Max leads a good life with Alice and their son Théo; that is until Alice is threatened with death while waiting for a heart transplant. Max promises Théo that he will save Alice, but to ...
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We find Max in jail, after losing his young wife. When he learns that his son Theo has just been hired by a criminal organization, Max will risk everything to save him. His car chase and athletic skills prove to be a great asset.
A few years after they infiltrated a therapy program for fathers and sons, Marc Laroche is having some issues with his girlfriend Alice and Jacques is experiencing intense denial towards the fact that he is growing older.
The year it took Dede Fortin to write and record "Dehors Novembre" is revisited in this doc. Swinging between crippling despair and fervent creativity, the past that haunted Fortin until ... See full summary »
Martin is 12 years old and dreams of making the neighbourhood baseball team. When he gets cut, his father steps in and together they spend a summer full of hope and disappointment, line drives and foul balls.
Max leads a good life with Alice and their son Théo; that is until Alice is threatened with death while waiting for a heart transplant. Max promises Théo that he will save Alice, but to keep his word he must find a heart, and fast. Since time is running out and he must find a solution, Max decides to reconnect with his troubled past. His decision will change his life in ways he could never have imagined.Written by
Why do I award five stars to this film? Because of what it could have been, yet wasn't. The interesting bits in my opinion, and only somebody who understands Québec French (I do) can say that, are the (I think) peeks at Montréal subcultures the director takes: ordinary building workers, young Québec working class speed freaks, and gangsters (of a type, including what is supposed to be yet another stereotype of Italian mafioso, neither very real, nor very credible). The plot is of course irrelevant, but so it is for zillions of other directors, that hardly matters. The film fails because it is a patchworks of unrelated tiles. There just is no line joining all these fragments, and the lead actor, not bad in itself, does not manage to be the joining factor. This movie therefore splinters into many shards, rather imaginative shards, but broken nonetheless. Director worth watching, as he might learn, methinks.
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