Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
SPOILER: When Briony Tallis, 13 years old and an aspiring writer, sees her older sister Cecilia and Robbie Turner at the fountain in front of the family estate she misinterprets what is happening thus setting into motion a series of misunderstandings and a childish pique that will have lasting repercussions for all of them. Robbie is the son of a family servant toward whom the family has always been kind. They paid for his time at Cambridge and now he plans on going to medical school. After the fountain incident, Briony reads a letter intended for Cecilia and concludes that Robbie is a deviant. When her cousin Lola is raped, she tells the police that it was Robbie she saw committing the deed.Written by
According to Sandra Lean, widow of legendary filmmaker Sir David Lean - Joe Wright was apparently so impressed by Sir David's epic work that he screened most of it before making Atonement, and then instructed cinematographer Seamus McGarvey to also watch Lean's oeuvre, with the hope of being able to match some of the director's power. Ultimately however, Lady Lean felt she 'just didn't like the movie. I thought it was terrible and badly directed. Everyone goes on about the long shot of the beach at Dunkirk, but I thought it was boring and laborious.' Obviously they were trying to get the feel of a David Lean epic but they failed. Without David, it's not so easy.' See more »
The superb Ian McEwan book translated into cold beautiful images by the startling Joe Wright and scriptwriter Christopher Hampton. The result is a series of powerful rushes and abrupt stops. A pacing that, perhaps, is a bit too self conscious for its own good doesn't help us to connect the emotional dots. I had the feeling I had lost something in the love story of the protagonists - something that didn't happen to me reading the book. By the time the "injustice" takes place I was taken by the pain of the injustice but not by Knightley and McAvoy's liaison. Their love story is left to its own devices. The beauty of the images is overwhelming and the assuredness of Joe Wright at his second feature after the, much better, "Pride and Prejudice" keeps you going. The score tends to be monotonous and irritating but in spite of all that I intend to see "Atonement" again and I would recommend it with just the above mentioned reservations.
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