For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story... See full summary »
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the yet fragile German democracy. The radicalised children of the Nazi generation lead by Andreas Baader, Ulrike Meinhof and Gudrun Ensslin are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold. And while he succeeds in his relentless pursuit of the young terrorists, he knows he's only dealing with the tip of the iceberg.Written by
Germany's official submission to the Best Foreign Language Film Category of the 81st Annual Academy Awards (2009). See more »
The movie opened in 1967 and we can hear the song "Mercedes Benz" by Janis Joplin, this song was released in October 1970. See more »
If you throw a stone, it's a crime. If a thousand stones are thrown, that's political. If you set fire to a car it's a crime; if a hundred cars are set on fire that's political.
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An enlightening, brilliantly acted and thoroughly absorbing film .
Although being somewhat more than moderately interested in politics, I knew very little about the original activities on which this film is based. Having seen the film, I now feel vastly more knowledgeable on how world events in the late sixties and early seventies led from the emergence to the demise of this particular left wing faction. My attention was fully engaged throughout the film. I thought the screenplay brilliantly portrayed the way the mindset of the RAF developed as they became more and more convinced they were living in a police state. Acting and direction were superb throughout. In spite of the violence and repression being depicted, I was reassured by the fact that such thought provoking films can and are being made for today's cinema audiences. After seeing Die Welle (I think it was three times) earlier this year I am now very enthusiastic about German cinema and shall certainly be hoping to see Der Baader Meinhof Komplex at least once more on the big screen this year. A masterpiece of political film making. Highly recommended.
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