They are married men that pass H.I.V. to their male or female partners. Many of the men hide behind the vow of marriage, but still desire men. The women know, but have grown accustomed to the extravagant lifestyle.
The Jacksons are your average working-class family in Gary, Indiana; but when their father discovers the kids have an extraordinary musical talent they form a band. Winning talent show ... See full summary »
Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
A plantation owner's son falls in love with a slave named Easter and together they have a Mixed race daughter named Queen. As Queen grows up, she faces the struggle of trying to fit into ... See full summary »
When someone is murdered on New Year's Eve, the prime suspect is Valerie Maas, a church-going home-maker whose life unravels when she discovers that her husband of many years has been leading a double life. Her strength of character and faith keep her going as the revelation of her husband's betrayal threatens to destroy all that they have known.Written by
When Ryan sits down to the table in the restaurant after his scuffle with Dutch, he is only wearing one necklace, but he had a second necklace with the cross during the scuffle. When he is seated and drinking from the wine glass, he again has both necklaces on. See more »
well meaning but too contrived to be truly convincing
Bill Duke's "Cover" is like an urbanized, African-American version of "Brokeback Mountain" - only this time told from the viewpoint of the initially clueless spouse rather than the two male lovers. Aunjanue Ellis plays a deeply religious woman whose life and marriage fall apart when she discovers that her husband (Razaaq Adoti) is actually a closeted homosexual. This leads to a great deal of emotional trauma for both the wife and the husband - as well as to a patently absurd and wholly unnecessary murder subplot that's used to frame the story.
There's no question that this is a well-meaning and well-intentioned film, but its attempt to deal honestly with a serious social issue all too often falls victim to slickery and overwrought melodramatics. Many a scene will have you rolling your eyes in incredulity and disbelief, even while conceding that some of the points the movie is making are indeed insightful and valid. And, commendably, the movie does give a fair hearing to each of its genuinely torn and conflicted characters. But an overall air of amateurishness - both in the performances (even from such acting stalwarts as Louis Gossett Jr. and "Amen"'s Clifton Davis) and in the direction - keeps it from having the impact it clearly wishes to have.
All in all, a missed opportunity.
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