The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochran makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
On the day of James T. Kirk's birth, his father dies on his damaged starship in a last stand against a Romulan mining vessel looking for Ambassador Spock, who in this time, has grown on Vulcan disdained by his neighbors for his half-human heritage. 25 years later, James T. Kirk has grown into a young rebellious troublemaker. Challenged by Captain Christopher Pike to realize his potential in Starfleet, he comes to annoy academy instructors like Commander Spock. Suddenly, there is an emergency on Vulcan and the newly-commissioned USS Enterprise is crewed with promising cadets like Nyota Uhura, Hikaru Sulu, Pavel Chekov and even Kirk himself, thanks to Leonard McCoy's medical trickery. Together, this crew will have an adventure in the final frontier where the old legend is altered forever as a new version of the legend begins.Written by
The crew on the U.S.S. Kelvin use communicators that were of the same style used on the original series. You can see this, when the engineer comes into frame, and when Kirk's wife is contacting him during the evacuation of the ship. After Nero changes the timeline, and starts the alternate universe, the communicators change drastically. See more »
When Neros' ship is attempting to reach Earths' core it is drilling through the water by the Golden Gate Bridge, it would seem impossible for the red matter to reach earths' core, since they were drilling through water, as soon as the drill stopped the water would instantly rush in. See more »
U.S.S. Kelvin, go for Starfleet Base.
Kelvin Crew Member:
Starfleet Base, we've sent you a transmission. Did you receive?
Kelvin, have you double-checked those readings?
Kelvin Crew Member:
Our gravitational sensors are going crazy here. You should see this. It looks like a lightning storm.
What you've sent us doesn't seem possible.
Kelvin Crew Member:
Yes ma'am. I understand. That's why we sent it.
See more »
The first part of the closing credits is styled after the opening credits of Star Trek (1966), where the starship Enterprise blasts off into space as a monologue describes its mission, and then the cast names appear as the famous "Star Trek" theme music plays. See more »
There was no way that this reboot was going to avoid all references to either the original series of Star Trek or the other spin-off series - anyone going in to see this film had to accept that as a given. But any cheesy bits (of which there were relatively few) are blown away by the sheer beauty and bravado of this film.
I was a fairly big Trekkie in my youth, but in the last 10 years only really kept up with it by watching a few new episodes here and there and seeing the big screen outings (OK, I admit that I have all 10 films on special edition DVD - £47 was a bargain!) - but Abrams' vision here has me thinking the new franchise will be even better than what has come before.
What made this film special for me was not the story (remarkably good, bearing in mind that, like the first film in any new franchise, it's backbone was character development). What made this film for me was the....photography? Can you even call CGI photography? Well, either way, this film was a visual feast. The way that scale was conveyed was breath-taking. I'm not sure whether I read this somewhere or if I can take credit for it myself, but the difference came in the way that Abrams shoved aside the traditional Star Trek view of Enterprise as a lumbering naval ship and took a more Star Wars-esquire dogfight approach. This has set a high standard for a new era of Star Trek that I hope will spawn at least a couple more films.
It's not that I wasn't impressed with the character development, the acting, the script or the story - it's just that this film looked so gorgeous that I haven't been able to think of anything else since I saw it last night! But sufficed to say, this was overall an excellent feature. It might not quite deserve a 100% rating, but it's worth more than 90% in my eyes - so, by rounding up, it gets 10/10 from me! Final warning: see this film in the cinema. Do not wait for it to come out on DVD. It. Will. Not. Do. It. Justice.
JJ, you've won a fan!
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