Cast overview, first billed only: | |||
Ewan McGregor | ... | Ian Blaine | |
Colin Farrell | ... | Terry Blaine | |
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Peter-Hugo Daly | ... | Boat Owner (as Peter Hugo-Daly) |
John Benfield | ... | Brian Blaine | |
Clare Higgins | ... | Dorothy Blaine | |
Ashley Madekwe | ... | Lucy (as Ashley Medekwe) | |
Andrew Howard | ... | Jerry | |
Hayley Atwell | ... | Angela Stark | |
Sally Hawkins | ... | Kate | |
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Keith Smee | ... | Terry's Track Mate |
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Stephen Noonan | ... | Mel |
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Dan Carter | ... | Fred |
Richard Lintern | ... | Director | |
Jennifer Higham | ... | Helen | |
Lee Whitlock | ... | Mike |
Two London brothers are hard-up for cash, and both have girls to look out for, too. When rich Uncle Howard comes to town and agrees to help them out, he admits his finances are under investigation, and he asks them to do him a favor and "take care of" an old business relation to keep his trouble under wraps - he says that they're family, and since he always takes care of them, the least they could do is help him out this once, as they're the only ones he can trust. The film follows their struggle with the immorality of this request and how each brother chooses to deal with it. Written by Anonymous
This is, perhaps, Woody Allen's darkest tale. No hope, no possibility of hoping. Dreaming seems so meaningless. The "I want" syndrome. Nothing will come out of it and shame on you for wanting it. Colin Farrell and Ewan McGregor are wonderful in performances without frills or shine. Strangely enough, Allen shows a bit of compassion for his characters but no respect. He seems to despise them. It is merit of the two actors that we manage to stay with them without falling in love with them without even like them very much. The ending, I felt, was a bit of a cope out. Woody got to the gates of hell but didn't venture in. He leaves to us the details of all that darkness. The film, however, bears Woody Allen's name but could have been a film by Basil Dearden or J Lee Thompson and I mean that as a compliment.