After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Seventy-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
A successful investment banker struggles after losing his wife in a tragic car crash. With the help of a customer service rep and her young son, he starts to rebuild, beginning with the demolition of the life he once knew.
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.Written by
Twentieth Century Fox
The anti-Parkinson's drugs Sinemet and Ropinirole, mentioned in the film, can cause sexual hyperactivity and hyperarousal in some patients as a side-effect. See more »
When Maggie takes a Polaroid picture of Jamie in the parking lot, Jamie raises his hands to block the shot AFTER the camera flashes and we hear the motor crank out the picture, meaning the camera had already taken the picture. Later when we actually see the picture, the picture has him with his hands raised. See more »
It's very difficult to give a higher rate to this movie. It's supposed to be presented as a different romantic comedy, yet, it's the same old story that bores to death. The promiscuous irresponsible guy ('cause men are always like that) and the promiscuous irresponsible girl (she's just that way 'cause she has a broken heart, 'cause women are never like that) played by Gyllenhall and Hathaway are just not convincing. Their respective friends -his loser brother and her gay black friend (sounds familiar?) are just useless for the plot.
The "originality" is in the "dramatic" story of Hathaway's character and the 90's background, with its medical consumerism and the negotiation with the health system. Yet this two aspects, perhaps the less bad things of the film, are poorly treated in the script. Such a bad cinematographic experience. The movie is not only bad, is not even funny!
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