After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Seventy-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
A successful investment banker struggles after losing his wife in a tragic car crash. With the help of a customer service rep and her young son, he starts to rebuild, beginning with the demolition of the life he once knew.
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.Written by
Twentieth Century Fox
In designing the sex scenes, Edward Zwick had the principals watch romantic comedies and sexually charged films - everything from Pillow Talk (1959) to 9 Songs (2004) to Last Tango in Paris (1972) - and talk about what turned them on. Then some of those shots and ideas were incorporated into the making of the scenes. See more »
Near the end, a video is watched from a Fisher Price PXL 2000 camcorder hooked up to the TV. Audio is heard but only the yellow video cable is connected. These camcorders had an RF modulated output so video and audio were output through a single cable and modulated so a television could tune into the signal on channel 3 or 4 when attached to the antenna connector. See more »
Slow Start, Great Finish... Anne Hathaway is Wonderful
The movie starts out as a generic and even pedestrian romantic comedy and appears to be headed in the typical cliché driven direction but, fortunately, evolves in to something more. Jake Gyllenhaal's character and his alleged "funny" fat side kick are established almost purposefully as illustrations of what's wrong with most romantic comedies. It's Anne Hathaway's character that is the catalyst for the transformation from two dimensional rom-com to something deeper and more enjoyable. As she is fleshed out (pun intended because the more Anne Hathaway nudity the better) her character forces both Gyllenhaal's character and the film itself to grow (almost Viagra like). What follows is a deep, sometimes moving and genuinely interesting film. Commentary about battling illness, life and enjoying the moment are all relevant and poignant. Even supporting characters are given moments to shine. Oliver Pratt's drug rep has a wonderful scene delivered over dinner and there's even a smart drunken ramble explaining what is wrong with being a doctor and a commentary on the state of the Hippocratic Oath. From an emotionless and even tedious start, this film surprised me and is worth the price of a ticket.
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