A young drifter discovers his true calling when he's hired by a mobster to stalk and kill a prominent accountant, and then decides to seek revenge when the stingy thugs try to kill him rather than pay him.
It is the time of the Spanish Inquisition. Maria does not like what is going on during the "Auto De Fe". When she speaks out, she is arrested and accused of being a witch. Torquemada has ... See full summary »
Brandi is a hard-partying, overworked, nursing assistant desperate for a promotion at the retirement home where she works. After a night of drug-binging and partying, she accidentally hits a certain Thomas Bardo a deadbeat and recently evicted man who gets stuck in the windshield of her car. Not wanting to call for help since she is driving under the influence, Brandi chooses not to get Thomas medical help and instead drives home and leaves him clinging to life on the windshield of her car. While Brandi frantically tries to decide what she is going to do, Thomas tries to free himself knowing his time is running out.
Scriptwriter John Strysik has stated that the last name of Stephen Rea's character - Bardo - comes from the Buddhist term for an intermediate or transitional state of being, and thus is a reference to the life-or-death situation Tom experiences. See more »
When Bardo is seen walking down the street, you can see the visible breath of a crumbier on the right side of the shot. This is apparently due to the cold temperature on the night this was filmed. See more »
Stuart Gordon made a masterpiece in Re-animator, and carved a career in the eighties out of schlock horror with a heavy foot in satire. In the nineties he managed to lose his way a little but the naughties has seen him experimenting with genres, providing his most interesting work to date. Edmond was a lurch to the left with Mamet's difficult play, but this film returns him to a genre he's more familiar with, yet the tone is firmly planted in reality.
Some reviewers have suggested that Stuck is simply a thriller but I disagree. Certainly there is a grotesque sort of suspense, yet Gordon has managed to provide humanity to his victim, and show us the type of system that puts so many to the street.
It also shows us how a relatively normal reaction of fear and shock can mislead even the most well meaning person into a situation which climbs out of control with devastating consequences. It will also reinforce the fact that we never know how people will react until placed into a difficult situation, ourselves included.
The film never feels forced. You can believe that this actually happened, (based loosely on a true story) though this takes events to the extreme.
Stephen Rea gives a constrained performance, (pun intended) as the proverbial bug. You'll feel his pain and scream for justice.
I hope Stuart Gordon continues taking risks. His best work may be ahead of him.
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