Death Note

As a non-aficionado of manga, I am always wary of manga-inspired productions. Nana, for example, panders purely to its manga fan-base and fails to engage a wider audience.

Death Note, however, manages to break free of its comic book origins. Light finds the Death Note, a jotter that allows him to pass a death sentence on anyone whose name he writes in it. Ryuuk, the apple-addicted Angel of Death who owns the book, turns up to play sidekick to Light's procession of executions. The police are at a loss, till super-sleuth 'L' takes on the case and figures out the MO and narrows the suspects down to the lead detectives' family.

Tatsuya Fujiwara is perfectly cast, his angelic features in shocking contrast to the character's dark heart. Ken'ichi Matsuyama is all quirky brilliance as L. The pace is brisk, the twists plausible and surprising. The ending sets up the sequel but in a forgivable manner. Fun, entertaining cinema.