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Drive (2011)

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A mysterious Hollywood stuntman and mechanic moonlights as a getaway driver and finds himself in trouble when he helps out his neighbor.

Writers:

Hossein Amini (screenplay), James Sallis (book)
Popularity
353 ( 169)
Nominated for 1 Oscar. Another 77 wins & 172 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan Gosling ... Driver
Carey Mulligan ... Irene
Bryan Cranston ... Shannon
Albert Brooks ... Bernie Rose
Oscar Isaac ... Standard
Christina Hendricks ... Blanche
Ron Perlman ... Nino
Kaden Leos Kaden Leos ... Benicio
Jeff Wolfe ... Tan Suit
James Biberi ... Cook
Russ Tamblyn ... Doc
Joe Bucaro III ... Chauffeur (as Joey Bucaro)
Tiara Parker ... Young Woman
Tim Trella ... Hitman #1
Jimmy Hart ... Hitman #2
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Storyline

A mysterious man who has multiple jobs as a garage mechanic, a Hollywood stuntman and a getaway driver seems to be trying to escape his shady past as he falls for his neighbor - whose husband is in prison and who's looking after her child alone. Meanwhile, his garage mechanic boss is trying to set up a race team using gangland money, which implicates our driver as he is to be used as the race team's main driver. Our hero gets more than he bargained for when he meets the man who is married to the woman he loves. Written by shin

Plot Summary | Plot Synopsis

Taglines:

Get in. Get out. Get away. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong brutal bloody violence, language and some nudity. | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

16 September 2011 (USA) See more »

Also Known As:

Драйв See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$11,340,461, 18 September 2011, Wide Release

Gross USA:

$35,060,689, 9 February 2012

Cumulative Worldwide Gross:

$76,175,166, 9 February 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The parts of the city seen in the Valley and by downtown Los Angeles are actually cheap stucco and mirrored glass, which has been carefully edited to largely leave out more contemporary buildings. See more »

Goofs

With the exception of the Chevrolet stock car and Driver's Chevrolet Impala, the cars driven by Driver are all automatics but change gear with the sound of a manual transmission. See more »

Quotes

[first lines]
Driver: [on phone] There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
[pause]
Driver: Good. And you won't be able to reach me on this phone again.
See more »

Connections

Featured in Bad Movie Beatdown: Review of 2011 (2012) See more »

Soundtracks

A Real Hero
Written by David Grellier, Austin Garrick, Bronwyn Griffin
Performed by College (f. Electric Youth)
Courtesy of Valerie Records
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Frequently Asked Questions

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User Reviews

 
Film Noir meets Hammer Hardened Hero Maker meets Gangster Heavy Metal
19 June 2011 | by doncrawSee all my reviews

Ryan Gosling brings down the hammer on that line where logic reason and self preservation become secondary to protecting what is important to you. There are a few moments where he doesn't just cross that line but obliterates it completely.

Beautifully crafted pounding action thriller with twisted humor and seriously hard core violence. Compelling tenderness from characters that are unsophisticated in the best sense of the word.

This film will go down as one of the best Action films in decades. Car chases that rival and extend beyond Bullitt and French Connection. Violence that bursts out of the screen like a horror film or a bad dream by David Cronenberg. Passing moments of tenderness that are drawn out until you are slowly pulled into the emotional world of the protagonists.

Something so powerful, especially when it works, is the use of sharp and dramatic Camera Angles in Drive that mirror the emotional moment of the story drawing you into the characters world.

View and angles often extremely low angled and tilted sharply upward, effective at expanding the feeling of voyeurism of being at the dinner table or in the adjacent seat, right in the room with the characters while safely looking up from some shadow or nook or cranny. Very emotionally transcendent cinematography.

Night footage was amazingly successful at capturing the range of light and shadows, on a technical level the audio and video were strong and assured. Not only the first robbery but all the way through the film right up to the final resolution of the plot, the night was a familiar environment for major turns in the story (pun intended).

I will return hopefully soon to expand on this review, but I had to write something tonight because this film is ten times more badass than any Transporter or Fast and Furious fare that is usually sold in their all too obvious packaging.

Drive leaves them all in the Dust.

This filmed was viewed on the Big Screen at the LAFILMFEST screening June 17th 2011


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