The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochran makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
On the day of James T. Kirk's birth, his father dies on his damaged starship in a last stand against a Romulan mining vessel looking for Ambassador Spock, who in this time, has grown on Vulcan disdained by his neighbors for his half-human heritage. 25 years later, James T. Kirk has grown into a young rebellious troublemaker. Challenged by Captain Christopher Pike to realize his potential in Starfleet, he comes to annoy academy instructors like Commander Spock. Suddenly, there is an emergency on Vulcan and the newly-commissioned USS Enterprise is crewed with promising cadets like Nyota Uhura, Hikaru Sulu, Pavel Chekov and even Kirk himself, thanks to Leonard McCoy's medical trickery. Together, this crew will have an adventure in the final frontier where the old legend is altered forever as a new version of the legend begins.Written by
To add a sense of realism to the film, J.J Abrahms would often follow the camera operator and shake/tap it rapidly. To replicate that in the CG shots, ILM used motion capture on a camera point and tap the desk it was sitting on. See more »
When Spock requests permission to come on the bridge, he says, "Permission to come aboard, Captain." He is in fact already on board the Enterprise. Protocol requires that he should have requested permission to be allowed on the command bridge, as he is not a command officer nor bridge personnel at that moment. See more »
U.S.S. Kelvin, go for Starfleet Base.
Kelvin Crew Member:
Starfleet Base, we've sent you a transmission. Did you receive?
Kelvin, have you double-checked those readings?
Kelvin Crew Member:
Our gravitational sensors are going crazy here. You should see this. It looks like a lightning storm.
What you've sent us doesn't seem possible.
Kelvin Crew Member:
Yes ma'am. I understand. That's why we sent it.
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The first part of the closing credits is styled after the opening credits of Star Trek (1966), where the starship Enterprise blasts off into space as a monologue describes its mission, and then the cast names appear as the famous "Star Trek" theme music plays. See more »
As a complete and utter fan of LOST I ventured down to Sydney on Tuesday for the World Premiere of Star Trek to feast my eyes on JJ Abrams new venture. I have never seen Star Trek. Not one episode, Not one movie. Yet the idea of JJ Abrams attempting to breathe creative life into a franchise drew me to the Sydney Opera House to meet my Idol and to see just what he can do.
As the lights went down in the glorious Concert Hall and the vibrant cast and crew thanked the audience and took their seats an anxious hush swept the hall from united Trekkies and newcomers alike. As Paramount, Spyglass and the Bad Robot flitted across the screen Michael Giacchino's score pulsed through the audience and the film began.
From the first stunning visuals of a pre-Enterprise time to the final iconic sweeping space shots Star Trek is fully and wholly back, completely engaging for Fan and newcomers alike. Easily grabbing a mainstream audience and yet still retaining the in-crown jokes and nuances of the original Universe, Abrams new Trek is quite the achievement.
The actors are superb and the appearance of Leonard Nimoy and Eric Bana takes the tale to the beyond.
It is easy to see why Paramount has held on to the innovative creative Bad Robot team ready for a sequel as Trekkie storytelling is reinvented for today.
As always I was blown away with the power and creative precision that JJ Abrams brought to the screen. As a final note I recommend this film for everyone who has ever looked to dream up the impossible, to take an idea that you love onto the next level, a feat achieved by the truly glorious Abrams and crew.
A must see.
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