They are married men that pass H.I.V. to their male or female partners. Many of the men hide behind the vow of marriage, but still desire men. The women know, but have grown accustomed to the extravagant lifestyle.
Lynn Schaffer is willfully irresponsible once too often, gets fired and refuses a plea-bargain with her employer. She's now convicted and because of this uncooperative attitude gets the ... See full summary »
A scarred, unattractive young woman is conned into helping with a robbery of her employer. As a result, she is sent to prison, gets plastic surgery, and returns to seek revenge on those who wronged her.
Michael and Madison Roland had planned to spend the rest of their lives together, until one day Michael's controlling ways turned their perfect marriage. With the help of her best friend, ... See full summary »
An abused battered wife has had enough of husband beating up on her. Everywhere she turns for help, there's not much anyone will do. After he rapes her one night, she sets the bed on fire with him in it asleep.
A ship sails into Brooklyn with all its crew dead. But something gets off and the killing continues on land. The vampire is looking for a specific woman - half-human, half-vampire. Rita's the cop detective investigating the many killings.
Tracy Thurman was married to a man who abused her. But he continues to harass her after she gets a restraining order, and the police do little to help. When he brutally beats her and ... See full summary »
When someone is murdered on New Year's Eve, the prime suspect is Valerie Maas, a church-going home-maker whose life unravels when she discovers that her husband of many years has been leading a double life. Her strength of character and faith keep her going as the revelation of her husband's betrayal threatens to destroy all that they have known.Written by
When Valerie is taking portraits during the photo shoot she consistently holds the camera wrong. It is held in 'landscape' mode meaning almost all of the photos taken would have been useless. See more »
well meaning but too contrived to be truly convincing
Bill Duke's "Cover" is like an urbanized, African-American version of "Brokeback Mountain" - only this time told from the viewpoint of the initially clueless spouse rather than the two male lovers. Aunjanue Ellis plays a deeply religious woman whose life and marriage fall apart when she discovers that her husband (Razaaq Adoti) is actually a closeted homosexual. This leads to a great deal of emotional trauma for both the wife and the husband - as well as to a patently absurd and wholly unnecessary murder subplot that's used to frame the story.
There's no question that this is a well-meaning and well-intentioned film, but its attempt to deal honestly with a serious social issue all too often falls victim to slickery and overwrought melodramatics. Many a scene will have you rolling your eyes in incredulity and disbelief, even while conceding that some of the points the movie is making are indeed insightful and valid. And, commendably, the movie does give a fair hearing to each of its genuinely torn and conflicted characters. But an overall air of amateurishness - both in the performances (even from such acting stalwarts as Louis Gossett Jr. and "Amen"'s Clifton Davis) and in the direction - keeps it from having the impact it clearly wishes to have.
All in all, a missed opportunity.
23 of 31 people found this review helpful.
Was this review helpful to you?
| Report this