| Cast overview, first billed only: | |||
| Miki Nakatani | ... | Matsuko Kawajiri | |
| Eita | ... | Shô Kawajiri | |
| Yûsuke Iseya | ... | Yôichi Ryû | |
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Mikako Ichikawa | ... | Kumi Kawajiri |
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Asuka Kurosawa | ... | Megumi Sawamura |
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Gori | ... | Shûji Ôkura |
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Shinji Takeda | ... | Onodera |
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Yoshiyoshi Arakawa | ... | Kenji Shimazu |
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Gekidan Hitori | ... | Takeo Okano |
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Magy | ... | Detective |
| Shôsuke Tanihara | ... | Shunji Saeki | |
| Takanori Takeyama | ... | Vice-Principal | |
| Masahiro Kômoto | ... | Man with Stand on School Trip | |
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Nagisa Katahira | ... | Self |
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Takuzô Kadono | ... | Principal |
Shou's father Norio finds his son in a rather meaningless existence in Tokyo dominated by alcohol and porn videos. Having left home two years earlier to pursue life as a musician, Shou has left his band and his girlfriend has left him. His father asks a favor, that Shou clean out the apartment of his aunt Matsuko, who he says led a meaningless life until her murder at the age of 53. The apartment is filled with garbage bags and is even more unkempt than his apartment has become, and he becomes intrigued with his aunt as details of her life are supplied by a tattooed neighbor and others. Her feelings of neglect by her father Tsunehiro, who favored her chronically ill younger sister, Kumi, translated into becoming a dutiful junior high school teacher devoted to her students until being forced to resign after being blamed for the theft of some money by one of them. Leaving her family due to the disgrace, she had a series of affairs with lovers who physically abused her and did a stint as... Written by Brian Greenhalgh
It is a real tragicomedy! This film is about cruel facts, but under a musical comedy appearance. It is a movie that made me cry, as if I still were 15 years old. And I cried because what is told in the film can happen... And unfortunately it actually happens everywhere and everyday. It is a film that has made me believe again in the Japanese cinema. In this movie I have seen a Kenji Mizoguchi's spirit revival, because of the way it describes the life of a woman who is mistreated by everybody and whose life is irremediably ruined. Doesn't this story remember Mizoguchi's "Oyu-sama"? I also saw some Akira Kurosawa's influences, like the colorful shanty dwelling Matsuko lives in during the last years of her sad existence: aren't they close to the ones Kurosawa showed in "Dodeskaden"? According to my point of view, this is the best Japanese film of this still young 21st century.