6.8/10
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85 user 52 critic

He Was a Quiet Man (2007)

Trailer
2:20 | Trailer
An office worker inadvertently becomes a hero after he saves a woman's life.

Director:

Frank A. Cappello

Writer:

Frank A. Cappello (as Frank Cappello)
2 wins. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Michael DeLuise ... Detective Sorenson
Christian Slater ... Bob Maconel
Jamison Jones ... Scott Harper
Anzu Lawson ... Nancy Felt
John Gulager ... Goldie / Maurice Gregory
Elisha Cuthbert ... Venessa Parks
K.C. Ramsey ... Jackson
Sascha Knopf ... Paula Metzler
David Wells ... Ralf Coleman
Frankie Thorn ... Jessica Light (as Frankie Lou Thorn)
Randolph Mantooth ... Dr. Willis
Sewell Whitney ... Derrick Miles
Lisa Arianna Lisa Arianna ... ADD Assistant
Livia Treviño ... Shelby's Secretary (as Levia Trevino)
William H. Macy ... Gene Shelby
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Storyline

A troubled loner, Bob Maconel, imagines blowing up the tower in Los Angeles where he works. He takes a revolver to his office intent on killing colleagues, and then himself. At home, he holds conversations with his fish, who encourage him to do it. His supervisor picks on him. As he's screwing his courage to the sticking place, he drops a bullet; while on the floor looking for it, another colleague does exactly what Bob has been planning. Bob emerges a hero and the one colleague he likes, a woman with a bright smile, is severely wounded. Can Bob help her through despair and find himself and joy in life? Or, as everyone says, is this impossible for a man like him? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Bob Maconel is about to have a very bad day... See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MySpace site | Official site

Country:

USA

Language:

English

Release Date:

7 December 2007 (UK) See more »

Also Known As:

A Fúria See more »

Filming Locations:

Burbank, California, USA See more »

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Box Office

Opening Weekend USA:

$2,431, 30 November 2007, Limited Release
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to the director's commentary on the DVD the entire movie was shot in only 21 days. See more »

Goofs

When Bob goes to lunch, he carries his briefcase by the handle, then sets it down flat on the top of the wall. When he opens the case, the items inside are perfectly arranged. See more »

Quotes

[first lines]
Bob Maconel: It was easier in the past. A man knew what it was to be a man. He stood up to things that were wrong, and had the right to do so. Were expected to do so. And the way you lived, the training you put yourself through, prepared you for the inevitable confrontations. Ones that could end in dismemberment or even death. Then something happened. We passed laws of decency, lawyers became our shepherds. And what was once a fairly easy thing to understand, became muddled in a bureaucracy of ...
[...]
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Crazy Credits

A still photo of a child appears in the Very Special Thanks section. See more »

Connections

References Zabriskie Point (1970) See more »

Soundtracks

Not today
Written by Frank A. Cappello (as Frank Cappello)
Performed by Robert Cosio
(Elevator Scene)
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Frequently Asked Questions

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User Reviews

 
Witty, quirky, dark comedy undone slightly by its visuals...
12 January 2008 | by shaneo632See all my reviews

Frank A. Cappello, writer and director of He Was a Quiet Man, is a man with something to prove, having written the hilariously bad Hulk Hogan vehicle Suburban Commando, and directing the wholly disappointing Constantine. He Was a Quiet Man, whilst not an unqualified success, is one of the underseen gems of 2007.

The film is essentially an amalgam of A History of Violence, Falling Down, and Office Space, with a pile of quirks to boot. Bob Maconel (the hilariously disguised Christian Slater), a despondent office worker, decides that he is going to perform a murderous rampage at his work office, yet before he can do so, a fellow maniac beats him to it. However, Bob, in protecting the one person that he cares about, the beautiful Vanessa (Elisha Cuthbert), guns down the assailant, and inadvertently becomes a hero.

Bob is unashamedly similar to Michael Douglas' "D-Fens" character from Falling Down, kitted out in a shirt and tie, and even further, seeks moments of reflection in the great outdoors, although in this instance, there are no Mexican gangsters attempting to rob him. The similarities do, thankfully, stop there – this film is born of something else, with its CGI traffic whizzing by at astronomical speeds as Bob dawdles along, illustrating the drudgery of Bob's life without an ounce of subtlety. Whilst the film as a whole is overly reliant on visual curiosities such as this, the animated, talking fish which eggs Bob on to kill his colleagues is delightfully colourful, and mildly amusing to boot.

As one can gather from the above paragraph, He Was a Quiet Man is very surreal in a hilarious sort of way. Essentially, if you gave David Lynch a funny bone, you'd probably end up with something remarkably similar to this. Despite the aforementioned reliance on visual effects, the film is unquestionably carried by the barely-recognisable Slater who, despite his recent collaboration with tragically awful director Uwe Boll, proves that he is still worth something in Hollywood, with comic timing that is nothing short of spot on.

Bob is essentially revered by everyone around him for his "heroic" actions – he is given a new job, his colleagues no longer think of him as a schmuck, and the sexy office bitch wants to have sex with him, yet the film's real point of contention is Cuthbert's character. Vanessa is left paralysed following the shooting, wishing that she was dead, and moreover, she wishes that Bob, who saved her life, would kill her.

A surprisingly understated (until the climatic scenes) conundrum surfaces as an aside to this drama – Bob still finds those around him utterly repugnant, and he considers whether or not to carry out what the other gunner started, as well as putting Vanessa out of her misery, of course. The film carries these questions very well – it is at times predictable, and occasionally not so, yet it never ceases to lose its sense of intrigue. The film's examination of the way in which humans operate is not intricate, and verges on syrupy at times, yet what is most entertaining about He Was a Quiet Man is its surreal spirit. Furthermore, even in its sweetness, the film explores the lives of disabled persons with a surprising level of insight and honesty . It may be exaggerated, and at times, even humorous, yet its approach is undeniably refreshing, particularly in relation to how the disabled manage to still engage in an active and healthy sex life.

He Was a Quiet Man never remains comfortable, constantly fidgeting and posing new questions for both ourselves and Bob to consider. The film follows through with an insane close, yet it is the most manically reasoned, and therefore, perhaps the most realistic end possible (although term "realism" is a very tenuous one in a film as twisted as this). The ending comes very abruptly, and little is done to satisfy viewer curiosity, yet we are given the vital answers, even if they aren't wholly satisfying, and are a tad questionable. We are left to ponder several things, yet when the preceding ninety minutes are so intentionally devoid of poignance, the film may simply leave your mind as the final frame does.

Christian Slater's latest and greatest effort (at least for a while) is A History of Violence without the graphic violence, Falling Down without the social commentary, and Office Space without the sagacious humour. Yes, it is a blend of all three films, at the cost of diluting each of them. The film's worst crime may be never allowing us to particularly care for Bob (or anyone) as much as we did for D-Fens in Schumacher's film, yet even despite its relative superficiality, He Was a Quiet Man remains a thoroughly entertaining, inventive and quirky film that will have nihilists the world over utterly dumbfounded (myself included). Elisha Cuthbert pulls out a career best (in that she is above tolerable, and even "good"), William H Macy plays the corporate yes-man with glee, and Slater, with great aid from his fabulous make-up department, looks and acts with great hilarity. It is unfortunate that this film, embracing its flaws as it so flagrantly does, has yet to find a large audience, and as such, it instantly becomes one of the indie staples of 2007.


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