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The Walker (2007)

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An escort who caters to Washington D.C.'s society ladies becomes involved in a murder case.

Director:

Paul Schrader

Writer:

Paul Schrader
1 win. See more awards »

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Cast

Cast overview, first billed only:
Woody Harrelson ... Carter Page III
Kristin Scott Thomas ... Lynn Lockner
Lauren Bacall ... Natalie Van Miter
Ned Beatty ... Jack Delorean
Moritz Bleibtreu ... Emek Yoglu
Mary Beth Hurt ... Chrissie Morgan
Lily Tomlin ... Abigail Delorean
Willem Dafoe ... Larry Lockner
William Hope ... Mungo Tenant
Geff Francis Geff Francis ... Detective Dixon
Steven Hartley ... Robbie Kononsberg
Garrick Hagon ... Mungo Tenant
Michael J. Reynolds ... Ethan Withal
Allen Lidkey Allen Lidkey ... Andrew Salesperson
Stewart Alexander ... Edgar
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Storyline

Carter Page III holds a special place in Washington society: the gay son and grandson of powerful men, he has connections, manners, and he's no threat, so he's an available escort when a woman's husband would rather not accompany her to a public event. When the secret lover of one of his women friends is murdered, she asks Carter to cover for her, and his acquiescence gets him into immediate trouble with the police and an ambitious prosecutor. Carter, with the help of his lover Emek, starts his own investigation. They're warned off by someone's hired muscle. Can Carter figure out what happened or will he lose more than he realizes he has? Human behavior is a mystery. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Everyone loves a good scandal

Genres:

Crime | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for language, some violent material and nude images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK

Language:

English

Release Date:

10 August 2007 (UK) See more »

Also Known As:

O Acompanhante See more »

Filming Locations:

USA See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

£44,623 (United Kingdom), 12 August 2007, Limited Release

Opening Weekend USA:

$16,525, 9 December 2007, Limited Release

Gross USA:

$77,177, 3 February 2008
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Paul Schrader told HX Magazine that Woody Harrelson refused to do any publicity for this movie because he was dissatisfied with his own performance in it. See more »

Goofs

The second time Woody Harrelson's character is interrogated by the police, he has a gold waistcoat on. However, when he leaves the building the waistcoat had disappeared. See more »

Quotes

Carter Page III: You've got to watch yourself; this is a brutal political climate. Whatever 'ruth' there was in this town, there's 'less' now than ever.
See more »

Connections

References Blind Ambition (1979) See more »

Soundtracks

Angel Eyes (Kaos Remix)
Performed by Roxy Music
Written by Bryan Ferry & Andy Mackay
Published by BMG Music Publishing Ltd
Licensed Courtesy of Virgin Records Ltd
See more »

Frequently Asked Questions

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User Reviews

 
Carter, Barren...
7 June 2008 | by cchaseSee all my reviews

Carter Page III (Woody Harrelson) is effete, witty, charming, full of himself and full of ripe, juicy, trenchant commentary on the Washington social scene and its denizens. He has to be - it is literally his life. Carter is what's known in Washingtonian parlance as a "walker". He squires about the rich and powerful wives of the rich and powerful men on the Hill, whenever they require a male escort to attend dinners, benefits and other social gatherings. You know - the ones their husbands would rather jump off a building than attend. And because Carter is a bonafied "Friend of Dorothy," there's none of that pesky bother of having to worry if he'll climb into the wives' beds, the way he slips so smoothly into their confidences.

But somewhere between the glittering parties and the bon-mot laden games of canasta, reality bites in the form of a brutal murder; the victim being the lover of one of Carter's "special friends." Ever the dutiful confidante, Carter covers for her without realizing exactly what he's letting himself in for, especially when the connections he thought he had begin to dry up and wither like the flowers on a table from a party that ended years ago. Though he literally has spent his life putting the "art" into artifice, Carter must now look beyond the boundaries of his superficiality and that of his so-called friends and acquaintances, if he wants to save his own hide.

The "outsider looking in", even if he is part of the world that holds him at arm's length is one of director Paul Schrader's favorite themes; one he has visited repeatedly, whether he served as a writer (TAXI DRIVER), a director (AUTO FOCUS) or both (AMERICAN GIGOLO) as he does here. As he explores it yet again using the country's seat of power as his landscape, he is certainly served well by an outstanding cast.

Harrelson's acting has never been as subtle and yet powerful as he inhabits Carter, rather than just playing the character. Kristin Scott-Thomas radiates beauty and desperation as his friend-in-trouble, and the ensemble is well-rounded out by Willem Dafoe as Scott-Thomas's husband; the regal presence of Lauren Bacall; Lily Tomlin in a very restrained mode as a power broker's wife; Ned Beatty as her husband, Mary Beth Hurt as another one of Carter's "canasta" group and William Hope as an extremely unpleasant Attorney General who is very reminiscent of a certain Mr. Spitzer.

Special mention must be made of Moritz Bleibtreu as Emek, Carter's German-Iranian boyfriend and the only person who really stands by him when the designer crap hits the fan, and has nothing to gain from it but his partner's love. (Well, there IS the matter of finding a gallery to exhibit his politically-charged photo art, based explicitly on the the Abu Ghraib scandal). But kudos to Bleibtreu for matching Harrelson as they modulate the complexities of their relationship without falling back on the usual stereotypical tics and camp flourishes.

With the lush production design and costuming augmented by the oh-so fitting songs of Brian Ferry (which Anne Dudley's nearly ambient score is based upon), THE WALKER is a pretty film to look at and be taken in by...as pretty and alluring as Carter is himself. Until you discover - as he himself does - that underneath all the trappings, the wealth, the elitist vanity is a void, where friendship, compassion, love, fidelity...not a single one of those things really exists. The movie isn't so much about him solving the murder mystery that hangs over him like the Sword of Damocles, but the "mystery of his own life" - finding all of those things he traded in for life among the political elite.

Not a light and frivolous way to pass the time, much like most Schrader films. In fact, many viewers might turn it off before getting halfway through. But the Oscar-worthy work from Harrelson is definitely worth sticking around for.


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