Two bumbling store clerks inadvertently erase the footage from all of the tapes in their video rental store. In order to keep the business running, they re-shoot every film in the store with... Read allTwo bumbling store clerks inadvertently erase the footage from all of the tapes in their video rental store. In order to keep the business running, they re-shoot every film in the store with their own camera, with a budget of zero dollars.Two bumbling store clerks inadvertently erase the footage from all of the tapes in their video rental store. In order to keep the business running, they re-shoot every film in the store with their own camera, with a budget of zero dollars.
- Awards
- 4 nominations total
- Mike
- (as Mos Def)
- Randy
- (as Gio Perez)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I really enjoyed this film.
All the actors were engaging, and genuine heartfelt emotion - most definitely by the surprising, naturally pitch-perfect Mos Def - transcended the dialog, plot points and general wackiness.
The Fats Waller thread was just random enough and very skillfully and satisfyingly woven into the story from beginning to end. This and many other details - including touches like lovely Mia Farrow's curiosity about supernatural films and Sigourney Weaver's brief take-charge turn - convinced me that Gondry put quite a bit of thought and skill into perfecting the film's endearing awkwardness. It might not be to everybody's taste, but I think it was a great idea, executed and seasoned just right.
Gondry's writing is just as great as his direction. Everything fits together excellently. The comedy and drama blend smoothly. Michel Gondry's screenplay is impeccable. The dialogues are laugh out loud and never out of place. The characters are genuinely heartwarming, goofy and lovable.
The performances are heartfelt and fantastic. A wacky Jack Black, an endearing Mia Farrow (who's a science fiction fan), a very impressive Mos Def (I was very impressed by his comic timing), a humbly naive Danny Glover, a vivacious Melonie Diaz, Sigourney Weaver as an inspector in charge (with a touch of comedy) and many more talented actors make a terrific ensemble.
Gondry has tackled a lot of themes like a strong sense of community, people's love for movies, people being accustomed to old technology (as a result to which they sometimes have difficulty moving on to more updated sources), reviving loved artists who have vanished into oblivion and the overall sense of doing something great together (like the last movie on Fat Waller's life). He tells the story skillfully. I liked that it ended on a bittersweet note but somewhat ambiguously. I was having so much fun and laughing out loud so many times that I didn't even care if it bothered other people.
Many people seem to have trashed this movie because it wasn't like 'Eternal Sunshine Of The Spotless Mind'. I'd like to tell those people to get over it. How can people even begin to compare too totally different films and then call one of them trash for not being like the other? I love both movies and to me, with 'Be Kind Rewind' Gondry proves to be a versatile director and my appreciation for him as a filmmaker has only increased.
The last half hour of the movie relies less on humor and more on the good feeling the characters have engendered during the film. This last part is kind of nice, but it's not all that funny and I never felt strongly enough about the characters to really connect with the final part.
In the end, I feel the problem with Be Kind Rewind is (and this is not something one says often) that it is not a one-joke movie. Because the one joke is really funny, and the problem is all that stuff meant to make that one joke part of a genial movie that attempts to say something about community and making films for love and that sort of thing.
It's a very well-intentioned, sometimes very amusing movie, but I found it way too uneven.
It's a ludicrous story, so you just can't take anything seriously. The premise is unique: two guys converting a dying video rental store into a success by taking blank tapes of famous movies and making their own 20-minute versions! The new "movies" are so bad, they're good and the neighborhood starts making requests and renting the new "sweded" movies like hotcakes. Goofy? Sure. Tons of plot holes? You bet......but a nice movie.
The more films you know, beginning with "Ghostbusters," the more you'll enjoy this as the guys make these cheap knock-offs on budgets of about a hundred bucks! In addition, Jack Black, Mos Def, Danny Glover and Mia Farrow were all fun to watch.
It's no award-winner, but you could do a lot worse.
Storyline
Did you know
- TriviaIn keeping with the spirit of the film, writer and director Michel Gondry "Sweded" a version of this movie's trailer, featuring only himself on-screen.
- GoofsWhen Mr Fletcher sets off on his trip, the train leaves going back the way it came, even though Passaic does not appear to be a terminal.
- Quotes
[from trailer]
Jerry: [sung, poorly, to the tune of the Ghostbusters theme song] When you're walkin' down the street...
Jerry: [singing] ... and you see a little ghost...
Jerry: [singing] ... whatcha gonna do about -
[more out of tune]
Jerry: Ghostbusters?
Mike: What? What is that?
Jerry: That's the Ghostbusters theme song.
Mike: No.
Jerry: I'm pretty sure it is.
- Crazy creditsWhen the Pathé film company distributed the film in the UK, a sweded version of their logo appears on the film.
- SoundtracksI Ain't Got Nobody
Written by Roger Graham and Spencer Williams
Published by Edwin H. Morris & Co., Inc. and Jerry Vogel Music Co. (ASCAP)
Performed by Jean-Michel Bernard
Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $11,175,164
- Opening weekend US & Canada
- $4,100,000
- Feb 24, 2008
- Gross worldwide
- $30,579,406
- Runtime1 hour 42 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
- 2.39 : 1
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