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Mamma Mia! (2008)

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The story of a bride-to-be trying to find her real father told using hit songs by the popular 1970s group ABBA.

Director:

Phyllida Lloyd

Writers:

Catherine Johnson (screenplay), Catherine Johnson (musical book)
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Popularity
243 ( 11)

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Nominated for 2 Golden Globes. Another 15 wins & 23 nominations. See more awards »

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Cast

Cast overview, first billed only:
Amanda Seyfried ... Sophie
Stellan Skarsgård ... Bill
Pierce Brosnan ... Sam
Nancy Baldwin Nancy Baldwin ... Sam's PA
Colin Firth ... Harry
Heather Emmanuel ... Harry's Housekeeper
Colin Davis Colin Davis ... Harry's Driver
Rachel McDowall ... Lisa
Ashley Lilley Ashley Lilley ... Ali
Meryl Streep ... Donna
Julie Walters ... Rosie
Christine Baranski ... Tanya
Ricardo Montez ... Stavros
Mia Soteriou ... Arina
Enzo Squillino Jr. ... Gregoris
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Storyline

Set on a colorful Greek island, the plot serves as a background for a wealth of ABBA songs. A young woman about to be married discovers that any one of three men could be her father. She invites all three to the wedding without telling her mother, Donna, who was once the lead singer of Donna and the Dynamos. In the meantime, Donna has invited her backup singers, Rosie and Tanya. Written by jojo.acapulco@gmail.com

Plot Summary | Plot Synopsis

Taglines:

Mark The Date. July 18th See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sex-related comments | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Universal

Country:

USA | UK | Germany

Language:

English | Greek

Release Date:

18 July 2008 (USA) See more »

Also Known As:

Mamma Mia! The Movie See more »

Filming Locations:

Volos, Greece See more »

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Box Office

Budget:

$52,000,000 (estimated)

Opening Weekend:

£6,594,058 (United Kingdom), 13 July 2008, Limited Release

Opening Weekend USA:

$27,751,240, 20 July 2008, Wide Release

Gross USA:

$144,130,063

Cumulative Worldwide Gross:

$609,841,637
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Rita Wilson: The Executive Producer is dressed as a Greek goddess during the closing credits sequence. See more »

Goofs

When Donna repairs the dolphin mosaic with the caulking gun, the tip breaks off of the tube. In subsequent shots, the tip is intact. See more »

Quotes

Rosie: [looking down the hatch of Bill's boat] Cooee!
Bill: Heey! Right in time for breakfast. We're serving up the works here.
[he turns around, revealing his bare bottom]
Rosie: Oh! Think you just did!
See more »

Crazy Credits

After the final scene of the movie Meryl Streep, Christine Baranski and Julie Walters appear on a sound stage in matching 1970s glam-rock costumes and sing "Dancing Queen". When they finish Meryl 'asks' the audience if they want an encore. The three ladies are then joined by Pierce Brosnan, Colin Firth and Stellan Skarsgard who are similarly attired. Along with Amanda Seyfried and Dominic Cooper, they provide a rendition of "Waterloo" as the main credits roll. See more »

Connections

Referenced in De slimste mens ter wereld: Episode #12.14 (2018) See more »

Soundtracks

Slipping Through My Fingers
Written by Benny Andersson & Björn Ulvaeus
Performed by Meryl Streep & Amanda Seyfried
Courtesy of Universal Music
See more »

Frequently Asked Questions

See more »

User Reviews

 
Super Pooper
20 July 2008 | by moutonbear25See all my reviews

Let me tell you. Just because I've been listening to ABBA almost non-stop since I saw MAMMA MIA! two days ago does not mean I enjoyed the film all that much. It's just the Swedish pop super group's music is so darn infectious. You would think that energy would translate to feel-great good time at the movies but sadly this is not the case. First time feature filmmaker, Phyllida Lloyd, spends far too much time dragging her feet when they should be dancing up and down the beach and no matter how many shots of the moonlight shimmering against the waves there are, the film is still a clunker instead of a stunner.

When a musical is paper thin on the stage, it runs the risk of being just plain silly on the screen. On the stage, MAMMA MIA! is a somewhat justified excuse to revive a bunch of ABBA tracks wrapped into a completely implausible, overly romantic farce. Young Sophie (played on screen by Amanda Seyfried) is but 20 and about to marry the very supportive and very handsome, Sky (Dominic Cooper). Something is missing though. Sophie has lived on this tiny Greek island her entire life and helped run a crumbling hotel with her mother, Donna (Meryl Streep) but she has never met her father. As far as she knows, he left before her mother could say anything to him but a chance encounter with her mother's diary from the summer of her conception narrows the possible men to three. So rather than talk to her mother about her desire to know where she came from, she invites all three men (Pierce Brosnan, Colin Firth and Stellan Skarsgard) to her wedding, pretending to be her mother looking for a reunion. Naturally all three men accept the invite and hijinks ensue. While the campiness of the whole affair is forgiven on stage because the suspension of disbelief doesn't apply, this screen version is too far removed from the stage to feel the least bit plausible.

I believe in angels, something good in everything I see. And while there is very little good to focus on in MAMMA MIA!, at least there is always surprising Streep. She jumps up and down on beds, slides down banisters without the least bit of concern for breaking her hip. She can sing too. Much like she did in THE DEVIL WEARS PRADA, Streep's performance as the lonely mother of the bride carries the film forward and, in the show stopping "The Winner Takes It All", elevates the film to heights it could never have achieved without her participation. Though the two don't get nearly enough screen time together, Streep and Seyfriend make a great mother/daughter combo. Seyfried's fresh exuberance seems like it might actually be inherited from her movie mom. The rest of the cast delivers varying results – Julie Walters clearly thinks she is a comic genius but she comes off too brash; Christine Baranski is miscast as an older bombshell making for some particularly awkward moments with younger men; and someone should ensure that Pierce Brosnan never sings on screen again.

Ultimately, MAMMA MIA! never connects all of its components. A melodramatic moment is followed by a peppy ABBA song, which somehow erases everyone's pain. In that sense, ABBA's music is the perfect choice to set the tone as it is some of the most depressing pop lyricism set to upbeat melodies in pop history. While the contrast adds weight to the songs themselves, the musical masking casts an air of falseness that never lifts. What your left with is a compilation of poorly choreographed, plainly sung music videos. No offence, Meryl, but you are long past your MTV days.


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