A boy finds an interesting egg. His curiosity leads him to protect it and want to figure out what will come out of it. He didn't realize that it would turn into something magical. The boy and the Water horse grow a strong relationship together in this wonderful story.Written by
In traditional Scottish mythology, 'The Water Horse' aka 'Kelpie' is a terrifying people-eating "boogeyman." This beast appears in a pleasing form to lure unsuspecting victims (usually children) to play with it. Once the unfortunate soul had mounted the Kelpie, it would trap the victim with glue excreted from its skin, and drag him or her down to a watery death. Another kind of Kelpie took the form of a handsome man who targeted young women, analogous to the Dracula and Nosferatu of Eastern Europe. Society used these legends to protect young people by teaching them to be wary of adult strangers and dangerous natural formations. Kelpie stories come from all over Scotland, and are not exclusively associated with Loch Ness. It was only in the 1930s, after the popularity of early stop-motion dinosaur films such as The Lost World (1925) and King Kong (1933), that the standard image of Scottish lake monsters was revised to be shaped like a dinosaur or a plesiosaur. Their nature was subsequently changed to become docile, cute and cuddly, because this image is more convenient for creating a tourist attraction. The association of these monsters with Loch Ness specifically, only came about because the first published photo of such a "creature" was made there, around 1933. After that picture (called the "Surgeon's Photo" and seen frequently in this film) became world-famous in 1934, several similar monsters were "sighted" in various locations across Canada, and given names such as Ogopogo and Cadborosaurus. During the Great Depression, happy novelties in the news were popular, so they were covered extensively. The fact that these "sightings" are so convenient for entertainment culture and the tourist industry, suggests that the phenomenon is commercial rather than biological. See more »
When Angus first takes the egg into the workshop, you can see the door to the workshop is set in a recessed porch and it is cloudy. The next shot, as he enters the workshop, has the sun streaming through the glass in the door. Whilst it is feasible that the sun could have just come out, it would be impossible for it to be streaming through the glass, given the position of the door in the previous shot. See more »
It is reassuring to see more and more family-oriented films being issued without everyone having to rely on the Disney and Pixar folks to carry all the weight. That said, it would have been interesting to see what Disney might have done with this story. In the end, I would highly recommend this for family viewing - it has laughs, thrills, beautiful scenery, and a heartwarming storyline that offers opportunities for family discussion.
As with most things, there are good and bad sides to this film. On the plus side, the acting is above-par by all the actors(the adult male leads look startlingly like a young Liam Neeson and a Gaelic Antonio Banderas), the location footage is gorgeous, the period "feels right", and the title namesake is very well executed and most believable. Major kudos to the special effects teams, they did a magnificent job.
On the downside, the denouement is telegraphed well in advance and comes as no surprise, and there are some unanswered questions and several plot lines end without resolution. I have a feeling a "directors cut" would probably restore studio-mandated cuts and resolve these issues. The Director, Jay Russell, has helmed other very successful films (including a little-known but personal favorite "End of the Line") which were also obviously "fiddled with" by studio decree. Such is the business of film-making.
In the end, I greatly enjoyed this film, and plan to add it to my vast collection when it is released for home viewing.
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