After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Seventy-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
A successful investment banker struggles after losing his wife in a tragic car crash. With the help of a customer service rep and her young son, he starts to rebuild, beginning with the demolition of the life he once knew.
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.Written by
Twentieth Century Fox
In designing the sex scenes, Edward Zwick had the principals watch romantic comedies and sexually charged films - everything from Pillow Talk (1959) to 9 Songs (2004) to Last Tango in Paris (1972) - and talk about what turned them on. Then some of those shots and ideas were incorporated into the making of the scenes. See more »
Jamie and Maggie are in Chicago. In the scene where they walk across the street after the unConvention, the street sign clearly shows "Seventh Avenue." There is no Seventh Avenue in Chicago. See more »
More complex than the trailer suggested, more enjoyable than the poster suggested
This film surprised me in a good way.
From the trailer and the posters to be found in many of the bus shelters of our town it would have been fair to have expected a routine rom-com. The pose struck by the leads Jake Gylenhall & Anne Hathaway on that poster just screamed "knock about rom-com,just like hundreds of others" It isn't though and that was a pleasant and engaging surprise.
Jake Gylenhall pulls off the role of super bright but super slacker son Jamie in a high achieving family well and is convincing as a magnetising presence that women find irresistible.
The absence of Anne Hathaway's character Maggie in the first segment of the film is the first suggestion that this will not be a routine paint by numbers romance and Maggie's introduction sets the scene for the complex character she successfully portrays.
This film covers a lot of ground and both of the leads are engaging and believable.
Issues such as serious illness, the workings of the big pharmaceutical companies and their attempts to influence the decision making of medical professionals, the struggle people have to pay for treatment and a believably complex love story are woven in without significant signposting or obvious plot twists.
Once again, the two lead actors were excellent and overall this made for an enjoyable and engaging film
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