A French chef swears revenge after a violent attack on his daughter's family in Macau, during which her husband and her two children are murdered. To help him find the killers, he hires three local hit-men working for the mafia.
Anthony Chau-Sang Wong,
When an ambulatory TV news unit live broadcasts the embarrassing defeat of a police battalion by five bank robbers in a ballistic showdown, the credibility of the police force drops to a ... See full summary »
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
A corrupt cop named Sam handles negotiations between two Triad leaders who plan to join forces. However, he meets a suspicious bald man named Tony, who keeps following him around and disrupting his personal business.
Ching Wan Lau,
Tony Chiu-Wai Leung,
The time is 1998. The setting is Macau. Every living soul jumps at every chance to make quick money before the Portuguese colony ushers in a new era under the Chinese rule. For the jaded hit men, they wonder where this journey will end. Against this backdrop come two hit men from Hong Kong sent to take out a renegade member trying to turn over a new leaf with his wife and newborn baby. They soon find themselves in the throes of a dilemma when two of their former associates also show up, intent on thwarting them at every cost.Written by
Hong Kong's Official Submission to the Best Foreign Language Film Category of the 80th Annual Academy Awards (2008). See more »
The version shown in US theaters in 2007 includes a subtitle reading "He took the wrap for me". It should be "rap". See more »
Hong Kong version was edited to avoid a CAT III rating. Removed was the scene where Boss Keung and Boss Fay shake hands - with their left hands. According to Hong Kong Film Censorship Authority this is a distinctive mark of the triads and therefore not suitable for youngsters. See more »
Co-composed, Arranged, Orchestrated and Recorded by Guy Zerafa and Dave Klotz
From the recording entitled "LIVE PERFORMANCE"
Performed by Paul Royes and Guy Zerafa
Composed by Paul Royes
Unpublished See more »
Good luck trying to make any kind of sense out of "Exiled," a largely incoherent Chinese mob drama that at least boasts exquisite photography by Cheng Siu-Keung and uber-stylish direction by Johnnie To to hook and enthrall us. In fact, so riveting are the movie's visuals that you won't even mind that you can't tell who's who without a program or figure out how any of the characters are related to one another in the context of the narrative. It all has something to do with a gang of assassins trying to protect one of their own from the very mob boss who has sent them on a mission to take the man out - but I'll be damned if I can explain anything more that happens in the movie.
Suffice it to say that with its meticulously composed, wide screen framing, its stylized action scenes - kind of a cross between Quentin Tarentino and Robert Rodriguez - its visual correlatives, and its dark, velvety colors, the movie makes it hard for us to tear our eyes off the screen for a single second.
Almost a textbook case of style triumphing over substance, "Exiled" is a true cineaste's delight. And hang the story.
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