A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Benicio Del Toro,
In London, the Russian pregnant teenager Tatiana arrives bleeding in a hospital, and the doctors save her baby only. The Russian descendant midwife Anna Khitrova finds Tatiana's diary written in Russian language in her belongings and decided to find her family to deliver the baby, she brings the diary home and ask her uncle Stepan to translate the document. Stepan refuses, but Anna finds a card of a restaurant owned by the Russian Semyon inside the diary and she visits the old man trying to find a lead to contact Tatiana's family. When she mentions the existence of the diary, Semyon immediately offers to translate the document. However, Stepan translates part of the diary and Anna discovers that Semyon and his sick son Kirill had raped Tatiana when she was fourteen years old and forced her to work as prostitute in a brothel of their own. Further, Semyon is the dangerous boss of the Russian mafia "Vory v Zakone", jeopardizing the safety of Anna and her family. Meanwhile, Semyon's ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
For the bathhouse fight scene, the scene was choreographed with the actors instead of stuntmen. The actors had to train in specific fighting styles chosen for their characters and it took two days to shoot on location in London. According to the DVD commentary, both Mortensen and Cronenberg agreed that Nikolai had to fight his would-be killers completely nude. See more »
When Nikolai is sitting in the chair in the brothel, his jacket sleeve is pulled up to his elbow. When Kiril pulls Nikolai to his feet, the sleeve is pulled all the way down. See more »
He says "Christmas." So I say to him,
"Should we go shopping?"
The kid's 16. He says, "But uncle, it's Christmas."
See more »
A terrific, tight, violent, homo erotic thriller with a soul and a heart and if that wasn't enough, Viggo Mortensen! He is an astonishing actor, he's always been. But now his Russian "I'm just a driver" goes further than most actors would have dared. He is magnetic. Cronenberg designs two lives again for him but this time the universe where he lives is made of monsters with an accent. The splendid Armin Mueller-Stahl's bonhomie doesn't fools us for a moment. "A diary?" That's enough for us to know and to fear. Vincent Cassel is also terrific and his down, tactile moments with Viggo Mortensen, have an erotic undercurrent that is impossible to ignore. Naomi Watts brings the heart to the proceedings without ever being sentimental. David Cronenberg, I feel, is entering a spectacular new face to his already remarkable career.
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