Timely yet terrifying, The Flood predicts the unthinkable. When a raging storm coincides with high seas it unleashes a colossal tidal surge, which travels mercilessly down England's East ...
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Suddenly the US east coast is hit by a type of natural disaster formerly reserved, except after a major earthquake, for the Pacific and Indian ocean rims: tidal waves of the destructive ... See full summary »
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Michelle Van Der Water,
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Timely yet terrifying, The Flood predicts the unthinkable. When a raging storm coincides with high seas it unleashes a colossal tidal surge, which travels mercilessly down England's East Coast and into the Thames Estuary. Overwhelming the Barrier, torrents of water pour into the city. The lives of millions of Londoners are at stake. Top marine engineers and barrier experts Rob, his ex-wife Sam and his father Leonard Morrison, have only a few hours to save the city from total devastation. A real probability in a real location. It is not a question of if, but when London floods.Written by
Jonathan Rutter / Matthew Sanders
Robert Carlyle lost his father (who he was close to) suddenly six weeks before filming began. The scene at the end, where Rob is crying by his father's body, was a very real emotional release for him, and was difficult for the other cast and crew to watch. See more »
Surprisingly the panicking Londoners tried to leave London rather than take the simplest and most obvious way to escape from the floodwater - seek refuge on the top of buildings. Warnings to seek high ground (which could be said to imply rooftops and such) can be heard when the evacuation alert is first issued, but they seemed to have been ignored or forgotten by evacuation personnel later, and certainly by the crowds shown. See more »
'Flood' is a prime example of how throwing good actors and cgi at a film will do little to compensate for a rubbish script. The basic premise is fine: what if a freak storm threatened to send the sea straight over the Thames flood barriers and engulf London so fast that most of the inhabitants would probably never get out in time? It's basically the New York segment of 'The Day After Tomorrow', but that shouldn't make it any less of a film. However, the script just isn't there. It's merely functional, flat, and lacking in depth. Great British talents like Robert Carlysle and David Suchet to name but two do their level best with what they've got, but their characters are two-dimensional cyphers, like something out of an old Marvel comic. and it'd be frankly easier to turn back the tide. Not that every actor gets let off the hook - Tom Courtenay seemed capable of only one emotion throughout the film, but then he wasn't given much of a challenge.
I applaud any opportunity to see some non-Hollywood disaster flicks for a change, and I don't expect zillions of dollars spent on rendering ultra- realistic graphics. However there's no excuse for shonky writing - especially from a country that has produced some of the best science- fiction ever made on next to no budget at all. This is the kind of half- hearted B-grade fluff the Sci-Fi channel produces, and that's hardly a target to aim for. If like me you are such a fan of disaster films you're still tempted, do yourself a favour and watch it with some friends. Better still; don't bother.
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