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Outlaw (2007)

R | | Action, Crime, Drama | 9 March 2007 (UK)
1:58 | Trailer

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A group of people who feel betrayed by their government and let down by their police force form a modern-day outlaw posse in order to right what they see as the wrongs of society.


Nick Love


Nick Love



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Cast overview, first billed only:
Sean Bean ... Danny Bryant
Danny Dyer ... Gene Dekker
Rupert Friend ... Sandy Mardell
Sean Harris ... Simon Hillier
Lennie James ... Cedric Munroe
Bob Hoskins ... Walter Lewis
Sally Bretton ... Kelly
Joe Jackson Joe Jackson ... Subaru Kid #1
Igor Breakenback Igor Breakenback ... Subaru Kid #2
James Farbell James Farbell ... Subaru Kid #3
Emily Maitlis Emily Maitlis ... Herself
Sonic Sonic ... Big Kid (as Sonic Rainer)
Shane Reese Shane Reese ... Kid #1
Ethan Wilson Ethan Wilson ... Kid #2
Rory Pettyjohns Rory Pettyjohns ... Kid #3


A group of people who feel betrayed by their government and let down by their police force form a modern-day outlaw posse in order to right what they see as the wrongs of society.

Plot Summary | Add Synopsis


There will be no excuses. The guilty will be punished. No one is above OUTLAW

Motion Picture Rating (MPAA)

Rated R for violence, pervasive language and brief sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Vertigo Films





Release Date:

9 March 2007 (UK) See more »

Also Known As:

A Lei da Milícia See more »


Box Office


£2,500,000 (estimated)

Opening Weekend:

£582,434 (United Kingdom), 11 March 2007, Limited Release
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Originally had Luke Bowkett in the cast but all his scenes were cut before cinema release See more »


Bryant: Manning made bail. Where is he?
Walter Fuller: Kill me and you won't fucking know.
Bryant: Somebody'll talk, they always do.
[Shoots him]
See more »


References Munich (2005) See more »


Puppy Love
Written and Performed by Paul Anka
See more »

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User Reviews

Nothing of interest to say but says it in an empty, angry way as it goes after the target male audience
4 September 2007 | by bob the mooSee all my reviews

Bryant returns from the Iraq war one of many burnt out veterans to find his wife gone off with another man and yobs hanging around in the street. Gene Dekker meanwhile gets beaten up in the street (an English street dear viewer!) by thugs after a minor fender bender. Barrister Cedric Munroe however, losing his wife and unborn baby after criminals from the gang of violent overlord Manning send a warning for him to back off the prosecution of their boss.

There is an interesting film in here somewhere and certainly the time to try and find it would be now. Whether it is reality or perception, there is the feeling that lawlessness is rife and that the police are powerless to stop it. Whether it is yobs on the street, rudeness, robbers suing victims, paedophiles living beside schools or whatever, the Daily Mail has never had it so good with plenty of hand-wringing to be done at every turn. Even recently two "ordinary" people have died in different places when they attempted to stop youths or criminals doing something – surely it is only right to stand up to such behaviour. Well yes and no and it is an interesting question but with Outlaw the questions are either answered before we begin or are just ignored in favour of a simple narrative.

For that is what is served up here in a script that never really challenges the audience and seems to be keen to serve the target audience of those attracted to a story about men standing up to injustice, without actually being brave enough to just come out and say "hanging's too good for 'em". This is seen in the "turmoil" that the group goes through, with some all to happy to kill the wrong doers, while others just want to beat the sh1t out of them – you know, the type of complex morality questions that really trouble the mind. Such as it is the script never gets into this aspect of it and indeed if there is a conclusion, it is that vigilantism is the only way to go if you want results.

Having seen other films from love, I am willing to accept that he has written a dramatic script that has no interest in the wider questions but is just using the situation as a setting. As weak as an excuse as that is, following this line of reasoning still left me with a film that didn't engage, excite or interest me. As writer Love did not produce any characters, scenarios or questions that I cared about. As director he seems to be frantically trying to make his drama have the grit and reality that his script lacks but he has decided to do it by doing an poor man's impression of Paul Greengrass by having a child nudge the cameraman throughout shooting. It worked for Bourne but here it just annoyed me and seemed like just a stolen idea rather than a style that helped the film.

The cast offered substance and I would have liked to see some of them actually served with good characters. Bean and James in particular are capable of more and maybe they thought they would get it when they signed up. Both have a good presence but neither really has anything of value to get into. Dyer does his usual stuff but, considering his character is more or less the heart of the film, he does not connect with anything. Hoskins is a good catch for this name but his character is just an easy angry copper.

Overall then, what did this film offer to me? Well not a great deal. Despite a topical and controversial subject matter, there is nothing to think about or challenge the viewer as Love just hammers home a simple dramatic script without the heart to go for blood whole-hog or conversely risk upsetting his loyal male audience by being reflective or thoughtful. Could have been interesting. Wasn't.

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