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The Squire of Gothos 

A being that controls matter and creates planets wants to play with the Enterprise crew.

Director:

Don McDougall

Writers:

Paul Schneider, Gene Roddenberry (created by)
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Cast

Episode complete credited cast:
William Shatner ... Capt. Kirk
Leonard Nimoy ... Mr. Spock
William Campbell ... Trelane
DeForest Kelley ... Dr. McCoy
Richard Carlyle ... Jaeger
Nichelle Nichols ... Uhura
George Takei ... Sulu
James Doohan ... Scott
Michael Barrier Michael Barrier ... DeSalle
Venita Wolf Venita Wolf ... Yeoman Teresa Ross
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Storyline

When Kirk and Sulu vanish into thin air from the bridge of the Enterprise, Spock sends a landing party to the planet below to locate them. What they find is an 18th century castle and a rather foppish man, Trelane, who seems to know a great deal about the Earth - even if it is the wrong time period. If truth be told, Trelane acts like a spoiled little boy and it's obvious Kirk and the others have become his playthings. They soon realize that if they are to overcome Trelane and free themselves, they must locate and destroy his power source. Written by garykmcd

Plot Summary | Plot Synopsis


Certificate:

TV-PG | See all certifications »
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Did You Know?

Trivia

The voices of Trelane's parents were provided by Barbara Babcock, who played several other guest characters in TOS, and Bart La Rue who, in real life was one of James Doohan's (Scotty) best friends, and the best man at Doohan's 1974 wedding to Wende Doohan. (It is sometimes incorrectly reported that Doohan himself provided the father voice.) See more »

Goofs

When the landing party first encounters Kirk and Sulu as 'specimens', Captain Kirk's eye blinks when he should have been motionless. Also, both characters' bodies move visibly. See more »

Quotes

Mr. Spock: If those peculiar signals are coming from Captain Kirk or Lieutenant Sulu, their rationality is in question.
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Crazy Credits

The closing credits are set against a combination background of stills from that episode and previous episodes. See more »

Alternate Versions

Special Enhanced version Digitally Remastered with new exterior shots and remade opening theme song See more »

Connections

Referenced in Malcolm in the Middle: Hal Grieves (2006) See more »

Soundtracks

Theme From Star Trek
(uncredited)
Written by Alexander Courage
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User Reviews

God of war, or naughty little child?
3 June 2009 | by BlueghostSee all my reviews

What is it that compels two factions to engage in conflict with one another? What propels them to a state of warfare? An exercise whose only product is the destruction of life? How can sane and mature men engage in such a practice? The "Squire of Gothos" examines a possible explanation for this proposition. Kirk and crew must escape and evade a wandering planet controlled by a being who has all the respect for life that a sadistic child might when it levels a magnifying glass and sunbeam at an unsuspecting ant. Said child gets a sick thrill out of this. But can we blame the child? Does it know enough not to do what it is doing? It is, after all, an undeveloped mind--not having reached full maturity. But is this really an excuse? Excuse or no the author of this episode offers it as a possible explanation to the fascination of warfare by a certain kind of adult. The child reads or hears tales of gallantry on the battlefield, and wants to act "grown up" by mimicking said deeds and his heroes. But, because he is a child, he knows not the peril of the bloody pastime he hopes to partake in.

All boys (and some girls too I guess) went through the period of playing "cops and robbers" or "war" prior to adolescence. For some people that little boy never leaves. Sometimes that's a good thing. Sometimes it's bad. "The Squire of Gothos" is slightly farce by sending up a caricature of the proverbial brave yeoman on a 18th or 19th century battlefield. Trelane is a parody of the idolatry that surrounded and generated the myths of battlefield heroics, and shows the audience the absurdity of lionizing the image he portrays.

What's worse is that Kirk and the Enterprise are powerless to stop him. The episode becomes fairly symbolic and drives home a very poignant message near the end. It is ultimately a parental responsibility and obligation to their fellow man to raise and reign in their child and his behavior.

Were it only that simple when it comes to armies clashing on the battlefield.

Science fiction at its thematic best.

Enjoy.

p.s. the "Q" comparison is apt, but is really a minor cog in a much larger clockwork of symbolism.


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Details

Official Sites:

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Country:

USA

Language:

Greek | English | French | German

Release Date:

12 January 1967 (USA) See more »

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Technical Specs

Runtime:

Sound Mix:

Mono | Dolby Digital (re-mastered version)| DTS (re-mastered version)

Color:

Color | Color (Technicolor)

Aspect Ratio:

4:3
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