An average, calm mid-20s girl named Veronica restarts her dead dating life all of the sudden, but with two guys: a sensitive failed writer named Abel and an airheaded drummer named Zed. At ... See full summary »
Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
John Cho who played Danny Trejo's co-worker in this film would later on play as his son-in-law in the film A Very Harold & Kumar 3D Christmas (2011). See more »
When Jane was originally in the professor's home the professor's mother gave her orange juice to drink. Then later on the Ferris Wheel in Jane's flashback of the incident she was drinking a yellow drink, presumably lemonade. Although this could be the way she remembered the drink because she was high the whole time. See more »
I'm talking about something bigger than our petty, you know, yearnings.
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The film's title does not actually appear in the main credits sequence and is represented by a 'smiley face' graphic instead. See more »
Destroy Everything You Touch
Written by Mira Aroyo, Daniel Hunt, Helen Marnie and Reuben Hoong Bun Wu
(p) 2005 Ladytron
Performed by Ladytron
Published by Universal-Polygram Int. Publ., Inc. o/b/o Universal Music Publ. Ltd. (ASCAP)
Courtesy of Rykodisc, Inc. See more »
This movie is notable for perpetuating a collection of tired marijuana myths often found in any garden variety anti-drug pamphlet. The most egregious being that the drug is capable of transforming people into simpletons and paranoid head cases barely capable of dumb grunts. And therein lies much of the premise for this shtick-fest. Gone are the humor, intelligence, wit, and charm found in recent cult hits like Superbad or Harold Kumar. Instead, we're left with Faris' galling portrayal of a drawling caricature, replete with her perpetually unfixed gaze and the script's frequent reliance on gags that center on the character's short attention span. Add the inexplicable fits of mania and paranoia exhibited by Jane and you've got all the trappings of a very mediocre and forgettable carnival ride. Despite all of its over-the-top buffoonery, cheap antics, and Faris' ridiculous pantomime, "Smiley Face" is very short on laughs. A few interesting cameos do manage to conjure up a few quick chuckles, but any comic momentum is quickly lost. All this and an impromptu recitation of Marx for just the price of 90 minutes that you won't get back. Worst of all, the movie ends with a finger-wagging moral: a denouement that assaults what little intelligence you'll have retained after a single viewing. "Smiley Face" is a mindless observation of vapid stupidity and a waste in more ways than one.
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