The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
On the day of James Kirk's birth, his father dies on his damaged starship in a last stand against a Romulan mining vessel looking for Ambassador Spock, who in this time, has grown on Vulcan disdained by his neighbors for his half-human heritage. 25 years later, James T. Kirk has grown into a young rebellious troublemaker. Challenged by Captain Christopher Pike to realize his potential in Starfleet, he comes to annoy academy instructors like Commander Spock. Suddenly, there is an emergency on Vulcan and the newly-commissioned USS Enterprise is crewed with promising cadets like Nyota Uhura, Hikaru Sulu, Pavel Chekov and even Kirk himself, thanks to Leonard McCoy's medical trickery. Together, this crew will have an adventure in the final frontier where the old legend is altered forever as a new version of the legend begins.Written by
Prior to this film, the highest-grossing Star Trek film ever made was Star Trek: First Contact (1996) with a worldwide gross of one hundred forty-six million dollars. This film exceeded that gross by its second weekend of U.S. release alone. See more »
When young Kirk is driving his step father's Corvette and listening to him on the cell phone, you can hear the sound of gears being shifted but his hands never leave the steering wheel. This could not be accomplished on a manual shift Corvette. See more »
U.S.S. Kelvin, go for Starfleet Base.
Kelvin Crew Member:
Starfleet Base, we've sent you a transmission. Did you receive?
Kelvin, have you double-checked those readings?
Kelvin Crew Member:
Our gravitational sensors are going crazy here. You should see this. It looks like a lightning storm.
What you've sent us doesn't seem possible.
Kelvin Crew Member:
Yes ma'am. I understand. That's why we sent it.
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There are no opening credits in the film except for the title card, making this the second consecutive Star Trek film that does not list its cast at the beginning. See more »
I should start this by saying that I always leaned more toward Star Wars than Star Trek. I've memorized much of the Star Wars epic sci-fi fantasy and numerous characters, but the universe of Star Trek is one I have not really explored. The beauty of this film is that you can be a hard core Trek-fan or a simple lover of sci-fi or action and still find this an incredibly enjoyable movie. I myself was surprised when I first saw it, seeing all the relatable humor it was pouring out, but unlike the redundant idiocy of let's say Michael Bay, the jokes are welcome and don't go too far.
The cast is pretty well put together, and each character is pretty memorable and involved quite well. Eric Bana was excellent as Nero, not to mention Bruce Greenwood is awesome as well. Zachary Quinto is the beloved Spock and for one of those hyper-intelligent characters it's a character you will end up feeling emotionally drawn to. The story never drags at all and it's all together a pretty well written piece of sci-fi I must add. To be honest Chris pine is great in the movie, it's just that at times he too much of an archetype 'bad-ass', dare I say it? How many times have I seen a drunken protagonist in a bar starting a fight with a guy and/or trying to get a girl who views him as trash. Other than that, though, he does fine, and the rest of the cast is no less than good.
The cinematography was beautiful on its own, let alone the action scenes. Speaking of which, a new bar for space battles has been set. And the score by Michael Giacchino and Alexander Courage was not too shabby. In fact I thoroughly embraced it. I consider it a must see, being one of those rare sci-fi gems anyone can enjoy.
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