Peggy is single, childless, in her 40s, a lonely executive assistant in a friendly office. Her dog Pencil is the love of her life, and when he dies after eating some sort of toxin, Peggy's life spins out of her control: a friendly neighbor invites her for dinner; a friendly staff member at her vet's calls with an abused dog he recommends she adopt - she does, and also finds herself attracted to this fellow. She becomes a vegan, supports animal-rights causes, and embroils her brother's young children in these concerns. Saving dogs and other animals become such a passion that her mental health and her job may be in danger. Are regaining control and finding love beyond her reach?Written by
The screenplay for this film was featured in the 2006 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
If you all didn't think I was crazy, I'm sure you will now. How do I explain the things I've said and done? How do I explain the person I've become? I know I've disappointed everyone and I'm sorry for that. I wish I was a more articulate person. I believe life is magical. It is so precious. And there are so many kinds of life in this life. So many things to love. The love for a husband or a wife, a boyfriend or girlfriend. The love for children. The love for yourself. And even ...
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I don't have much new to add, but this film is unfortunately being overlooked
I'm a sucker for movies about people and their pets. This film stars former SNL player Molly Shannon as a secretary whose personal life revolves around her beagle, Pencil. When he passes away unexpectedly, she has to find another reason to go on. The film first hints that she'll discover the world of humans around her, particularly men, as two new ones (John C. Reilly & Peter Saarsgard) enter her life. But it smartly steers away from the obvious and veers into a more original voyage of self-discovery. My only real problem with the film is that a lot of the supporting characters are a little too caricature-esquire (notably Shannon's boss, played by Josh Pais), but writer/director White does a good job of redeeming them for the most part. A very touching, gentle film that's well worth your time.
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