A Taste of Armageddon
- Episode aired Feb 23, 1967
- TV-PG
- 50m
IMDb RATING
8.0/10
4.4K
YOUR RATING
Kirk and Spock must save their ship's crew when they are all declared killed in action in a bizarre computer simulated war where the actual deaths must nevertheless occur.Kirk and Spock must save their ship's crew when they are all declared killed in action in a bizarre computer simulated war where the actual deaths must nevertheless occur.Kirk and Spock must save their ship's crew when they are all declared killed in action in a bizarre computer simulated war where the actual deaths must nevertheless occur.
David Armstrong
- Eminiar Guard
- (uncredited)
Buzz Barbee
- Ambassador Fox's Aide
- (uncredited)
Majel Barrett
- Enterprise Computer
- (voice)
- (uncredited)
Bobby Bass
- Eminiar Guard
- (uncredited)
Bill Blackburn
- Lieutenant Hadley
- (uncredited)
- …
John Blower
- Eminian Secretary
- (uncredited)
Storyline
Did you know
- TriviaCrewman DePaul is played by Sean Kenney, who portrayed the injured Captain Pike in The Menagerie: Part I (1966) and The Menagerie: Part II (1966).
- GoofsThe Eminians attack the Enterprise with a sonic weapon. However, sonics would not be effective against an orbiting starship, as the vacuum of space (or even a planet's upper atmosphere) would not conduct sonic energy.
- Alternate versionsSpecial Enhanced version Digitally Remastered with new exterior shots and remade opening theme song
- ConnectionsFeatured in Star Trek Logs: An MTV Big Picture Special Edition (1991)
- SoundtracksTheme From Star Trek
Written by and credited to Alexander Courage
Featured review
A clever sf concept on how a different society may wage their wars: totally by computers. In their supposed enlightened method, the buildings and their culture continue - the populace obediently reports to disintegration chambers to fulfill an agreement with the enemy planet after each computerized attack. It all sounds very clinical, very clean, if not a bit on the 'patriotism gone mad' spectrum - but it's probably the clinical aspect which outrages Kirk the most; that and the fact that his beloved starship is declared a target almost immediately. I don't think he even remembers, at this point, that another Federation ship was lost 50 years earlier in this manner - it's his ship what counts. To be fair to this society on Eminiar, they did warn the Enterprise to stay away from their system; but the problem here again is an annoying Federation bureaucrat, ambassador Fox (see also the previous "The Galileo 7" for another such representative). Fox places more value on a successful diplomatic mission than on the lives of all the crew and the ship. This does not endear him to Kirk, Scotty, or the audience, for that matter.
Speaking of Scotty, he had some of his best scenes of the first season here. Placed in command of the Enterprise for most of the episode, he gets to shine in his confrontations with Fox and the 'mealy-mouthed' Anan-7 down on the planet. My favorite scene is when he informs Anan-7 that the Enterprise will destroy the surface of the planet in less than two hours. It sounds horrible when described this way, but it's almost a validation of a starship's power and, by extension, Starfleet, and actor Doohan learned by this point how to infuse as much melodramatic impact on such pronouncements as possible. We secretly thrill to this opportunity Scotty has in throwing his starship's weight around - following Kirk's orders, of course. For Kirk, it's his chance to play God once more (see the previous "Return of the Archons"), literally transforming an entire culture overnight - not in theory, but in practice! To be fair to the captain, one can argue his hand was forced after his ship was targeted but...I, for one, get the sense he's really enjoying himself - give him any excuse; he'll change the way a planet does things soon enough, maybe even as retribution for daring to threaten his ship.
Still, the society of Eminiar poses many questions and problems, despite the outward appearance of prosperity and technological comfort (another nice matte painting here, though not as successful as previous ones for Starbase 11 in "The Menagerie" and "Court Martial"). Anan-7 (Opatoshu in a nicely-layered performance) himself inadvertently suggests where the priorities of this so-called culture lie when he tells Kirk that he'll try to spare his starship but the human beings inside it are definitely goners. Things - material things - definitely take precedence over humanity here. There's something inherently repulsive about living thinking beings marching into oblivion at the 'suggestion' of computer results - another aspect making this similar to "Return of the Archons" - like so much programmed ants. I could understand Kirk's disgust and I noticed Spock was on his side all the way without even a word of debate about something called The Prime Directive.
Speaking of Scotty, he had some of his best scenes of the first season here. Placed in command of the Enterprise for most of the episode, he gets to shine in his confrontations with Fox and the 'mealy-mouthed' Anan-7 down on the planet. My favorite scene is when he informs Anan-7 that the Enterprise will destroy the surface of the planet in less than two hours. It sounds horrible when described this way, but it's almost a validation of a starship's power and, by extension, Starfleet, and actor Doohan learned by this point how to infuse as much melodramatic impact on such pronouncements as possible. We secretly thrill to this opportunity Scotty has in throwing his starship's weight around - following Kirk's orders, of course. For Kirk, it's his chance to play God once more (see the previous "Return of the Archons"), literally transforming an entire culture overnight - not in theory, but in practice! To be fair to the captain, one can argue his hand was forced after his ship was targeted but...I, for one, get the sense he's really enjoying himself - give him any excuse; he'll change the way a planet does things soon enough, maybe even as retribution for daring to threaten his ship.
Still, the society of Eminiar poses many questions and problems, despite the outward appearance of prosperity and technological comfort (another nice matte painting here, though not as successful as previous ones for Starbase 11 in "The Menagerie" and "Court Martial"). Anan-7 (Opatoshu in a nicely-layered performance) himself inadvertently suggests where the priorities of this so-called culture lie when he tells Kirk that he'll try to spare his starship but the human beings inside it are definitely goners. Things - material things - definitely take precedence over humanity here. There's something inherently repulsive about living thinking beings marching into oblivion at the 'suggestion' of computer results - another aspect making this similar to "Return of the Archons" - like so much programmed ants. I could understand Kirk's disgust and I noticed Spock was on his side all the way without even a word of debate about something called The Prime Directive.
- Bogmeister
- Jul 16, 2006
- Permalink
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