most un-Discovery Channel manner, before introducing us to the victims, I mean, characters, and a short scene to link the events from its predecessor.
Again the military's dirty hands are in this one. Gone are the family, and in comes a small squad of National Guard trainees. It's soldiers versus A-bomb mutants, so the numbers come in handy to build up the body count. But in fact, none of them died in any creative manner. It's the usual hack jobs, and more uninterestingly, through the use of their carbines. Boring, and I guess too many movies outdoing one another in the creative death department, has taken its toil on this one, where simpleness and sure death like falling from great heights without the camera flinching, go unappreciated. Truth is, you know that it's a camera trick, and boy, are there a number of recognizable indoor shots for this outdoor movie, that makes it look cheap.
By the time it takes for these rookie soldiers to complete their training to the dark side and become cold killers (fighting for their own survival), you'll be more than in a hurry to head for the exit. To enjoy this movie, the usual leave your brains at the door cliché applies. Just make sure someone doesn't take a real machete and help you put it there.
33 of 51 people found this review helpful.
Was this review helpful to you?
| Report this
I had actually liked the remake of Wes Craven's Hills Have Eyes, which was shown here last year. Directed by Alxandre Aja, it was top notch violence and gore which actually sent a chill, because the victims were an innocent family out for a holiday, and to see them getting systematically deeper into trouble, somehow makes it rather horrific to sit through.
While its predecessor was shown here with cuts, The Hills Have Eyes II is shown here in its full gory glory. However you wonder, just where did all the blood and gore had gone. Written by father and son team Wes and Jonathan Craven, the follow up movie (also a remake of the sequel to the original) seemed to be lacking in flavour and spirit. Sure the mutants are back, but there's very little space given to set them up, or enough time for you to identify and distinguish one from the other.
Did director Martin Weisz opt to play it safe? There's tension built, but nothing too riveting. The narrative is simple and straightforward, without much thought into trying to capture the X-factor why the original had worked somehow. Attempting to shock just for shock's sake, the movie opens with the birth of a child, in the most un-Discovery Channel manner, before introducing us to the victims, I mean, characters, and a short scene to link the events from its predecessor.
Again the military's dirty hands are in this one. Gone are the family, and in comes a small squad of National Guard trainees. It's soldiers versus A-bomb mutants, so the numbers come in handy to build up the body count. But in fact, none of them died in any creative manner. It's the usual hack jobs, and more uninterestingly, through the use of their carbines. Boring, and I guess too many movies outdoing one another in the creative death department, has taken its toil on this one, where simpleness and sure death like falling from great heights without the camera flinching, go unappreciated. Truth is, you know that it's a camera trick, and boy, are there a number of recognizable indoor shots for this outdoor movie, that makes it look cheap.
By the time it takes for these rookie soldiers to complete their training to the dark side and become cold killers (fighting for their own survival), you'll be more than in a hurry to head for the exit. To enjoy this movie, the usual leave your brains at the door cliché applies. Just make sure someone doesn't take a real machete and help you put it there.