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Mamma Mia! (2008)

PG-13 | | Comedy, Musical, Romance | 18 July 2008 (USA)
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The story of a bride-to-be trying to find her real father told using hit songs by the popular 1970s group ABBA.

Director:

Writers:

(screenplay), (musical book)
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Popularity
68 ( 41)
Nominated for 2 Golden Globes. Another 15 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Sophie
... Bill
... Sam
Nancy Baldwin ... Sam's PA
... Harry
... Harry's Housekeeper
Colin Davis ... Harry's Driver
... Lisa
Ashley Lilley ... Ali
... Donna
... Rosie
... Tanya
... Stavros
... Arina
Enzo Squillino Jr. ... Gregoris
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Storyline

Set on a colorful Greek island, the plot serves as a background for a wealth of ABBA songs. A young woman about to be married discovers that any one of three men could be her father. She invites all three to the wedding without telling her mother, Donna, who was once the lead singer of Donna and the Dynamos. In the meantime, Donna has invited her backup singers, Rosie and Tanya. Written by jojo.acapulco@gmail.com

Plot Summary | Plot Synopsis

Taglines:

Take a trip down the aisle you'll never forget See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sex-related comments | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Universal

Country:

| |

Language:

|

Release Date:

18 July 2008 (USA)  »

Also Known As:

Mamma Mia! The Movie  »

Filming Locations:

 »

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Box Office

Budget:

$52,000,000 (estimated)

Opening Weekend:

£6,594,058 (United Kingdom), 13 July 2008, Limited Release

Opening Weekend USA:

$27,751,240, 20 July 2008, Wide Release

Gross USA:

$144,130,063

Cumulative Worldwide Gross:

$609,841,637
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Colin Firth (Harry) used to play guitar in a band. See more »

Goofs

Sophie has flowers in her hair when she gets ready for the wedding. The flowers disappear and reappear, in varying amounts, between shots. See more »

Quotes

Sam Carmichael: The last time I saw your mother, she said she never wanted to see me again.
See more »

Crazy Credits

After the final scene of the movie Meryl Streep, Christine Baranski and Julie Walters appear on a sound stage in matching 1970s glam-rock costumes and sing "Dancing Queen". When they finish Meryl 'asks' the audience if they want an encore. The three ladies are then joined by Pierce Brosnan, Colin Firth and Stellan Skarsgard who are similarly attired. Along with Amanda Seyfried and Dominic Cooper, they provide a rendition of "Waterloo" as the main credits roll. See more »

Connections

Referenced in EastEnders: Episode dated 11 December 2014 (2014) See more »

Soundtracks

Dancing Queen
Written by Benny Andersson, Björn Ulvaeus & Stig Anderson
Performed by Meryl Streep, Julie Walters & Christine Baranski
Courtesy of Universal Music
See more »

Frequently Asked Questions

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User Reviews

 
Vaudeville, but not "Musical Theater"
28 July 2008 | by See all my reviews

I love musicals, all of them, from joyous Oklahoma, to Poignant Porgy and Bess, to the touching romantic "Damn Yankees." And I know most of the songs, sometimes singing them spontaneously, with a crowd or humming them alone.

In a "real" musical, as differentiated from this vaudeville show, every song is painstakingly crafted to fit the exact moment. It is an expression of sadness, regret, love, joy or exaltation--a natural extension where mere words fail. So, in Guys and Dolls, "My Time of Day" describes the adventurous life of Sky Masterson as it is about to be compromised by the most unlikely woman. Every song in this brilliant exemplar of the genre sets a mood, or develops a character, creating a phantasmagoria of place, turned absolutely believable by the self disclosing evocations of song.

For this lover of the Broadway Musical, and their adaptations to the screen during the last half of the 20th century, Mama Mia is somewhere between satire and a cruel fun house distortion of the genre. There, the songs of these musicals advanced the often elaborate, often delightful, plot lines. While here, the songs, simply picked up from a collection, only interfered with the shaky premise of the film.

Perhaps most of those viewers who are making this film into a monumental success simply have no exposure to the art form of 20th century Musicals. They have no idea of the magic performed by writer and lyricist that can turn a dance hall floozy into someone whom we know and love, as achieved in "Sweet Charity."

Let me offer an apology for the arrogance of this review. Perhaps, another day, another mood, I could have gotten into it, and not have been so critical in this review.

But I can't help but imagining what Richard Roger, Oscar Hammerstein, Cole Porter, Irving Berlin and so many others could have done even with with this silly premise. I think about it, while the memories of seeing this film is fresh, and I can not help but to mourn the great loss.


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