This action drama follows a mysterious man who has multiple jobs as a garage mechanic, a Hollywood stuntman and a getaway driver seems to be trying to escape his shady past as he falls for his neighbor - whose husband is in prison and who's looking after her child alone. Meanwhile, his garage mechanic boss is trying to set up a race team using gangland money, which implicates our driver as he is to be used as the race team's main driver. Our hero gets more than he bargained for when he meets the man who is married to the woman he loves.Written by
Prior to filming, Mickle supervised a crew of 40, routinely working 16- to 18-hour days. This was her most expensive film to date, and Mickle felt freer since "there was another zero added to the budget," compared to that of Half Nelson.[ See more »
In the initial scene when Driver is waiting for the two robbers to return, a crew member can be seen walking in the driver side mirror of the Chevy impala. See more »
There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
Good. And you won't be able to reach me on this phone again.
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The preview version of the movie has slightly different dialogue in the telephone conversation between Bernie Rose and Driver preceding the meeting at the Great Wall restaurant. Regular theatrical cut Driver: [to Bernie] You know the story about the scorpion and the frog? Your friend Nino didn't make it across the river. Preview version Bernie Rose: Where's Nino? Driver: He's Gone. The reference to the story about the scorpion and the frog was left out of the preview version. See more »
A haunting movie with a stilted atmosphere reminiscent of Mulholland Drive though in an altogether different genre. The pink credits beginning the movie and the music throughout are pure eighties and set an offbeat tone against the contemporary LA streets and skyline. Great character studies punctuated by violent action scenes keep the audience immersed in this blood bath of a movie. Some powerful performances, stylish direction and intricate plotting complete this strangely understated production. Drive may not deliver box office gold in the short term though will certainly be paying long term dividends as a reference point for future film noir writers, directors and fans.
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