A boy finds an interesting egg. His curiosity leads him to protect it and want to figure out what will come out of it. He didn't realize that it would turn into something magical. The boy and the Water horse grow a strong relationship together in this wonderful story.Written by
kcquail
Two actors from King Kong (2005) Geraldine Brophy and William Johnson appear in this film. See more »
Goofs
When Angus's mum is looking at Angus, Gracie and Hughie through a window in the door, the camera seems to just see them through the window, but when we see Angus's mum looking through the window, the window is obscured or cracked. See more »
Quotes
[first lines]
Female Tourist:
What is that?
Male Tourist:
It's a famous picture of the monster. But it's fake.
Female Tourist:
How do you know it's fake? It looks real.
Old Angus:
Oh, it's fake alright.
Male Tourist:
Of course it's fake. Everyone knows that.
Old Angus:
We'd know, son. There's more to that photo than meets the eye.
Male Tourist:
Oh ho, really.
Old Angus:
Well, if you'd like to know the real truth.
Female Tourist:
Yeah, I wanna know. Come on, it'll be fun.
[...] See more »
Crazy Credits
No Sea Monsters were harmed during the making of this film. See more »
CGIof course: You can't depict the Loch Ness monster with just the putative photo of the famous myth. But after you accept the clever graphics, The Water Horse: Legend of the Deep is just plain ol' good story telling, fit for pre-adolescent kids and their young-at-heart parents.
Narrator Brian Cox (his character is not identified) tells of WWII era in Scotland at the famous loch, where young Angus MacMorrow finds an egg at the shore and nurtures the lovable monster until he has to go to the loch to survive. The Scottish regiment occupying the home and the new handyman, Lewis Mowbray (Ben Chaplin), complicate life and endanger the elusive monster. Although the usual clueless mom (Emily Watson) and dangerous thugs are here to further the horror genre staples, the challenges Angus faces are instructive about the collision of reality and fantasy for an adolescent.
WWII looms large, a fitting embodiment of the challenges the unknown and potentially dangerous can be to the stability of the world. The fantasy world, centered on the monster, who becomes his best friend, collides with the reality of people who want to destroy the monster and the boy's imaginative life.
Mix in all this with the father who has been away to war, never to return, and you have a child's romance with the right balance of love and hate, certainty and uncertainty, illusion and reality. It's all much less sophisticated than Shrek, and more like Whale Rider, also filmed in New Zealand. In the latter, a girl rides a whale as an embodiment of the country's hope; in Water Horse, the boy rides the monster to expunge his own fear of water and elude the malignant forces of the adult world. Pretty heady stuff, that.
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CGIof course: You can't depict the Loch Ness monster with just the putative photo of the famous myth. But after you accept the clever graphics, The Water Horse: Legend of the Deep is just plain ol' good story telling, fit for pre-adolescent kids and their young-at-heart parents.
Narrator Brian Cox (his character is not identified) tells of WWII era in Scotland at the famous loch, where young Angus MacMorrow finds an egg at the shore and nurtures the lovable monster until he has to go to the loch to survive. The Scottish regiment occupying the home and the new handyman, Lewis Mowbray (Ben Chaplin), complicate life and endanger the elusive monster. Although the usual clueless mom (Emily Watson) and dangerous thugs are here to further the horror genre staples, the challenges Angus faces are instructive about the collision of reality and fantasy for an adolescent.
WWII looms large, a fitting embodiment of the challenges the unknown and potentially dangerous can be to the stability of the world. The fantasy world, centered on the monster, who becomes his best friend, collides with the reality of people who want to destroy the monster and the boy's imaginative life.
Mix in all this with the father who has been away to war, never to return, and you have a child's romance with the right balance of love and hate, certainty and uncertainty, illusion and reality. It's all much less sophisticated than Shrek, and more like Whale Rider, also filmed in New Zealand. In the latter, a girl rides a whale as an embodiment of the country's hope; in Water Horse, the boy rides the monster to expunge his own fear of water and elude the malignant forces of the adult world. Pretty heady stuff, that.