Montag the Magnificent (Glover) is a master illusionist who performs at underground venues, selecting female volunteers from his rave-like audiences. To their hysteria, it appears he's disme... Read allMontag the Magnificent (Glover) is a master illusionist who performs at underground venues, selecting female volunteers from his rave-like audiences. To their hysteria, it appears he's dismembered their bodies, but his sleight of hand has them fooled. However, female bodies show ... Read allMontag the Magnificent (Glover) is a master illusionist who performs at underground venues, selecting female volunteers from his rave-like audiences. To their hysteria, it appears he's dismembered their bodies, but his sleight of hand has them fooled. However, female bodies show up dead from the same wounds performed on stage. Investigators are baffled, and the chase ... Read all
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The biggest flaw of this film, from director Jeremy Kasten, is the fact it's a "remake" of a Hershel Gordon Lewis film. I kept comparing the two in my head, which was very unfair to Kasten's work because the films have very little in common. Aside from a magician whop performs bloody tricks, the entire plot is reworked, as are the characters. The best I can recommend is that if you are going to see this one, do not see the original first. Without that influence on your opinion, you may like this one.
What is not to like? The cast is great, not least of which includes horror veterans Jeffrey Combs and Brad Dourif, as well as the Suicide Girls. Crispin Glover has a long history in horror, as well, and Kip Purdue (who I am not very familiar with) has a personality that uniquely fits this tale. He is the one character who could not be changed without altering the entire film.
While I prefer the original film, it is not really fair to compare them. Montag the Magician is not even the same guy, and there is the whole other stripper and mind-control drug aspect here that was never even hinted at in the 1970 version. So I cannot say, "Skip this one and go see the original." As much as I want you to see the original, I think this film has its merits. It certainly upped the sex and nudity, which may appeal to viewers.
This film is really just a remake in title only as while the plot is similar to the earlier version; here it's expanded on so much to the point where the two are unrecognisable. Indeed, I would even say that the film takes more influence from modern day magic films such as The Prestige and The Illusionist. It has to be said that the film is not completely perfect as the plot gets a little too complicated after a while and we soon get the point where explaining everything that is happening is simply not possible. However, it's all carried off with such a great style and so long as the plot is faintly coherent, it's easy to enjoy the film for its style which encompasses a supremely macabre atmosphere and some great grisly death scenes (although sadly, HG's completely over the top blood scenes are lost). The cast is impressive with Crispin Glover giving a whirlwind performance as the central magician; his dialogues are a real highlight. He gets good support from the likes of Jeffrey Combs (in a role that is far too small and insignificant!) and Brad Dourif. Kip Pardue makes for a good lead also. Overall, this may not be great modern film-making; but it's very decent for a remake and is at least worth a look.
"Gore"'s most notable flaws are as follow: 1-The script is terrible. The movie is poorly written and yet, it appears they were overambitious in their attempt to give meaning to the mess.
2-The direction is just awful. Poorly shot, confusing scenes, repeatedly failing to engage us with the characters or even to shock us in the least.
3-Crappy actors not at their best. The mind boggles as to why a cult is centered around Crispin Glover. He is doing his prototypical, mediocre impersonation of himself. Always one-dimensional and incapable of subtlety in the ironic touches he tries to inject in his roles. Bijou Phillips, who once held promise she might develop into a solid indie actress has failed to develop further and continues on her path to b-movies and other forgettable roles. Beyond being pretty, you need a certain gravitas and I now wonder if she will ever get it. As for Kip Pardue, he's more a never was than a has been and I guess is on par with the kind of lead a poor movie deserves.
Ignore the high IMDb rating, unless you're in love with Crispin Glover or the kind of movie fan who has made it a mission to have the entire Brad Dourif collection.
Storyline
Did you know
- TriviaCrispin Glover came up with the idea for Montag to wear a codpiece.
- Quotes
Edmund Bigelow: Now I live backstage. From my spot here, I can make people dance to whatever tune I want them to.When they come to my house, I hold their lives in my hands. They don't have to see me, and I don't have to parade. I know what's inside me, and whenever I want, I can see everything that's inside of them, if you catch my drift. You wonder how in the hell I got to this place. You should be asking, what took me so long.
- Crazy creditsThe closing credits roll sideways; from the right of the screen to the left.
- ConnectionsReferenced in American Grindhouse (2010)
- SoundtracksRetro Hop
Written by Sal Ventura
Performed by Sal Ventura
Published by Dr. Zoot Music
Courtesy of Dr. Zoot Music
Details
- Release date
- Country of origin
- Language
- Also known as
- Король иллюзий
- Filming locations
- Venice, Los Angeles, California, USA(Dr. Chong's place)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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