Chris and a group of five friends are left stranded deep in the middle of the woods after their cars collide. As they venture deeper into the woods, they face an uncertain and bloodcurdling fate.
Director:
Rob Schmidt
Stars:
Eliza Dushku,
Jeremy Sisto,
Emmanuelle Chriqui
A group of reality show contestants find themselves fighting for their survival against a family of hideously deformed inbred cannibals who plan to ruthlessly butcher them all.
Director:
Joe Lynch
Stars:
Erica Leerhsen,
Henry Rollins,
Texas Battle
When their transfer bus crashes in a West Virginia forest, a group of convicts and a corrections officer meet a rafter who is on the run from cannibalistic hillbillies who have murdered her friends.
Director:
Declan O'Brien
Stars:
Tom Frederic,
Janet Montgomery,
Gil Kolirin
A group of college students gets lost in a storm during their snowmobiling trip and takes shelter in an abandoned sanitarium which, unbeknown to them, is home to three deformed cannibals.
Director:
Declan O'Brien
Stars:
Jennifer Pudavick,
Tenika Davis,
Kaitlyn Leeb
Before being sent to serve in Vietnam, two brothers and their girlfriends take one last road trip, but when they get into an accident, a terrifying experience will take them to a secluded house of horrors, with a chainsaw-wielding killer.
On the way to California, a family has the misfortune to have their car break down in an area closed to the public, and inhabited by violent savages ready to attack.
Director:
Wes Craven
Stars:
Suze Lanier-Bramlett,
Robert Houston,
Martin Speer
After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a deformed chainsaw-wielding loon and his family of equally psychopathic killers.
Director:
Marcus Nispel
Stars:
Jessica Biel,
Jonathan Tucker,
Andrew Bryniarski
A team of trainees of the National Guard brings supply to the New Mexico Desert for a group of soldiers and scientists that are installing a monitoring system in Sector 16. They do not find anybody in the camp, and they receive a blurred distress signal from the hills. Their sergeant gathers a rescue team, and they are attacked and trapped by deformed cannibals, having to fight to survive.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Filming began in the summer of 2006 in Quarzazate,Morocco where the previous movie was filmed. See more »
Goofs
(at around 9 mins) After the training exercise, and After-Action Review is held. During the AAR, magazines are still clearly seen in the rifles. The FIRST thing done at the conclusion of a live fire exercise it to lock and clear all weapons. Ammunition is then turned in before troops exit the range - the military keeps extremely tight controls on ammunition in a training environment, and does not give soldiers free reign to simply run about while carrying live ammo. This error is further continued by the fact that they possess live ammo when they arrive at the scientists' camp. See more »
Quotes
[first title card]
Title Card:
Two years ago an American family crossing the desert took a wrong turn and drove deep into a military area known only as Sector 16. By dawn the next day, half the family had been slaughtered.
See more »
Alternate Versions
The unrated version is almost one minute longer than the theatrical version with mainly extended scenes of graphic violence and gore added. See more »
Own Little World (Remorse Code Remix)
Written by Klayton
Performed by Celldweller
Courtesy of Fix It Music
By Arrangement with Position Music See more »
Last year's remake of 'The Hills Have Eyes' was one of the better attempts to update the vaguely exploitational horror flicks of the 1970s for a new audience. Alexandre Aja allowed for an admirable degree of character development and when the violence started it was mean and savage and all carried out in a landscape of impeccable photography and production design. I was one of the few people who actually thought that it was better than the original and looked forward to a second visit to the particularly dark and cruel world of the savage desert mutants.
'The Hills have Eyes 2', released just a year after the original, seems a rushed and ill-conceived attempt to cash in on the franchise with little thought to quality. Jonathan Craven's screenplay could have been written in a weekend, and given the speed with which this movie made it into cinemas, probably was. It falls back on every hackneyed genre cliché in the book while offering absolutely nothing new to the desert mutant mythology. I always let out a groan of disappointment when a sequel replaces civilian characters with the military. Soldiers are always so lazily written and never fail to thoroughly bore with crude caricatures of strutting macho bullshit. In my mind, 'Aliens' was the only movie to successfully make such a transition, due to James Cameron's talent, not simply for directing the best action sequences around, but never forgetting that an audience has to care about the people being butchered. He was also ably assisted by some genuinely talented actors. With 'The Hills have Eyes 2', it's clear that video director Martin Weisz is no James Cameron, and the cast of television bit-parters haven't the talent or even the inclination to turn their cardboard cutout characters into anything approaching living, breathing human beings.
Needless to say, every character is a broad and generic cliché. They act in dumb and illogical ways, making dumb and illogical decisions that lead them to predictably dumb and illogical deaths. The latter half of the movie becomes just another tedious chased-through-dark-corridors scenario. 'The Descent' (on which Sam McCurdy, coincidentally, also worked as cinematography) proved that even this most derivative of sequences can still be carried out with genuine originality and suspense, but we see no such innovation here.
'The Hills Have Eyes 2' is just a very lazy movie, devoid of any suspense, tension, or surprise, with not a single individual involved remotely interested in producing anything of quality. It's a tame and tired excuse for a sequel and deserves to spend the rest of its life in a Blockbuster's bargain bin.
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Last year's remake of 'The Hills Have Eyes' was one of the better attempts to update the vaguely exploitational horror flicks of the 1970s for a new audience. Alexandre Aja allowed for an admirable degree of character development and when the violence started it was mean and savage and all carried out in a landscape of impeccable photography and production design. I was one of the few people who actually thought that it was better than the original and looked forward to a second visit to the particularly dark and cruel world of the savage desert mutants.
'The Hills have Eyes 2', released just a year after the original, seems a rushed and ill-conceived attempt to cash in on the franchise with little thought to quality. Jonathan Craven's screenplay could have been written in a weekend, and given the speed with which this movie made it into cinemas, probably was. It falls back on every hackneyed genre cliché in the book while offering absolutely nothing new to the desert mutant mythology. I always let out a groan of disappointment when a sequel replaces civilian characters with the military. Soldiers are always so lazily written and never fail to thoroughly bore with crude caricatures of strutting macho bullshit. In my mind, 'Aliens' was the only movie to successfully make such a transition, due to James Cameron's talent, not simply for directing the best action sequences around, but never forgetting that an audience has to care about the people being butchered. He was also ably assisted by some genuinely talented actors. With 'The Hills have Eyes 2', it's clear that video director Martin Weisz is no James Cameron, and the cast of television bit-parters haven't the talent or even the inclination to turn their cardboard cutout characters into anything approaching living, breathing human beings.
Needless to say, every character is a broad and generic cliché. They act in dumb and illogical ways, making dumb and illogical decisions that lead them to predictably dumb and illogical deaths. The latter half of the movie becomes just another tedious chased-through-dark-corridors scenario. 'The Descent' (on which Sam McCurdy, coincidentally, also worked as cinematography) proved that even this most derivative of sequences can still be carried out with genuine originality and suspense, but we see no such innovation here.
'The Hills Have Eyes 2' is just a very lazy movie, devoid of any suspense, tension, or surprise, with not a single individual involved remotely interested in producing anything of quality. It's a tame and tired excuse for a sequel and deserves to spend the rest of its life in a Blockbuster's bargain bin.