This action drama follows a mysterious man who has multiple jobs as a garage mechanic, a Hollywood stuntman and a getaway driver seems to be trying to escape his shady past as he falls for his neighbor - whose husband is in prison and who's looking after her child alone. Meanwhile, his garage mechanic boss is trying to set up a race team using gangland money, which implicates our driver as he is to be used as the race team's main driver. Our hero gets more than he bargained for when he meets the man who is married to the woman he loves.Written by
shin
Nicolas Winding Refn moved into a Los Angeles home during filming and insisted that the cast members and screenwriter move in with him. They would work on the script and film all day, then watch films, edit or drive at night. Refn requested that the editing suite be placed in his home as well. With a shooting script of 81 pages, Winding Refn and Ryan Gosling continued to trim down dialog during filming. See more »
Goofs
Near the end of the opening credits, we see Driver pulling in to his parking spot at his apartment. The spot is labeled 520. However, Driver's apartment door in subsequent scenes is 450. See more »
Quotes
[first lines]
Driver:
[on phone]
There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
[pause]
Driver:
Good. And you won't be able to reach me on this phone again.
See more »
Alternate Versions
The US theatrical version of the film featured less dialogue; the line referring to the toad and the scorpion was absent, as was Nino's line: "Go check out who this guy fucking is." The ambient track usage also varied, with some scenes containing altered tracks and or track timing, and in some cases different tracks entirely. See more »
At the Theater- "Drive" -- This is not an Action film, this is not a "Car" movie- It's a character-driven, slow-burn thriller of the first order that features elements of some of the finer works from Directorial royalty like Martin Scorsese, Michael Mann, William Friedkin, Quentin Tarantino, Walter Hill and the late Sam Peckinpah.
The film is an electric mixture of beautiful, lingering cinematography, a pulsating soundtrack, lean dialogue and short bursts of graphic, bloody violence. It's tense and involving- almost impossible not to get immersed in. Nicolas Winding Refn is a Director to definitely keep a tab on.
Ryan Gosling is the embodiment of some kind of cold fire at the heart of the matter- his "Driver" character is a well-intentioned but unstoppable force that will surely end up as a cult favorite for decades to come. Carey Mulligan, Albert Brooks, Ron Perlman, Bryan Cranston, Christina Hendricks and Oscar Issac round out an excellent cast that's pretty much in support but extremely well-utilized.
Those wanting to check out a quick and disposable, mindlessly fun popcorn flick need to steer clear- this isn't what you're looking for. This is deadly-serious film-making that's damned-near perfect.
It's my favorite film of the year- Hell, it's one of my all-time top faves.
9.5 outta 10
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At the Theater- "Drive" -- This is not an Action film, this is not a "Car" movie- It's a character-driven, slow-burn thriller of the first order that features elements of some of the finer works from Directorial royalty like Martin Scorsese, Michael Mann, William Friedkin, Quentin Tarantino, Walter Hill and the late Sam Peckinpah.
The film is an electric mixture of beautiful, lingering cinematography, a pulsating soundtrack, lean dialogue and short bursts of graphic, bloody violence. It's tense and involving- almost impossible not to get immersed in. Nicolas Winding Refn is a Director to definitely keep a tab on.
Ryan Gosling is the embodiment of some kind of cold fire at the heart of the matter- his "Driver" character is a well-intentioned but unstoppable force that will surely end up as a cult favorite for decades to come. Carey Mulligan, Albert Brooks, Ron Perlman, Bryan Cranston, Christina Hendricks and Oscar Issac round out an excellent cast that's pretty much in support but extremely well-utilized.
Those wanting to check out a quick and disposable, mindlessly fun popcorn flick need to steer clear- this isn't what you're looking for. This is deadly-serious film-making that's damned-near perfect.
It's my favorite film of the year- Hell, it's one of my all-time top faves.
9.5 outta 10