A group of young adults visit a boarded up campsite named Crystal Lake where they soon encounter the mysterious Jason Voorhees and his deadly intentions.
A group of camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp which was the site of a child's drowning and a grisly double murder years before.
Director:
Sean S. Cunningham
Stars:
Betsy Palmer,
Adrienne King,
Jeannine Taylor
After being mortally wounded and taken to the morgue, murderer Jason Voorhees spontaneously revives and embarks on a killing spree as he makes his way back to his home at Camp Crystal Lake.
Director:
Joseph Zito
Stars:
Erich Anderson,
Judie Aronson,
Peter Barton
Having revived from his wounds, Jason Voorhees takes refuge at a cabin near Crystal Lake. As a group of co-eds arrive for their vacation, Jason continues his killing spree.
Director:
Steve Miner
Stars:
Dana Kimmell,
Tracie Savage,
Richard Brooker
Years after Tommy Jarvis chained him underwater at Camp Crystal Lake, the dormant Jason Voorhees is accidentally released from his prison by a telekinetic teenager. Now, only she can stop him.
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Still haunted by his past, Tommy Jarvis - who, as a child, killed Jason Voorhees - wonders if the serial killer is connected to a series of brutal murders occurring in and around the secluded halfway house where he now lives.
Director:
Danny Steinmann
Stars:
Melanie Kinnaman,
John Shepherd,
Anthony Barrile
A group of young adults set up tent near the abandoned summer camp where a series of gruesome murders are said to have taken place back in 1980. The perpetrator was a grieving mother, driven insane by the drowning of her child, Jason, whom she believed was neglected by the camp counselors. As legend has it, the last survivor of the attacks beheaded the woman. But then Jason came back, and now he is a vengeful and inexorable killer, wielding crossbows, swords, axes and other sharp instruments. The legend proves horribly true, as these campers quickly discover. Six weeks later, the brother of one of those campers distributes posters of his missing sister. The police believe she took off with her boyfriend; but he knows better. The brother crosses paths with an uptight young rich guy who is having his girlfriend and friends over at his parents' cabin. The brother ends up at the cabin himself just before his sister's attacker sets upon them all.Written by
J. Spurlin
Unlike in the later films where Jason started to randomly appear out of thin air, the remake instead approached with the idea that he traveled via a series of underground tunnels. That concept was in Mark Wheaton's original script, but Mark Swift and Damian Shannon claimed to have never read Wheaton's script until the film was finished, having come up with the same idea about the tunnels on their own. As for the marijuana plant farm which Jason appears to use to lure teenagers into traps, apparently no writer can claim that as their own. According to Swift and Shannon, that was actually director Marcus Nispel's idea from early on in the development process, and it was their job to work it into the script. See more »
Goofs
(at around 1h) When Chewie finds the liquor cabinet, the bottle changes from his right to left hand with each sequential shot up until he puts the bottle back in the cabinet. See more »
Tick Tick Boom
Written by Nicholaus Arson (as Randy Fitzsimmons)
Performed by The Hives
Courtesy of Polydor Records Ltd (U.K.)/Interscope Records
Under license from Universal Music Enterprises See more »
"Jason was my son, and today is his birthday " Twelve birthdays have passed for the masked killer Jason Voorhees since the series was born thirty years ago back in the golden age of slasher films. Of the slew of terms studios use to avoid the word 'remake' I suppose the best term to describe the latest 13th film would be rejuvenation. The series started its downward spiral after part IV and while director Marcus Nipsel's doesn't wipe the slate clean, he ads enough pizazz to make it the best of the series in nearly two decades.
To give credit where it is due, this film does a number of things with the Jason character that are certainly a relief. Nipsel has opted to do away with the supernatural element and the super-zombie- Jason angle as well as giving Jason some spunk and cunning that he left with him at the bottom of Crystal Lake before part VI. Along with discarding these cumbersome characteristics, Jason is graced with a hunter/gatherer mentality that has him setting snares, traps and siphoning gasoline from locals. This is what the character should be; a loner forced to fend for himself in the forest; disturbed and deadly.
From the get go I thought this movie was a disaster. Never before had I seen poorer character development or less tense of a build- up. But don't leave the theatre so soon, as the opening act is graced with a nifty twist that you will not see coming. The calibre of the acting has never been a prominent staple of the Friday films, but this latest offering certainly comes closest to what could be considered as such. The dialogue is acceptable, only occasionally displaying the wince factor, and the leads are likable enough that you care just enough that you don't wish for a machete to the skull.
Years have passed since young Jason drowned at Camp Crystal lake, and the rein of Pamela Voorhees (Nana Visitor in a cameo) has been cut short pun intended. Returning to the town of terror, much to the chagrin of the sheriff is Clay Miller (Jared Padalecki) who longs to find his sister (Amanda Righetti) who disappeared along with her friends a month prior. Clay's journey intertwines with a group of friends venturing to a cabin for a weekend of booze, boobs and bongs including Jenna (Danielle Panabaker), the cabins snooty owner, Trent (Travis Van Winkle) the resident stoner, Chewie (Not to be confused with Chewbacca, Aaron Yoo) among others. Their story lines are forced closer together still as people go missing, and soon the terrifying force from the nearby abandoned camp is revealed.
Aside from the Jason overhaul, who can run, jump and kill with the best of them, I enjoyed how the director managed to make the characters do stupid things, without making the characters themselves seem equally idiotic. The way the story unfolds, it is only the frantic ramblings of a few characters that claim a threat, which allows the others to wander to their bloody demises. There are still all the trademark Friday elements; a lot of booze, a lot of pot and a lot of nudity (which is overdone at times) When Jason first rears his ugly head, he has not yet donned his hockey mask, and I was interested to see if they could have him happen across it in an uncontrived manner; I was pleased if not blown away.
Fans of the series should at least be content with the latest offering, but really there is nothing new enough to become ecstatic about. One death aside, it is predictable, and the gore and deaths are less inventive then the early films. There are moments of tension to be certain, and the climax, like all Friday films, does not fail to disappoint. Disposable, but nothing special, when Jason does return I am hoping for a full overhaul of the horror icon that will not be as unlucky as its title implies.
6.5 / 10.0
Read all my reviews at: http://www.simonsaysmovies.blogspot.com
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"Jason was my son, and today is his birthday " Twelve birthdays have passed for the masked killer Jason Voorhees since the series was born thirty years ago back in the golden age of slasher films. Of the slew of terms studios use to avoid the word 'remake' I suppose the best term to describe the latest 13th film would be rejuvenation. The series started its downward spiral after part IV and while director Marcus Nipsel's doesn't wipe the slate clean, he ads enough pizazz to make it the best of the series in nearly two decades.
To give credit where it is due, this film does a number of things with the Jason character that are certainly a relief. Nipsel has opted to do away with the supernatural element and the super-zombie- Jason angle as well as giving Jason some spunk and cunning that he left with him at the bottom of Crystal Lake before part VI. Along with discarding these cumbersome characteristics, Jason is graced with a hunter/gatherer mentality that has him setting snares, traps and siphoning gasoline from locals. This is what the character should be; a loner forced to fend for himself in the forest; disturbed and deadly.
From the get go I thought this movie was a disaster. Never before had I seen poorer character development or less tense of a build- up. But don't leave the theatre so soon, as the opening act is graced with a nifty twist that you will not see coming. The calibre of the acting has never been a prominent staple of the Friday films, but this latest offering certainly comes closest to what could be considered as such. The dialogue is acceptable, only occasionally displaying the wince factor, and the leads are likable enough that you care just enough that you don't wish for a machete to the skull.
Years have passed since young Jason drowned at Camp Crystal lake, and the rein of Pamela Voorhees (Nana Visitor in a cameo) has been cut short pun intended. Returning to the town of terror, much to the chagrin of the sheriff is Clay Miller (Jared Padalecki) who longs to find his sister (Amanda Righetti) who disappeared along with her friends a month prior. Clay's journey intertwines with a group of friends venturing to a cabin for a weekend of booze, boobs and bongs including Jenna (Danielle Panabaker), the cabins snooty owner, Trent (Travis Van Winkle) the resident stoner, Chewie (Not to be confused with Chewbacca, Aaron Yoo) among others. Their story lines are forced closer together still as people go missing, and soon the terrifying force from the nearby abandoned camp is revealed.
Aside from the Jason overhaul, who can run, jump and kill with the best of them, I enjoyed how the director managed to make the characters do stupid things, without making the characters themselves seem equally idiotic. The way the story unfolds, it is only the frantic ramblings of a few characters that claim a threat, which allows the others to wander to their bloody demises. There are still all the trademark Friday elements; a lot of booze, a lot of pot and a lot of nudity (which is overdone at times) When Jason first rears his ugly head, he has not yet donned his hockey mask, and I was interested to see if they could have him happen across it in an uncontrived manner; I was pleased if not blown away.
Fans of the series should at least be content with the latest offering, but really there is nothing new enough to become ecstatic about. One death aside, it is predictable, and the gore and deaths are less inventive then the early films. There are moments of tension to be certain, and the climax, like all Friday films, does not fail to disappoint. Disposable, but nothing special, when Jason does return I am hoping for a full overhaul of the horror icon that will not be as unlucky as its title implies.
6.5 / 10.0
Read all my reviews at: http://www.simonsaysmovies.blogspot.com